The Dojo of Hidden Hearts [x2 Training]
May 19, 2017 4:14:10 GMT -7
Post by Skulking Shinzu on May 19, 2017 4:14:10 GMT -7
Muso no Kamae, Uranami no Kamae, Roppo Kuji no Kamae and Dato no Kamae
Rank: "D"
Skill: TaiJutsu
Effect: Four basic stances used in the art of swordsmanship.
Special: ---
Drawback: ---
Description: Muso no Kamae , Uranami no Kamae , Roppo Kuji no Kamae , Dato no Kamae , This stance is four in one. Each one is slightly different in some sort of way, but the legging position, the position where their balance will stay pure will always be the exact same. What is used within this stance is for mostly attack style forms. Each stance is different in its own way as each is same in every way as well. The feet for all four stances are the same. The user's left leg, or right leg will be forward and the knee would be bent in almost a ninety degree form. The back leg will be placed far back, about a foot or two past the shoulder along the upper body. For Muso no Kamae their hands are upwards holding their sword as the forward arm that is the same as the leg as it is holding the end of the sword. The user holds the front end of the sword with the other arm. The sword is then pointing towards the back of the body as the blade is pointing upwards. The sword is rested gently against the bicep of the back arm as the user holds the sword carefully. For Uranami the user keeps the sword along their chest area as it is pointing backwards of the body. The sword is pointing downwards slightly as the upper body is slanted forward. The Roppo Kuji holds the sword the same way as the sword is more slanted almost touching the ground. The sword is pointing backwards as well, and the user keeps the blade downwards. The final position is the Dato no Kamae is slightly more different than that of the others. What occurs is that the user holds the sword up high in the air with the back arm as the arm is held straight backwards away from the body. The forward arm is shot forward in a straight form, as the user keeps this position having their leg and upper body in a straight form in a diagonal form.
Limit: Must Learn from a Master of Burēdono Kenseijin.
0 | 10
As the tendril began to slowly reform and regenerate, Zuruel stepped forwards and pulled his sword backwards so that the tip was pointing behind him and away from the enemy. In this stance, he unleashed a powerful downwards chop in order to further sever the opponent. Unfortunately, as he pulled back his blade to launch another strike, he realised that the two bits of clay had already reformed and were now clinging onto his blade in order to keep it in place.
To save himself, Zuruel tilted his blade before jumping backwards and pulling his weapon out. Swiftly, he then pulled his right foot backwards and out of pure instinct, unleashed a powerful slash that split the still-regenerating tendril into four pieces. “It worked!” Zuruel snickered. One stance wasn’t good enough against such a versatile opponent. Multiple, however, could easily allow the Kedoin to adapt to any situation and fight accordingly.
As the four pieces of clay landed on the ground, Zuruel tilted his body forwards much like before in order to extend his reach and increase his ability to attack at low targets. In this stance, he then dashed forwards while dragging his sword behind him up until approaching the enemy where he swung it upwards and back down again continuously until the flurry of slashes obliterated the opponent and left it as nothing more than a chunk of finely chopped cubes.
Rank: "D"
Skill: TaiJutsu
Effect: Four basic stances used in the art of swordsmanship.
Special: ---
Drawback: ---
Description: Muso no Kamae , Uranami no Kamae , Roppo Kuji no Kamae , Dato no Kamae , This stance is four in one. Each one is slightly different in some sort of way, but the legging position, the position where their balance will stay pure will always be the exact same. What is used within this stance is for mostly attack style forms. Each stance is different in its own way as each is same in every way as well. The feet for all four stances are the same. The user's left leg, or right leg will be forward and the knee would be bent in almost a ninety degree form. The back leg will be placed far back, about a foot or two past the shoulder along the upper body. For Muso no Kamae their hands are upwards holding their sword as the forward arm that is the same as the leg as it is holding the end of the sword. The user holds the front end of the sword with the other arm. The sword is then pointing towards the back of the body as the blade is pointing upwards. The sword is rested gently against the bicep of the back arm as the user holds the sword carefully. For Uranami the user keeps the sword along their chest area as it is pointing backwards of the body. The sword is pointing downwards slightly as the upper body is slanted forward. The Roppo Kuji holds the sword the same way as the sword is more slanted almost touching the ground. The sword is pointing backwards as well, and the user keeps the blade downwards. The final position is the Dato no Kamae is slightly more different than that of the others. What occurs is that the user holds the sword up high in the air with the back arm as the arm is held straight backwards away from the body. The forward arm is shot forward in a straight form, as the user keeps this position having their leg and upper body in a straight form in a diagonal form.
Limit: Must Learn from a Master of Burēdono Kenseijin.
0 | 10
As the tendril began to slowly reform and regenerate, Zuruel stepped forwards and pulled his sword backwards so that the tip was pointing behind him and away from the enemy. In this stance, he unleashed a powerful downwards chop in order to further sever the opponent. Unfortunately, as he pulled back his blade to launch another strike, he realised that the two bits of clay had already reformed and were now clinging onto his blade in order to keep it in place.
To save himself, Zuruel tilted his blade before jumping backwards and pulling his weapon out. Swiftly, he then pulled his right foot backwards and out of pure instinct, unleashed a powerful slash that split the still-regenerating tendril into four pieces. “It worked!” Zuruel snickered. One stance wasn’t good enough against such a versatile opponent. Multiple, however, could easily allow the Kedoin to adapt to any situation and fight accordingly.
As the four pieces of clay landed on the ground, Zuruel tilted his body forwards much like before in order to extend his reach and increase his ability to attack at low targets. In this stance, he then dashed forwards while dragging his sword behind him up until approaching the enemy where he swung it upwards and back down again continuously until the flurry of slashes obliterated the opponent and left it as nothing more than a chunk of finely chopped cubes.