Iluq

[Shahin]

[bg=F0F0F0][atrb=border,0,false][atrb=width,450px;] "The greatest techniques are passed on by the survivors" Old Kaguya Proverb SPOILER: Click to show Where did your character grow up? In the famous Itachi no Dai Circus from the Land of Fire. What social class was their family? How does your character feel about that? His family had no real social class, being performers. Iluq never really minded the fact that they never lived in a large house or were not particularly wealthy. They had enough to survive and were happy, in his eyes there was little else that mattered. Are they a ninja? Why? Why not? Iluq grew up being told that ninja are the cause to much suffering in the world, tools to just be used by corrupt kages to achieve their own ends. He has little desire to become a shinobi, at least, not at this point in his life. Why does your character hope to achieve in his life? His goal is to find his old master, Avani and continue under her tutelage. Apart from that, he has few ambitions other than to make the most of his life and enjoy himself. What did their family do for a living? Iluq’s family were performers, born and bred. His father was called Hakoda, master juggler and knife thrower, a thief in his early life, he recently had put his skills to a more ‘family friendly’ occupation. His mother, Kana, was a musician, a former ninja from the Village hidden in the Sound. She died giving birth to him, but Iluq has heard many stories about her skill with the harp, and her pure voice. What kind of parents/guardians did your character have? Were there any specific traditions or rules? His father Hakoda was a very suspicious man, always making sure to leave the appropriate offerings at whatever shrines they visited, be it ones of food, gold or blood. Iluq was not allowed to wander away from the caravans or to walk somewhere with the locals without a member of the Circus nearby. Such suspicion is the way of the world though. Was their upbringing traditional, progressive, or fringe compared to their community? Iluq had an upbringing deemed traditional by the circus, when he was old enough to saddle the horses, he saddled the horses, when he was able to feed the animals or pretend to be a volunteer in the audience for a magic trick, he would do that as well, this freedom is what influenced him in later life to pursue freedom and adventure. What kind of education did your character receive? Until his 11th birthday, Iluq didn’t have a formal education. However when Avani arrived one night and joined the Circus, his education began. Under the former ninja’s tutelage, he was taught how to read and write, how to mold chakra and use it to benefit him. (For older characters?) How did the Great Ninja War affect them? What about their family? Who are their patron god/gods? What role has it played in your character's life? Iluq worships a pantheon of seven gods, a group whose existence was revealed to him by his father, they each relate to a certain aspect of his life and they are the only beings imaginary or not, that Iluq treats with unequalled respect . In no particular order, they are (1) Karu- God of luck fortune and death (2) Sai- God of Sea and storms (3) Nota- God of mercy and justice (4) Fero- God of the hunt and the forests (5) Vore- God of War (6) Maru- God of Knowledge and Memory (7) Aram- God of Destruction and Change What does your character hate most of all? Why? He hates people who think they deserve his respect just because of their position in life. He hates oppression and the imprisonment of people against their will. What does your character want most of all? What is your character willing to do to obtain that? Iluq wants a world where he can feel free in, a land of now locked doors or chains, where being a free ninja doesn’t mean being hunted down like an animal. Any notable quirks, ticks, or habits (think of at least 1 for each)? Iluq bites his nails when he’s nervous, he doesn’t like to be kept idle, will often play with things, cards, coins, fallen leaves with his hands in order to keep himself occupied, he hates the sound of people chewing food. What does your character fear (think of 1 fear or justify no fears)? Has an almost childlike fear of the wrath of his own Gods, he also doesn’t like deep water and will always try to avoid it whenever he can. What is your character willing to do to avoid that? Iluq will avoid going onto ships for extended periods of time and will always make offerings to his Gods whenever needed. What does your character think of sacred places (IE crypts, shrines, temples, etc)? If they are deemed sacred by him, he will walk by that ground with reverence and respect. In the tombs of the dead however, he has no qualms about looting the bodies of the fallen. In his eyes, those people have already gone to paradise and such earthly trinkets mean nothing to them. What is the hardest thing your character’s ever had to do? How did it affect them? Iluq’s hardest decision was to leave the Circus, his home, to persue a life on the road with Avani. The wideness of the world intimidates to a large degree, however he tries his best not to let it show. What is the best moment of their life so far? Worst? How did that affect them? The best moment of his life was when he successfully climbed a tree using only his chakra. It took hours of vigorous work, but by the time he got to the top of the tree and looked at to the horizon, he knew that he wanted to live like this for the rest of his life. Choose 5 words to best describe your character's personality. Stubborn, Idealist, Superstitious, Lazy, Philosophical How does your character feel about… ->Government in general? Iluq sees some benefit to a government, however he believes that the disadvantages of the current system, that of total control being a horrible idea, even though no country he has been in has tried to oppress its people, the fact that it has the power to is a frightening thought to him. ->The Kages? In Iluq’s eyes, the kages of the ninja world are nothing more than warlords, greedily holding onto their power and building up strength for battles that seem both pointless and selfish in a time of peace. The fact that he has never met a kage gives him the ability to demonise them as much as he likes. ->The Daimiyo? Iluq would never bow to any Daimiyo unless they were to impress him by their own merits. The fact that the title is inherited and that the leader is not chosen by the people irks Iluq and if he had the choice, he would happily live in a world without them, a viewpoint that he is absolutely convinced that everybody else shares. What does your character think about their family? Iluq has very fond memories of his father and remembers many of the stories of his mother that he had heard from him. Despite leaving them, the Circus where he grew up remains close to his heart, so much so that he would happily help any travelling performer in need should they ask for his help. While the only other member of the Kaguya clan that he knows of is Avani, he shares he view that they are no more than bloodthirsty savages, who got what was coming to them a long time ago. How does your character feel about religion? Does your character respect foreign customs? Iluq believes strongly in his worship of the Seven Gods and is willing to believe that there are other Gods that reside in different lands. He would never worship them though, for fear of encouraging the wrath of his own Gods. What does your character think of: Superiors? Authority figures? Laws? Groups? People in General? Iluq largely avoids authority figures and superiors where he can, preferring to ignore and hide from orders rather than openly confront them. People who meet him may be somewhat put off by his cocky attitude and his often ruthless demeanour, but those that earn his friendship would have a true ally, willing to go to hell and back for them. Is your character introverted (quiet and reflective) or extroverted (loud and opinionated)? Iluq is largely extroverted, often talking loudly to people that he meets, using hand gestures to show his thoughts. He keeps few thoughts private to himself. Is your character independent or group oriented? Strongly independent. Does your character take orders well? This depends largely on the ethnics of the orders themselves as well as the person who is giving them to him. He would be much more accepting of orders from a person that he respects. However, Iluq is far from an unquestioning soldier. Can your character put aside their desires/ideals for others? So long as the person in question is willing to put aside their desires/ideals for him, he would be more than willing, as long as it does not involve blaspheming. Does your character feel like others are trying to use them for their own advantage? The only person that Iluq has spent a significant amount of time with is Avani, who lead a group of shinobi away from him in order to protect him; as such he truly believes that whatever she does is for the best even if it does not seem that way at the time. Does your character view animals as better companions than people? No, Iluq generally doesn’t like animals, tame and otherwise, he finds people who replace their friends with animals to be those who experience the worst kind of loneliness.. then again, he isn’t a huge fan of people either… What does your character think of ninjas from other villages? (For each village answer why your character thinks this way) Could your character cooperate with them -> Neutral ->Neutral ->Neutral ->Neutral ->Neutral ->Neutral ->Neutral ->Neutral ->Neutral ->Neutral What are their views on killing? Iluq doesn’t like to get his hands dirty, however if it seems to be a necessity, then he would be more than willing to kill. Has your character killed before? Who was the first person your character killed? How and why? No, he hasn’t, the taking of a life, in his eyes is one of the greatest of sins, the taking away of another’s freedom completely and utterly. In his own idealistic state of mind, he believes that he would never do such a thing. How easily is your character angered? Very, all it takes is for someone to bump into him on the street without apologising, or for another person to give a rude remark for him to seek out vengeance. Is your character vindictive? Should the person in his eyes deserve punishment, he would put his own life on the line to see that he had his revenge. Can your character control their passions or is your character self indulgent? Still a young man, Iluq lets his emotions get the better of him, if angered he would only take a moment to think about his actions after he attempted to beat the person who angered him up. What weapons is your character familiar with? How did your character learn to use them? Iluq learned how to use senbons at an early age from Avani, who let him learn in order to take his mind off of his father’s death. While still only a beginner, he greatly enjoys shooting at targets in his spare time. What role does honor play in combat? Avani taught Iluq that the only role honor has in combat, is to give useless fighters an excuse when they get themselves killed in a real fight. Does your character have any creeds, standards, or codes your character's compelled to follow? 1) Persue your own freedom no matter what 2) Honor the Gods with your way of life 3) Protect the innocent and weak, so long as it does not put your own freedom or life at risk. 4) Never let blind loyalty get in the way of what is right and wrong. Will your character use force to take what your character want? If so, what if it belongs to someone who hasn't wronged them? Should Iluq need something in order to survive… medicine or food for instance, he would have no qualms about taking it. However to take something that he would simply want, such as a new weapon or book, would put a horrible feeling in his stomach. Is torture acceptable? Should the ends justify the means, than yes Is mind control/possession acceptable? No, Iluq believes that every person’s thoughts, opinions and beliefs are their own, those that choose to take or manipulate such things are the very worst kind of scum in Iluq’s eyes. Is pillaging acceptable? No, such things he considers beneath him. Are poisons an acceptable tool? Yes, in Iluq’s mind, every advantage should be taken in battle. Would your character accept an opponent's yield? If yes, even one from a dishonourable opponent? No, especially not from a dishonourable opponent, such a person had tried to kill him before… he would never give him a second chance. Would your character kill someone unaware/defenceless? If no, even if directly ordered by a god/superior? Defenceless is not always the same as ‘innocent’, if the person deserves to die, than Iluq would carry out the deed, even if he would feel guilty about it afterwards. What environment are your character most comfortable fighting in? Iluq likes to fight in forests, a lot of trees, bushes and high grass to hide in, the chance that there could be other dangerous out there to distract him during the fight just adds to the thrill. Has your character had any training/experience fighting animals, demons, ninjas or anything of that nature? Apart from straw dummies, no he hasn’t. Does your character have a most hated foe (specific individuals, village ninjas, wolves, the undead, etc)? Rabbits, they’re fast and very difficult to hunt. How old was your character when your character first displayed a talent for nin/gen/taijutsu? Iluq was eight when he began to show signs of the sickness that plague all Kaguyas. However it wasn’t until he was twelve that he first used a weapon, and he was fourteen when he began learning chakra based techniques. How did your character discover it? Iluq discovered the sickness from his constant dizziness; he had no ‘talent’ really in any of the arts… really just a desire to learn. What did others think when your character displayed this talent? The other performers never witnessed him train, some being too busy, others shaking their heads and whispering ‘witchcraft’. Avani was proud of the progress that he made and in his eyes, that was all that mattered. Did your character have a patron/master? If so, what was their patron's area of specialty? What happened to them? Avani joined the circus when Iluq was eleven, a rogue ninja from the village hidden in the mist, she was looking for a location where she could hide and gather her strength. She found the Circuses constant travelling to her liking and eventually took Iluq as an apprentice after his father’s death. At fifteen years of age, they left and the hunter shinobi caught up with her. She told her to meet her at the highest peak of the land of birds and then ran, leading the hunters away from him. Iluq doesn’t know where or how she is, but he’s making his way to the mountain now, in the hope that he will see her alive and well. What does your character think of organizations (The Akatsuki, ninja villages etc)? Groups that attempt to limit someone’s freedom are horrible in Iluq’s eyes, he tries to avoid them whenever he can. How does your character feel about consorting with demons or enemy ninja? As long as the arrangement would benefit him, he would find such consorting to his liking. Does your character have an interest in the pursuit of knowledge? If so, how far will your character go for that pursuit? Iluq’s does not desire for knowledge so much as wants to maximise his potential. If given the chance to become stronger, wiser, happier, he will always try, even if his choice isn’t necessarily the right one. What is their favourite weapon? His crossbow, although small and not very powerful, it has sentimental value. Was it formal or informal instruction with a weapon? Informal, all Avani did was set up some straw dummies and told him to aim at them… What styles of fighting is your character adept in (attack, defense, or particular martial style)? Iluq is only a beginner in the art of battle, his knowledge is limited to firing his crossbow and even then, he isn’t very good… Does your character have any formal military training (IE military, paramilitary, or the academy)? No Was equestrianism (riding) taught to them? No, Iluq doesn't like horses too much, as he was given a bad kick from one when he was a child. Does your character make their own weapons/armour? If so, how did your character learn it and why? No, he would like to one day though. Does your character fight for money? Glory? Honor? Recognition? Is it because your character is told to? Is it because your character has to? Iluq only fights when he has to, for food, for the money to survive... Otherwise he is perfectly happy to live and let live. However when given the chance to prove himself in a non-lethal battle, he would be more than happy to comply. Is your character a calm tactical soldier, or an emotional warrior? Still only a young man, Iluq is very emotional when fighting, swinging too wildly and too aggressively, lacking the finesse, style and strategy of a seasoned fighter. What's the worst fight your character has been in so far? How did it affect them? His worst fight was an ambush where a group of hunter-nin descended upon his and Avani’s camp. They moved faster than sight and had the reckless roars of animals.. he had never felt so helpless in his life. What role does theft play for them? A necessary evil in the modern world for survival… it’s a pity he isn’t very good at it though. Is your character an opportunist or does your character attempt to plan everything out? Iluq attempts to plan things out as well as he can, although he doesn’t feel like he can be blamed if it all falls apart in the middle of a battle… which it does… always. Do your character use genjutsu/deception? How or from whom did your character learn it? Iluq has found that he’s very poor at deception, Avani gave up on trying to teach him years ago… Has your character ever been in prison? If so, how did it affect them? He hasn’t Does your character have any criminal contacts? No

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[Shahin]

[bg=F0F0F0][atrb=border,0,false][atrb=width,450px;] 人生 "You're going to be someone great some day kid! I can see it now... kings kissing your feet, crowds cheering your name... or maybe you'll die in a ditch... we'll see." Name: Iluq Bloodlimit: Kaguya Height: 5' 5" Weight: 125 lbs Age: 16 Blood Type: A- Western Zodiac: Taurus Eastern Zodiac: Ox Gender: Male Alignment:True Neutral Birth Country: Mizu no kuni Village: Non-Ninja Current Residence: The Land of Tea Medical Specialist General Medical Ninjutsu [0/500] -----[000/500] -----[000/500] -----[000/500] -----[000/300] -----[000/300] Taijutsu Specialist Marksman [005/500] -----[000/500] -----[000/500] -----[000/500] -----[000/300] -----[000/300] Ninjutsu Non-Specialist -----[000/500] -----[000/500] -----[000/250] -----[000/250] Clan Non-Specialist Kaguya [000/500] -----[000/500] -----[000/250] -----[000/250] -General-

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[Shahin]

[bg=F0F0F0][atrb=border,0,false][atrb=width,450px;] 気 "All they do is cough and moan, with bloody joints and splintered bone" Strong willed/stubborn Iluq learnt at a young age that the key to success in any field was to keep a steady mind and to remain determined. Unfortunately over time this has resulted in him becoming a very stubborn individual. When he has chosen a course of action, it’ll take a lot of convincing before he decides to change his approach. He’ll be slow to accept the ideas of people he doesn't like, no matter how beneficial such an adoption would be. Largely, this pigheadedness means that a lot of people end up arguing with him, which makes Iluq clutch to his ideas like a martyr. Many attempts to try and change his world view will result in heated arguing and possibly a few things getting thrown around a room. Idealist With no other influences apart from his books and his teacher, Iluq has always had a somewhat idealistic approach on life. He will always assume that bad people are bad the whole way through, that good people would never be even the smallest bit corrupt, that all everyone has to do is understand each other and that would end all conflict and violence in the world. Avani makes very few attempts to change this stance, believing that his idealistic naivety to be something special in the world of blood and war that she has seen throughout her entire life. This also means that when Iluq has his world views confronted, he will act immaturely, sometimes irrational. Superstitious While few in the Circus were overly religious, Iluq has always had a certain amount of respect for his faith. In fact it is the main reason why he has never shifted to either good or evil in his life. As his pantheon of seven Gods are believed to be quite powerful, he will often go to great lengths to avoid their ‘disfavour’. Iluq does many things on a regular basis that may be considered strange by anyone other than the most archaic of religious followers. He spills a small amount of any food that he eats onto the floor, when fishing he always throws the best fish back into the sea. Some of these things are done in reverence, but at this point in his life, most are done out of habit. To attempt to tear him away from his superstitions would be a very messy affair, with more than a little kicking and screaming involved. Strategically minded Iluq enjoys puzzles and always attempts to attack his problems in a very strategic manner, while not overly intelligent, this methodical means of problem solving ensures that he can work things out that would normally be out of the reach of someone at an average intelligence. This however doesn’t make him a genius and the truly difficult problems give him a fair amount of humility after failing to solve them. While he may not have the same genius intellect as some ninja who wander the world, Iluq sometimes has flashes of brilliance that can dazzle those around him. These flashes come and go quickly, but in that time Iluq feels more awake, imagines things better and is far more enthusiastic about whatever he is doing. Sometimes these flashes come from working under pressure, but no matter how hard Iluq has tried to maintain it, most of the time it's just random. Lazy Perhaps it was growing up in a constant fair, but Iluq always has trouble working up the motivation to do something. Often it isn’t because he doesn't want to take on the task at hand, but that he feels too tired to exert any energy. This is especially tricky during training, as Iluq will often try his best to cut corners as it were, in order to get certain things done a lot quicker. This may result in him having to half-ass something a couple of times before it is properly done. This results in many failed or even half-hearted attempts, and sometimes even some magnificent failures. Philosophical Living in such an elightened atmosphere for much of his life has caused him to ponder many of life’s big questions… as well as many of it’s smaller ones. Often when he’s reading something, he will take some time out of learning in order to question why what he has just read is so. Why does blood in arteries flow away from the heart, why must you roll a drunk friend onto their side when they sleep? As he does this often before the book actually tells him why this is so, he will sometimes cling onto his own reasoning if the book happens to contradict him. Spending such time musing also leads him to spend more time asking pointless rather than searching for more enlightening answers. -Personality-

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[bg=F0F0F0][atrb=border,0,false][atrb=width,450px;] 家族 "They danced in shadows, yelled surprise, Their bones as slick and sharp as knives." NPC: Name: Avani Kaguya Class: B Rank Specialist: Ninjutsu Specialist/Taijutsu Specialist. Gender: Female Relationship: Mentor/Teacher Personality: Often letting her actions speak louder than her words, Avani doesn't like talking unless when explaining something to her student, or if circumstances require it. Otherwise she lets Iluq do all of the talking, prefering instead to listen to what is around her. Avani has seen a lot of violence in her life, as both a shinobi and a member of the Kaguya clan. Since leaving her past behind her, she prefers to avoid conflict where she can, believing that the world would be better off without less senseless violence.. a set of ideals that she shares with her student. A harsh but fair teacher, Avani won't force Iluq to learn a technique that he doesn't like, but has made it clear that she will not teach him anything new until he has. Avani has seen a lot of violence in her lifetime, and wishes to spare Iluq from that pain, but is aware of the realities of the world and will do her best to prepare him for it. A part of her hopes that one day Iluq will be a part of a brand new generation of Kaguya, ones who reject violence and slaughter in favor of self betterment and contemplation. History: Avani joined the Circus five years ago in the hopes of fleeing from the shinobi that hunted her. Once settled there, she met Iluq, a member of the Kaguya clan, as well as his father Hakoda, for whom the bloodlimit did not flourish. After spending some time with the boy, she began to notice his headaches and nausea, common signs of the Kaguya disease. Using a small test to see how much calcium was in his blood, she began to teach him how to better control his bloodlimit, by extracting the calcium from his body manually. As time went on, Iluq grew up into a fierce young man and when Avani offered to show him the world, he agreed, leaving with her on his sixteenth birthday. While out in the wilderness however, they were attacked by a group of shinobi, Avani fled, leading them away from the camp. Iluq doesn't know what happened to her, but is adamant about reaching the highest mountain in the land of tea, in the hopes that he would find her again. PC: N/A -Relationships-

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[bg=F0F0F0][atrb=border,0,false][atrb=width,450px;] 宗教 "Do you click your heels at the seeds you sow? Run and hide! where to go?" The Pantheon of the Seven Gods originated in the land of mist, primarily in small villages around the coast. Overtime many of these beliefs began to change and vary form place to place, which became more obvious as it began to spread to the mainland. Today, many regard the religion as archaic at best and foolish heresy at the very worst. The religion focuses on the worship of seven Gods, each of which control a certain aspect of the mortal plain. The religion is very fluid in its definitions of these gods, and some countries have included hundreds, even thousands of lesser gods and spirits who operate in certain regions. All of the gods have their own commandment, which are just as fluid as the Gods themselves, most of these however are based around the worship and respect of those revered by the followers of this faith. --- Karu Karu is the Goddess of Luck, fortune and journeys.She is a member of the Seven Divines pantheon and is the patron goddess of gamblers, travelers and the obsessed. Her followers worship her in both reverence and fear as she is fickle in her choice of champions and victims. Often taking the form of a young maiden with a cat's tail, she represents time, the ultimate thief. Overtime she steals that which everyone values most, their strength, their beauty and their lives. She often worshipped during the Summer months during tourist season in larger seasons, however some of her more ancient shrines can still be seen out in the wilderness. Often at these shrines there are small patches of dirt where worshipers have buried gold coins in order to find the Goddess's favor during a long journey or for an event where luck would be needed. To steal from these caches would be the same as stealing from the Goddess herself and all of her followers, an action most frowned upon. --- Sai Sai is the God of the sea and storms. Venerated by sailors and fishermen, Sai is often credited in mythology as the creator of rain itself. Taking the form of a great whale, a fisherman will often throw the finest catch back into the water in reverence of the God. Tales of his rage are widespread through ocean villages, as well as his ability to swallow ships whole. There is no official day of celebration for Sai, however many mumble a small prayer to him before and after a catch, or before a long voyage out to sea. These prayers differ from those devoted to Karu in that a prayer to Sai would wish the Sailor to safely return to their loved ones, while a follower of Karu would simply pray for a bountiful catch, regardless of personal risk. Often these prayers go hand in hand. --- Fero Fero is the God of the hunt, nature and death. A powerful man with the head of a wolf, he is covered with thick hair and is venerated by hunters. Constantly travelling with his own pack of wolves, Fero lets out a great howl which bellows throughout the world each time someone dies. His milk white hounds are often those that catch the running souls and bring them to the underworld to be judged, but often in special cases, Fero might choose to hunt a soul himself. Hunters and grieving families leave small bundles of meat and fruit in small forest groves as an offering to Fero. Whilst considered an archaic practice now, in many small worshipping villages, the children dress up as wolves one night in the Summer to play pranks and to ask for sweets from the neighbours. The practice is often linked to Halloween, despite it being older and seeing a lot less silly to the adult priests who take part in the festivities as well. --- Nota The great stag Nota is the God of mercy and justice. Favoring order above everything else, he is the patron saint of rulers, judges and magistrates. His priests travel the land, taking on the role of executioners and constables. They wear a small statuate of a stag's antlers to represent their faith. He is often worshiped during the winter solstice, in the hopes that the harvast will be merciful to whichever family that he will be prayed to. Small prayers are whispered in the ears of the deceased, for it is Nota's decision whether a departed soul will live in paradise, be tormented in hell or be reincarnated to try again.. --- Vore Vore is the God of blood, wine and battle. Bristled with muscle and with the head of a boar, Vore is present on every battlefield, drinking the blood from every soldier. Generals and troops venerate him and will sometimes sacrifice an animal or spill some of their own blood to appease him. Few villagers worship him, however there will often be the rare occurence, before a bandit raid or when a new war is announced throughout a country, that small shrines to him will be put up. Vore's priests dress in dark red robes and are no strangers to combat, sometimes choosing to murder a rival in cold blood to worship their deity. Unsurprisingly, public opinion is mixed when it comes to this deity. --- Maru Maru is the Goddess of knowledge, memory and dreams. Worshipped by scholars and students alike, she tries to protect her followers from lies and misleading truths, often taking the form of a hawk and supplying information to heroes in old legends, many ancient libraries have a mosaic or a small shrine dedicated to her. The easiest way to worship her is to learn something, be it a skill, a fact or a joke. It is not the knowledge itself or the reason it was learnt that matters, but the fact that Maru's follower chose to improve themselves through dedication and study. --- Aram Aram is the God of destruction , change and revolution. Taking the form of a great winged serpent, Aram is unique amongst the Gods in the fact that it has no places of worship, no priests and few if any groups of organised followers. Those who worship Aram also worship his domain of chaos. Some would deem this as an evil God, but Aram is above such notions like good and evil. It is the ebb and flow between Aram and the other six Gods to provide stability to the universe. Many creation myths speak of Aram tearing everything apart, and then the other six Gods moving in to rebuild- to establish order amongst the chaos. There is no day of worship for Aram, however sometimes a few drops of wine may be spilt by revolutionaries and anarchists who have taking a liking to Aram's ideals. Whether or not the God is aware, or cares for those who believe in him however, is impossible to say. -Faith-

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[Shahin]

[bg=F0F0F0][atrb=border,0,false][atrb=width,450px;] 顔 "We could hear them cry and scream in wait, Picked from their bones, how well we ate!" Someone's first impression of Iluq would probably be how small he is for his age, skinny as well, making him far from an ideal sparring partner. His body is pale and willowy, lacking the scars and muscles of a seasoned fighter and traveller. Iluq is all too aware of this fact and makes an effort to exaggerate his aggressiveness through his clothing and style. He spikes up his grey hair to appear more intimidating and keeps his goggles over his eyes to hide his face, making it more difficult to see as a result. The hiking boots that he normally wears are often very thick and unwieldy, but provide his toes with much more protection than sandals would give. He carries his Crossbow proudly in his travelling clothes, not making any effort of hiding it, believing it to be more intimidating than it actually is... When travelling or whilst in battle, Iluq tends to prefer a more 'modern' attire than he normally be used to wearing. His clothing tends to be well-fitted, he tries to prevent any loose edges from getting caught by branches or otherwise hindering his movement, such as scarves of necklaces. Practicality is the aim of this type of clothing, tinted goggles are worn to protect his eyes from the suns glare while walking. A pair of spiked gloves are kept on his person in the strange scenario that he is forced to fight.. even if he doesn't know how to. Being from the Kaguya clan, he recently drew the clans symbol, a pair of simple dots on each of his gloves, in a vain attempt to draw a connection between himself and the lost family he has heard so much about. A few scars line his fingers, from mistakes while performing when he was a child and from handling his father's knives when nobody was looking, he keeps bandages over them to try and hide them from people he talks too. His favorite piece of clothing by far is his coat, which sweeps down to the back of his legs, obscuring his quiver and has its insides covered with a multitude of pockets. The fur trim that covers the top and inside of his coat is soft and warm, a blessing when travelling in colder climates. Beneath the coat is a small urn containing some of his father's ashes on a chain that Iluq hangs around his neck. The urn gleams whenever the light hits it, a sign of regular polish and care. The back of the chain is fashioned into the head of a dragon clasping its own tail and it is something that Iluq has with him wherever he goes. The back of his jacket is also where Iluq's crossbow can be found, strapped tightly to his back to prevent it from getting lost or stolen. While still a beginner in the art of raged combat, he carries the weapon proudly, a small quiver of bolts right next to it on his waist. When he is in more urban environments, Iluq dresses in a type of robe more commonly found in his native Mizu no Kuni. The small urn around his neck his still present, but the goggles and glovesare absent and his grey hair is brushed back away from his eyes. The only protection to be seen are a pair of pauldrons, but they are merely decoration and would surely break under strain. Because of this, Iluq tries to avoid combat whenever he is wearing his casual wear, as it impedes his movement slightly and the many ropes that are used to tighten the robes can be easily grabbed by opponents in a close fight. Iluq is careful not to let the material get stained or torn to badly, as he is all to aware of how much it costs to fix or reproduce such clothing. Iluq enjoys wearing long flowing clothes when he is not worried about getting attacked or moving quickly. Robes, cloaks and other such garments remind him of the stories of Samurai and Wizards that he often read when he was a boy. Growing up in a circus, the clothing also reminds him of his time preforming in front of people, a flair of dramatics that makes Iluq smile whenever he sees himself in the mirror. The crossbow is much easier to hide under such flowing clothing and while a quiver would be very uncomfortable to add as well, Iluq always keeps a few bolts stashed away in the robe's pockets. To finish off the outfit, Ilqu elects to wear traditional wooden sandals with his robes, as opposed to more modern (and less comfortable) hiking boots. -Appearance-

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[bg=F0F0F0][atrb=border,0,false][atrb=width,450px;] 武器 "Close your eyes and feel your breath, Hide from the mist.. dance with death." 50 lb Draw Pistol Crossbow (Overview) Rank: "C" Rank Type: Main, Weapon, Crossbow Effect: The smallest of all crossbows. They can be held with one hand, and sometimes even mounted on the forearm. Special: --- Drawback: Small in size and because of that they are unable to reach the same strengths as other Crossbows. Description: A small hand held crossbow no larger than a forearm. They are compact in size and can be hidden well. A 50 lb Draw Pistol Crossbow is able to shoot an average bolt at speeds of 86 mps with the accuracy of the user's ability. Limit: Capable of being bought in any Hunting Shop. Cost: 12,000 Ryo Butt Bag Type 1 (Overview) Rank: "C" Type: Main, Tailor, Slot Holder, Holds 15 Slots (15 for Items of Scroll Length), Bag Effect: A waist pack worn with the pouch in back. Special: --- Drawback: --- Description: Picture A pack worn at the back along a belt at the waist. Water repellent collar with drawstring pack with quick release closures attached to 1 inch cinch straps and a top carry handle. It has a vented bottom with keeper clips to attach to the belt, or straps to wrap around a belt. The compartment has the dimensions Height of 10.25 inches Width of 10.5 inches and Depth of 7 inches. The interior holds 15 slots of scroll length as well as main objects that fit in the same dimensions. Normally extra clothes is held in this spot as well as other non combative supplies. Limit: These types of items may be capable of being bought inside any Tailor Shop. Cost: 5,500 Ryo SPOILER: Click to show [1]Goggles Rank: "C" Type: Secondary, 2 per Slot, Gadget, Apparel/Surveillance, Spectacles Effect: Protective eyewear that usually encloses or protects the area surrounding the eye in order to prevent particulates, water or chemicals from striking the eyes. Special: --- Drawback: May hold up to 4 kinds of Surveillance Vision. Description: There are different types of Goggles. There are different types of Goggles such as Cold Weather Goggles, Swimming, Power Tool Goggles, Blowtorch Goggles, Welding Goggles, Laboratory Goggles, and Aviation Goggles. Goggles are often worn as a fashion statement in certain subcultures, most often as part of the cybergoth subculture. They are usually worn over the eyes or up on the forehead to secure 'falls'. Goggles have enough carrying capacity for 4 types of Surveillance Vision. Does not fit in Scroll size Slots. Limit: These types of items may be capable of being bought inside any Gadget Shop. Cost: 2,000 Ryo per Slot, or 1,000 Ryo Each [x140]Boruto (Bolt) Rank: "C" Type: Secondary, Weapon, 10 per Quiver Slot, Arrow Effect: A short arrow for use with a crossbow. A long thin missile pointed at one end and usually with feathers at the other, fired from a crossbow. Special: --- Drawback: Heavier, yet smaller, and for that they are easy to lose within combat. Description: Picture The bolt is an item that measures to be a good one to one and a half feet in length with a centimeter diameter. Bolts created from carbon fiber or out of hard, sturdy and strong wood. Created to be completely smooth the Bolt is divided into three parts. The Arrowhead, the deadly part of the arrow used to puncture the skin using a sharp Arrowhead. The shaft of the arrow is used for distance. The Shaft is the part that is created out of wood or carbon fiber used to let the arrow sail without completely collapsing to the floor. The Fletching is the part that gives the arrow the speed and extra power in distance by allowing the arrow better control of moving in a straight line. All three is needed to better the arrow, to give it the power needed to take down game. Bolts and arrows have different flight characteristics. Bolts fall at the same rate, independent of the speed of flight. Arrows, in contrast, depend on gaining lift in flight, and hence have their centre of balance at a point about 9% of their length forward of their center. This is called "point planning". The bolt is created using the knowledge of strength and force. This means a heavier bolt propelled by a strong force. Limit: Can be bought at any Hunting Shop. Cost: 100 Ryo per Arrow; 1,000 Ryo per Quiver Slot

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-Weaponry-

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[Shahin]

[bg=F0F0F0][atrb=border,0,false][atrb=width,450px;] 歴史 "They built their towers from blood and bone, They've long since crumbled, still as stone." Episode 1: SPOILER: Click to show Iluq grew up in the Itachi no Dai Circus, the son of a knife thrower and magician by the name of Hakoda. Originally from the land of water, specifically the Kaguya village… Hakoda was cast out the moment he became an adult, due to not having the famous bloodline trait of the clan. As he unable to either use chakra, or match his brothers in hand to hand combat, he wasn’t seen as valuable by his family, when questioned about it, he would tell people that he left of his own accord, but if the bitterness in his voice didn’t tell people otherwise, his refusal to answer and further questions did. That is not to say that Iluq lived had a sad life, indeed it couldn't have been further from the truth! Iluq grew up in a constant fair, jugglers, musicians, lion tamers and acrobats were all counted amongst his childhood friends- his family. There was very little structure in his day to day life, when he was strong enough to help saddle the horses, he helped saddle the horses. When it was discovered that he could walk over a broken tree with losing his balance, then the tightrope walkers offered to give him a few lessons. The days were easy and Iluq grew up knowing nothing of his heritage, or of the violent ninja world that existed just outside the boundaries of their tent. Episode 2: SPOILER: Click to show As the years went on and Iluq approached his eleventh birthday, they met a curious traveller as they plied their trade in the Land of Lightning. She was slim and pale, with razor blue eyes and thick black hair tightened into a bun. She stated that she was searching for Hakoda, formally of the Kaguya clan, Iluq’s father. Hakoda invited her into his caravan, the others maintaining a distance, tales of the recent Kaguya massacre clear on their minds. All remained away from the caravan, except for Iluq, not out of bravery, or some misguided sense of curiosity, it was merely late for Iluq and since he couldn't access his bed at that time, it only made sense as to inquire why... out of sight and without their knowledge. He heard the woman introduce herself as Avani Kaguya, a child that Hakoda’s parents had once he was cast out at sixteen. There was no embrace however, no longing to understand and love behind those cold blue eyes. She told him of the Kaguya massacre a year before, how the clan were being hunted down like wild foxes. She heard of his skill in the Circus and stated that she would be staying for a few months, travelling with the performers as a bodyguard, until the hunter shinobi pursuing her give up on her trail. It was clear that she wasn’t asking permission, pulling a long blade of bone from her elbow to demonstrate her powers, or to intimate him. Nonetheless Iluq felt a shiver run down his spine as he saw the light shimmer down the blade’s edge. Episode 3: SPOILER: Click to show Avani took residence in their caravan, taking Hakoda’s bed while Hakoda and Iluq slept on the floor. Iluq was intrigued by this new intruder in his life, she was not overly aggressive, but always seemed to get her way. Whenever a small fight broke out in the group, she kept her distance, originally Iluq thought this was because she was a woman and didn’t like fighting, but these misguided views fell to pieces when during one of their shows, a drunken audience member tried to throw a glass bottle at one of the clowns. The bottle vanished in midair, with Avani appearing behind the drunkard, a knife pressed against his throat, her stance like a coiled snake. The man was thrown out, and she dealt with every threat to the performers safety in the same way. In the weeks that followed the Circus had a type of peace and quiet that they had never had before. Some performers tried to make advances on her, but she rebuked those claims, keeping to her own campfire each night. It was during those days that Iluq tried to become her apprentice, offering to help carry or sharpen her weapons, set up targets for her to practice on. She calmly ignored him and tended to her business, keeping her gear hidden so that he couldn’t meddle. Iluq would like to think that in a typical story like fashion, he persevered and eventually became her apprentice, the first step to becoming a ninja… But he gave up fairly quickly. Growing up on a Circus, there were always plenty of other things to do. Months went by like this and Avani showed no signs of leaving the Circus, if she had, Itachi the ringmaster would probably have offered to pay her more to make her stay. Instead life went on as it did, Iluq began to experience a lot of headaches and sickness, his moods changing often. The other performers shook their heads and talked about ‘body changes’ and ‘becoming a man’ with a smile and a wink. It was then that Avani began to look at him properly, the beginning of concern in her eyes. On his twelfth birthday, the acrobats that instructed him agreed that it was time that he showed off his skills to a crowd. The following night, on a warm day in the Land of Fire, Iluq stood on a great mast, staring down at the audience fifty feet below. He placed one foot on the tightrope and held his breath, letting go of the mast… The audience was silent. Slowly but surely, he made his way past the tightrope, as the beginnings of another headache began to take root, it grew more and more painful, as if someone was tightening a piece of iron around his skull. Closing his eyes at the wrong time, he felt his feet leave the rope, the wind whistling through his hair as the audience gasped. Someone caught him in midair and when he opened his eyes, Avani was over his, inserting a small needle into his arm, taking a small amount of blood. A week later, Avani talked to Hakoda alone in the caravan once again with Iluq watching overhead… this time, he was curious. Avani had tested the blood and found that there was a large amount of liquid calcium present. It would seem that Iluq carried the curse that Hakoda had so narrowly avoided, the Kaguya bloodlimit. There was heated arguing in the caravan that night, Hakoda showing remarkable courage against someone that could so easily break him. There was good reason for it of course, Hakoda had grown up knowing the cruelty of the Kaguya clan, to think that his own son could one day be like them, was just too much to process. Avani informed him that there were only two ways to deal with the situation, either show him how to use the bloodlimit, extract the bones from his body.. or to show him how to slowly extract the calcium itself, without accelerating the rate of calcium production. Hakoda, not willing to see his son slowly die before him, but made her promise that the training would stop there, in Hakoda’s eyes, there was no worse fate then being a ninja. To his surprise, she agreed… the training would stop there. Iluq was far from a natural when it came to his bloodlimit, which was probably a good thing, stopping him from ever wanting something more. It took weeks before he could use even the basic form of Calcium extraction; it took many months before he could starve the calcium from his body. The process was painful and Iluq didn’t like it, but it gave him the first taste of life as a ninja, the pain and anguish from training. Episode 4: SPOILER: Click to show Complications arose in the weeks after as a plague began to sweep through the Land of Fire, where the Circus was staying. Fevers would strike the afflicted, they would start coughing up blood and within a week they would convulse and die. Every town they passed through had vendors selling miracle remedies and cure-alls, some doctors would even jump on board with the Circus in the hope that the disease would not be in the next town, the next land. Iluq caught the fever, as did his father, but it was only through the medical expertise of Avani that they managed to live through the illness. Iluq was fine in the weeks that followed his recovery, his father however was not. The day that Iluq’s life was wept away forever was the day where he found his father, lank with sweat and with ice cold skin, lying in his bed with his eyes closed- dead. The funeral service was small, as his father would have liked, Iluq spent a lot of time silent after that, he had read stories in the past, the dramatic pasts of great ninja and warriors, who grow from the experience to achieve their destiny. The acceptance didn’t come to Iluq has he wanted it to though, he spent a lot of time by himself, languishing in his grief, trying to decipher some great meaning from his father’s death… from everyone’s death. It was at this time that Avani began making an effort to talk to the boy, perhaps she pitied him, perhaps she feared that he would do something foolish in his grief, as many of her family members had done in the past. Whatever the reason, Avani attempted to comfort Iluq in those dark days, first as a former teacher, than as a friend. Iluq sometimes wondered if Avani ever felt any kinship towards him, she certainly didn’t seem to with his father. In his griefstriken state, she seemed less sharp towards him, as if she had some idea what he was going through. She began providing him with distractions, allowing him to borrow her medical journals, where while he only understood a little what he was reading, gave him the pride that comes from being productive. As they got closer, she taught him how to use a crossbow, firing old cans off of an old fence. His aim was poor. But to encourage him, she gave him one of her smaller, less powerful crossbows… as a gift. Episode 5: SPOILER: Click to show A few years passed in this way, leading up to his fifteenth birthday. Iluq slowly began to withdraw from performing, instead preferring to spend his time with Avani, hearing stories about the Kaguya family, learning about the ninja villages that are scattered across the known world and the shinobi who protect them. While his fellow performers rarely said it outloud, they began to grow annoyed with his behaviour, the nights he spent up late talking with Avani meant that his work in the morning was affected as a result, he slowly grew slow and lazy with his duties until it reached a stage where some performers refused to speak to him, while the others tried to convince him to work harder with harsh words. Sensing the trouble that was brewing and seeing less and less evidence that there were shinobi following her trail, she decided that she would leave, offering young Iluq Kaguya a place at her side. Their journey was long as they travelled west, far from the lands of the shinobi and into the Land of Tea, winter came when they arrived, bringing shorter days and colder nights. Iluq didn’t mind living on the road, having done it his entire life, but the lack of former friends, of music and of dance weighed heavily on him. During this time, Avani decided to teach him basic chakra control. She taught him to focus his chakra onto his feet, which would allow him to climb a tree with no hands. The feet are the most difficult part of the body to focus chakra on, so feasibly if Iluq were to master it, the other parts of the body would give him any trouble what so ever. As it was the first ‘true’ bit of ninja training in his life, Iluq found himself bored and frustrated, the scratches and bruises on his skin from constant failures beginning to build up overtime. It took him roughly a month to fully master it, as Avani became increasingly impatient with him. Avani began to get increasingly worried as time went on, lessons stopped as they began to travel greater distances each day. She whispered to him as they walked that if they ever had to split up, he was to go to the tallest mountain in the Tea Country… she would find him there. Iluq wasn’t sure what to make of it, constantly looking over his shoulder as they moved. Avani’s paranoia was confirmed a dark night close to the Tea Country’s coast as a small group of shinobi descended upon their camp while they slept. Tall and cloaked, each wearing a porcelain mask with the mist village symbol carved above their eyes. Avani was up before they had drawn their weapons, letting summoning a pair of water clones to aid her. She distracted the hunters, leading them away into the forest as Iluq awoke from the conflict, fleeing from the scene. Iluq wasn’t proud of his actions, merely following the plan that Avani had dictated to him in the previous days, with nothing more than the clothes on his back and his old crossbow clipped to his waist, he began the slow journey towards the Tea Country’s highest mountains.. in the hope of one day seeing his master again. -History-

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[Shahin]

[bg=F0F0F0][atrb=border,0,false][atrb=width,450px;] 易い "Find the king without a crown, Break his throne, tear off his gown!" Kinobori no Waza - Act of Tree Climbing Rank: "C" Skill: NinJutsu/Supplementary Effect: Allows a Non-Ninja the ability to perform Advanced chakra techniques. Special: --- Drawback: Non Ninjas must learn in order to learn Advanced chakra techniques. Ninjas gain this technique for free in the beginning however does not add into Character Class like other starting techniques. Does not work on Animal Companions. Description: Kinobori no Waza, the art of tree climbing serves a dual purpose. Taking part in Kinobori Shugyou (Tree Climbing Training) helps a ninja learn how to focus their chakra. It also teaches the ninja how to run up trees and walk on vertical walls. The training helps the ninja learn how to focus just the right amount of chakra to a particular part of their body. The amount needed to climb is small but it must be precise. The feet are regarded as the hardest location to master chakra focusing. So by gaining the art of this skill, the ninja will have any jutsu available (theoretically) because they will be able to focus their chakra as needed. Allows a user to learn up to "C" Rank Chakra related Techniques. Limit: Universal NinJutsu Technique. -Academy Techniques-

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[Shahin]

[bg=F0F0F0][atrb=border,0,false][atrb=width,450px;] 医師 "We dug a pit, six by four, dropped them in and locked the door." First Aid/CPR/AED: Lesson 1 - 4 Rank: “D” Skill: Supplementary Effect: User learns Lesson 1 – 4 on First Aid/CPR/AED. Special: --- Drawback: --- Description: Lesson 1: Before Giving Care, Lesson 2: Checking an III or Injured Person, Lesson 3: Breathing Emergencies and conscious choking - Adult, Child, or Infant, Lesson 4: Rescue Breathing - Child or Infant. With Lessons 1-4 the user is able to know what to do before Giving Care to an Injured person, how to Check an Injured person, how to perform emergency breathing to a conscious choking person, and also able to perform Rescue breathing to an unconscious person of all types. All Medical and ANBU personnel must know all Lessons. Limit: Anyone is capable of Learning, Must buy First Aid/CPR/AED: Lesson 1 – 4 Book. --- First Aid/CPR/AED: Lesson 5 - 8 Rank: “D” Skill: Supplementary Effect: User learns Lesson 5 - 8 on First Aid/CPR/AED. Special: --- Drawback: --- Description: Lesson 5: Cardiac Emergencies, Lesson 6: CPR and Unconscious Choking - Adult, Child, Infant, Lesson 7: AED - Adult, Lesson 8: AED - Child. With Lessons 5-8 the user is able to know about the Cardiac Emergencies and what to do if a situation rises. The user is able to perform CPR and how to help an unconscious person when choking. A person is also able to use their knowledge with AED for both Adults and Children. All Medical and ANBU personnel must know all Lessons. Limit: Anyone is capable of Learning, Must buy First Aid/CPR/AED: Lesson 5 – 8 Book. --- First Aid/CPR/AED: Lesson 9 - 12 Rank: “D” Skill: Supplementary Effect: User learns Lesson 9 - 12 on First Aid/CPR/AED. Special: --- Drawback: --- Description: Lesson 9: Soft Tissue Injuries, Lesson 10: Injuries to Muscles, Bones and Joints, Lesson 11: Sudden Illness, Lesson 12: Heat and Cold - Related Emergencies. With Lessons 9-12 the user is able to help with Soft Tissue Injuries, help and take care of Injuries to the Muscles, joints and the Bones such as putting splints, stop the bleeding, and treat shock. User is able to help against degree burns and knows what to do if a situation arises when it comes to these kinds of situations of First Aid. All Medical and ANBU personnel must know all Lessons. Limit: Anyone is capable of Learning, Must buy First Aid/CPR/AED: Lesson 9 – 12 Book. --- -Medical-

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[Shahin]

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[Shahin]

[bg=F0F0F0] [atrb=border,0,false][atrb=width,450px;] 石弓 "Pull back the string that cuts too deep, Slip in shadows, hide and creep." Open Stance Rank: "E" Skill: TaiJutsu/Supplementary Effect: Gives stable support base, reduces tendency to lean back from the target. Special: --- Drawback: --- Description: One of the four stances a user may learn as they are able to learn just one if they wish. Tends to make upper body twist towards target. Tends to use arm muscles more than back muscles to draw. Open stance is recommended for the beginning Marksman during their initial learning period. In this stance, the feet should be shoulder-width apart. It is recommended that the Marksman should distribute his/her body weight evenly on both feet. Limit: Must be a Marksman

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[Shahin]

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[Shahin]

[bg=F0F0F0] [atrb=border,0,false][atrb=width,450px;] かぐや "They crawled and wailed and pulled their hair, their broken bones, a bleak affair. " "Calcium Extraction" Rank: C, B, A Skill: Ninjutsu, supplementary Effect: Removes calcium deposits within the body. Special: "Handseals", Drawback: A very time consuming process and cannot be done during battle. The pain that is exerted on the body is immense as well. Death may occur if improperly done. Description: A Kaguya performs multiple handseals, which helps flow his\her chakra throughout the body. This chakra then targets the free-floating toxins within the body. The chakra then is able to move into a centralized point within the body, dragging the harmful poisons with it. This is why it is a very excruciating process. Once in a centralize area, usually the abdomen or chest, A kaguya then pools chakra into there palms. They then proceed to enter their own flesh, and literally remove the toxins by hand. A Kaguyas skin allows for easy passage of bones to move in and out (as well as healing afterwards), so entering the body is no problem. The removed toxins appear as a white gel, which solidifies, to brittle bone. This is then discarded. Depending on rank, a user is bale to remove more toxins and quicken the process C-Ranks: Removes minor amounts of toxins. Minus 25 slots B-Ranks: Removes moderate amounts of toxins. -50 slots A-ranks: Removes major amounts of toxins.-100 slots Limit: Available only to Kaguyas. How this jutsu was learned and acquired must be added in history as well. No Kaguya can acquire this jutsu alone, it must be taught. --- "Calcium Starvation" Rank: C, B, A Skill: Ninjutsu, supplementary. Effect: Gains temporary bonus slots. Special: “Handseals" Drawback: May not be performed during battle Description: With continuous use of Calcium extraction, A kaguyas body does something interesting. It begins to realize that their is a sudden drop in calcium levels throughout the body. Making new calcium is a longer process and can only be done after nutrition is taken in. In response to the lack of calcium, the body begins to converts any readily available calcium. The toxic calcium found through out the body is converted for the bodies use. Because of this, Bonus slots are given because the body is converting toxic calcium into regular calcium. This is a spontaneous action and cannot be reproduced by other means. A kaguya must sacrifice chakra to better aid in the conversion. Handseals aid in moving the chakra about the body. C-Ranks: Gains 15 temporary slots B-Ranks: Gains 30 temporary slots A-ranks: Gains 60 temporary slots Limit: Must be performed shortly after the calcium extraction jutsu. Must be from the Kaguya BL and must know "calcium extraction" -Kaguya-

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