Teaching a Pupil [Closed|Training|Camus]

[奥田 (Okuda)]

What was he doing, he made an offer to some random genin that he’d teach them how to fight using the Burēdono Kenseijin swordsmanship, he wasn’t a true Master of the fighting style and he wasn’t even sure he could teach the youth. But the red haired man had made the offer nonetheless. In the end he had to hope that either the young shinobi would never appear again or that he would be up to the task of teaching.

Wearing his usual white hakama, white kimono and blue kimono along with his dark blue toe socks and simple straw sandals. Around his waist was a simple robe-style belt that was tied in a simple and elegant bow-tie style note. Finally on his left hip there was his two weapons, his Katana and Wakizashi. His long red hair was tied in a high pony tail, and the young man would sit on the ground, to begin meditating and thinking of what to do.

[Camus Comprix]

He holstered the newly bought blade he bought on his hip on the left side. It felt awkward, he was unclimaticized to the weight of the blade. Even when he held it the weight of it threw him off. It was surprisingly heavy, despite looking so small. He wasn't even really sure why he decided to take these lessons from this man. He never was fond of taijutsu. It was inefficient, it required you to get close to an opponent rather than taking them out from afar. He still respected the art nevertheless.


Camus didn't wear a hood this time around and his multicolored flesh was out for all to gaze. His face was a myriad of all textures and skin tones known to man. The plethora of skin tones were organized in a mosiac on his face. He wore a simple tight muscle shirt which clung to his skin and matching sweatpants. He wasn't really sure what to wear so he chose whatever seemed comfortable for extended physical training. "Whats up, teach. How are we gonna do this" The every-man said, switching through different dialects and tones.

[奥田 (Okuda)]

Okuda watched the boy approach, he didn’t have his hood on this time which was strange mostly due to how his actual face looked. He had a multi-colored and layered face, Okuda wasn’t sure what to make of the man’s face but knew that it really didn’t matter one way or the other when it came to training. When the man approached Okuda slowly drew his Katana from his sheath and looked at the strange person.

Okuda would then extend both his arms and keep the blade straight at around waist height, his legs slightly bent and in a position similar to that of the letter “L”. “This is the Seigan no Kamae of Burēdono Kenseijin, the first stance and this…” Okuda would say as he slowly moved into the next stance, it was basically the same as the last one with one slight difference. This time his sword would be kept at around chest height, again keeping his sword straight and his legs bent and in the L shaped.

“This one is the Chudan no Kamae, these are the most basic stances of Buredono Kenseijin, I want you to practice both stances now.” Hitora would then return to a neutral position and sheath his Katana after slashing a small, thin, long branch from a tree, he would then walk closer to the young shinobi that he was turning into a swordsman.

---

Teaching:

Seigan no Kamae and Chudan no Kamae (Freebie)
Rank: "E"
Skill: TaiJutsu
Effect: Two basic stances used in the art of swordsmanship.
Special: ---
Drawback: ---
Description: Seigan no Kamae, Chudan no Kamae The Seigan and Chudan no Kamae are similar in every aspect when it comes to looking at the opponent, having their feet placed down upon the floor, as well as the amount of pressure they have between both of their legs. The user keeps their right or left foot forward having their toes pointing forwards. Their opposite foot is shaped in an "L" shaped keeping their legs in equal motion. Their feet are perpendicular from one another as face forward their feet and legs are in shoulder width apart. This is used as a basic formation to where the user can move from either defensive, or defensive movements. For the Seigan no Kamae stance has their hands relaxed, grasped against the handle of the blade in question. The sword is pointing in a forty five degree angle as their arms are relaxed, hands close towards his hips as one would wait and relax. For the Chudan no Kamae the user keeps the same foot work as that of Seigan but their hands is brought up towards chest level as the sword that they hold is slightly more gripped proof. The sword is pointed forward as the blade is pointed down towards the ground. These stances are mostly known for parrying and blocking, as well as making quick attacks upon the opponent.
Limit: Must Learn from a Master of Burêdono Kenseijin - ブレードの剣聖人 - Blade of the Sword Saint

[Camus Comprix]

Seigan no Kamae and Chudan no Kamae (Freebie)
Rank: "E"
Skill: TaiJutsu
Effect: Two basic stances used in the art of swordsmanship.
Special: ---
Drawback: ---
Description: Seigan no Kamae, Chudan no Kamae The Seigan and Chudan no Kamae are similar in every aspect when it comes to looking at the opponent, having their feet placed down upon the floor, as well as the amount of pressure they have between both of their legs. The user keeps their right or left foot forward having their toes pointing forwards. Their opposite foot is shaped in an "L" shaped keeping their legs in equal motion. Their feet are perpendicular from one another as face forward their feet and legs are in shoulder width apart. This is used as a basic formation to where the user can move from either defensive, or defensive movements. For the Seigan no Kamae stance has their hands relaxed, grasped against the handle of the blade in question. The sword is pointing in a forty five degree angle as their arms are relaxed, hands close towards his hips as one would wait and relax. For the Chudan no Kamae the user keeps the same foot work as that of Seigan but their hands is brought up towards chest level as the sword that they hold is slightly more gripped proof. The sword is pointed forward as the blade is pointed down towards the ground. These stances are mostly known for parrying and blocking, as well as making quick attacks upon the opponent.
Limit: Must Learn from a Master of Burêdono Kenseijin - ブレードの剣聖人 - Blade of the Sword Saint

There was no introduction or anything really. They just went straight into action. Not that Camus could complain. It was all very sudden, they didn't even know eachothers names and here he was learning from him. His uchiha eyes saw every detail of the stance. It appeared simple enough to do, he was simply just steadying himself with the blade. He wondered what the man would think if he used his sharingan to train. Of course he wouldn't use it for this simple of a technique but for the more complex techniques of Buredono Kenseijin or whatever it was called. "Mind telling me your name?"

Camus unsheathed the blade from his left hip a bit awkwardly, clinking the blade against the sides of the sheath whilst pulling it out. He stood with the blade pointing forward from his midsection and sharp edge downwards paralell to the ground. Once he did this, his legs sort of naturally found theirselves in the position. It felt natural to him, perhaps his leg muscles belonged to a practicioner of this style. He definitely had the muscle memory, as 70 percent of his weight was on his right foot which was the hind foot and 30 percent on the front foot. However this muscle memory didn't extend to his arms, and the blade would be leaning towards the ground rather than directly straight. However, Camus noticing this tightened his grip around the blade, whose weight he was still getting accustomed to, and straightened the blade.

Next was the Seigan no Kamae, which was essentially the same thing but with the blade held lower. Extending from his abs with the blade pointing upwards. This was the more offensive of the two stances apparently. Just from the position he was in he felt as if he could make more offensive attacks compared to the standard position. He stepped forward and made the stance towards a tree. He would use his muscle memory to step off of his hind foot and stomping down with his front foot to do a downward slice down the bark of the tree. Again there was an internal conflict, sure his legs knew what to do but not quite his hands. The blade flew from his hands on impact due to him not having a good enough grip on the blade to brace for the recoil due to him hitting the tree with such momentum. The blade would clang against the ground landing on its side.

[Father 'Suke]

+5; learned

Note: well done, perhaps next time though delete the word "freebie" from the name lol.

[奥田 (Okuda)]

“Okuda” would be what Okuda would say as he watched the young man practice his stances. After he figured that the boy had learned both parts of the stance he would place the tree branch on the ground and draw his Katana once again.

He would then hold his blade straight up, the hilt held at equal height to his chest, and maybe an inch away from his chest at its furthest point near the hand guard. His feet were positioned shoulder length apart, with his left foot leading. “This is Tenchi Hassao no Kamae, this is a more defensive style of stance.”

Okuda then shifted his weight and slide his right leg forwards to make it the leading foot, at the same time he brought the blade up and at a more horizontal angle, the hilt now nearer to his head and blade held at a more diagonal angle. “This is the Fudo no Kamae, this is more of an offensive style of stance.”

Okuda would then sheath his Katana and pick up the tree branch once more, once he had that he would walk around behind the boy and wait for him to make a mistake of some kind.

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Teaching:

SPOILER: Click to show

Tenchi Hasso no Kamae and Fudo no Kamae
Rank: "E"
Skill: TaiJutsu
Effect: Two basic stances used in the art of swordsmanship.
Special: ---
Drawback: ---
Description: Tenchi Hasso no Kamae , Fudo no Kamae , The Tenchi Hasso and Fudo no Kamae are similar to that of closely towards that of Seigan and Chudan no Kamae to where the footing is quite similar. The user keeps their right or left foot forward having their toes pointing forwards. Their opposite foot is shaped in an "L" shaped keeping their legs in equal motion. Their feet are perpendicular from one another as face forward their feet and legs are in shoulder width apart. With the Tenchi Hasso no Kamae the user holds the sword more closely towards their sides. The body is slightly slanted a little more as the user holds the sword tightly. This is mostly used for a defensive form of the stance as the user keeps the sword pointing upwards. For Fudo no Kamae the user uses this stance in more of an offensive form. The user would face the opponent as their arms are raised up holding the hilt of the blade. The sword is slanted in a diagonal form but the user keeps this stance and holds it tightly. This stance is mostly used for attacks that deal with downward strikes, but as well as the type of movements for confusing the enemy with sliding attacks.
Limit: Must Learn from a Master of Burêdono Kenseijin - ブレードの剣聖人 - Blade of the Sword Saint

[奥田 (Okuda)]

[exit due to reasons on site (camus knows already)]