Puppets! [T/Invite PM]

[Draven]

00/10

SPOILER: Click to show

Kusokesuni (Hells Drownout) (10)
Rank: "C" Rank
Skill: NinJutsu (Somewhat)
Effect: With the use of one's ears and when a person needs to use their sense of hearing to see, the Kusokensuni is a specialized technique in which the user of the Shitakuma clan is capable of drowning out certain sounds waves up to certain frequencies. Example: If a Shitakuma member is in a large battle where their is a fairly amount of yelling and fighting going around, the person is capable of drowning out all sounds to a certain frequency for example like lets say the sound waves that is being pushed from the ground giving more stability. The technique must be learned ten times. Each time learned a user is capable of drowning out up to a certain amount. When first learned the user is capable of drowning out frequencies up to ten thousand hertz. After mastered the user is capable of drowning out up to one hundred thousand hertz of frequency. Remember a normal human is capable of hearing up to twenty thousand, this is way beyond then that of a regular body.
Special: When first learned the user needs to use the hand signs of Boar, Dragon, Tiger, and Horse. After the first time, hand signs is not needed.
Drawback: Drawback is that the user must train in this type of technique more then once in order to drown up higher frequencies. Another drawback is the fact that they are only capable of listening to one frequency at a time, so in a sense if they wished to listen to their own comrades, it be slightly more difficult that creates a massive confusion in which case may go against each other for a moment or two until the sounds is justified to where they understand.
Description: The way this feels is that the user is capable of drowning out certain frequencies in which they can hear certain sounds to accurately pin point where they need to go. What is interesting was the way this works, basically it is like a strong sensory. Within the mind of the user all sounds are muffled to an extent as the sound they concentrate on comes forth with more of accurate sense. The sensory and the sounds still work, in which they are capable to see. Example if there were a strong amount of yelling, the sound waves that hit the ears still react in which they can still use as a radar to help them move about (Acts like they can see figures) but of course does not damage the user's sense of balance and hearing.
Limit: Only those of the Shitakuma clan is capable of performing.

Draven found a shadowy place to sit in the village market. He needed to be in a noisy busy place so that he can work on his focus. He sits in a chair and leans his head forward a bit letting his hair hang over his face. He then picks up on all the sound around him and tries to focus on one sound in specific. He can hear a merchant near by making a transaction with another person. They were haggling over the price of some sort of fruit. He started to focus in on the conversation by trying to ignore the other conversations happening around him.

It wasn't easy though, there was a couple up in some building arguing over the man going to the bar too much, or something like that. He had to tune that conversation out so he tilted his left ear a bit so that the sound waves from the merchant can be better picked up and the sound be drowned out from the couple in the building. He heard that the merchant and the buyer were stressing over the quality of the fruit, it was being contested that it wasn't fresh and something else. Another conversation had erupted some were else.

It was a mother calling for their child. It was making Draven grit his teeth, the women was annoying him. "OH, Reeho, were are you!" the women would yell. So he tried to tilt his ear again trying to pick up on the conversation of the merchant. He could hear then that the freshness of the fruit was contested because of the soft spots it had. Just then he could hear a dog barking from the distance. He was being sucked into another sound and was loosing focus. But he persisted.

Draven again tilt his ears and made it so that the dog's barking wasn't the most prevalent sound bouncing around in his ear drum. It worked to a degree but it was still hard to focus on the merchant and the buyer. But then something caught his interest with the merchant. He was starting to knock on the table after a few words. This actually helped him in focusing on the conversation. He took note that if he was interested in the conversation he could drown out other noises a lot better.

Draven was taking note of the knocks on the wooden table that the merchant was doing. The merchant then spoke a word after then knock that was hidden within the conversation. If he strung the words together he could make out "What, are, you, really, interested, in, buying." It was amazing how much he could drown out if the conversation was of interest to him. He figured that wont be as much of a problem in a fight, but he still needed to practice. He was almost completely oblivious to the dog barking or the arguing couple, and he was fully focused on this conversation.

[Nyu]

+8

[Draven]

8/10

SPOILER: Click to show

Kusokesuni (Hells Drownout) (10)
Rank: "C" Rank
Skill: NinJutsu (Somewhat)
Effect: With the use of one's ears and when a person needs to use their sense of hearing to see, the Kusokensuni is a specialized technique in which the user of the Shitakuma clan is capable of drowning out certain sounds waves up to certain frequencies. Example: If a Shitakuma member is in a large battle where their is a fairly amount of yelling and fighting going around, the person is capable of drowning out all sounds to a certain frequency for example like lets say the sound waves that is being pushed from the ground giving more stability. The technique must be learned ten times. Each time learned a user is capable of drowning out up to a certain amount. When first learned the user is capable of drowning out frequencies up to ten thousand hertz. After mastered the user is capable of drowning out up to one hundred thousand hertz of frequency. Remember a normal human is capable of hearing up to twenty thousand, this is way beyond then that of a regular body.
Special: When first learned the user needs to use the hand signs of Boar, Dragon, Tiger, and Horse. After the first time, hand signs is not needed.
Drawback: Drawback is that the user must train in this type of technique more then once in order to drown up higher frequencies. Another drawback is the fact that they are only capable of listening to one frequency at a time, so in a sense if they wished to listen to their own comrades, it be slightly more difficult that creates a massive confusion in which case may go against each other for a moment or two until the sounds is justified to where they understand.
Description: The way this feels is that the user is capable of drowning out certain frequencies in which they can hear certain sounds to accurately pin point where they need to go. What is interesting was the way this works, basically it is like a strong sensory. Within the mind of the user all sounds are muffled to an extent as the sound they concentrate on comes forth with more of accurate sense. The sensory and the sounds still work, in which they are capable to see. Example if there were a strong amount of yelling, the sound waves that hit the ears still react in which they can still use as a radar to help them move about (Acts like they can see figures) but of course does not damage the user's sense of balance and hearing.
Limit: Only those of the Shitakuma clan is capable of performing.

Draven was trying to keep up with the conversation, but was finding it difficult. There was so many noises in this kind of conversation, he had to tilt his ears over and over. He could imagine this is probably what its like if he could actually see. His ears would readjust one way, and he could pick up on the merchant and the buyer, but then some one would yell "FRESH MEAT!" and then he would loose the conversation. He had to train his mind as well to find the sweet spot for the conversation. It would go in and out, as he tried his best to pick up what the conversation was all about. He got the feeling that there was some shady business going on with the two, but it was hard to pick up on the knocks and what word was emphasized.

[Flower]

+2 Learned~

[/blockquote][/blockquote]

[Draven]

00/10

SPOILER: Click to show

Kusokesuni (Hells Drownout) (10)
Rank: "C" Rank
Skill: NinJutsu (Somewhat)
Effect: With the use of one's ears and when a person needs to use their sense of hearing to see, the Kusokensuni is a specialized technique in which the user of the Shitakuma clan is capable of drowning out certain sounds waves up to certain frequencies. Example: If a Shitakuma member is in a large battle where their is a fairly amount of yelling and fighting going around, the person is capable of drowning out all sounds to a certain frequency for example like lets say the sound waves that is being pushed from the ground giving more stability. The technique must be learned ten times. Each time learned a user is capable of drowning out up to a certain amount. When first learned the user is capable of drowning out frequencies up to ten thousand hertz. After mastered the user is capable of drowning out up to one hundred thousand hertz of frequency. Remember a normal human is capable of hearing up to twenty thousand, this is way beyond then that of a regular body.
Special: When first learned the user needs to use the hand signs of Boar, Dragon, Tiger, and Horse. After the first time, hand signs is not needed.
Drawback: Drawback is that the user must train in this type of technique more then once in order to drown up higher frequencies. Another drawback is the fact that they are only capable of listening to one frequency at a time, so in a sense if they wished to listen to their own comrades, it be slightly more difficult that creates a massive confusion in which case may go against each other for a moment or two until the sounds is justified to where they understand.
Description: The way this feels is that the user is capable of drowning out certain frequencies in which they can hear certain sounds to accurately pin point where they need to go. What is interesting was the way this works, basically it is like a strong sensory. Within the mind of the user all sounds are muffled to an extent as the sound they concentrate on comes forth with more of accurate sense. The sensory and the sounds still work, in which they are capable to see. Example if there were a strong amount of yelling, the sound waves that hit the ears still react in which they can still use as a radar to help them move about (Acts like they can see figures) but of course does not damage the user's sense of balance and hearing.
Limit: Only those of the Shitakuma clan is capable of performing.

Draven was starting to get that the buyer wanted to get some sort of black market item, and the merchant was almost out of stock with those. But it was hard to pick up what he was trying to get because every time the item was said, some commotion was starting up. First there was a women who had something stolen from her, but he wasn’t focused on her so he didn’t keep his ears in that position for long. Then there was another, who was constantly yelling his crappy wears, as if expecting people to come rushing over there to buy them, again he had to re adjust his ear positioning. It was like a circus how he was moving his ears back and forth trying to pick up on this one conversation.

Draven had to concentrate with his mind also. When ever something of a little interest would pop into the sound spectrum of his ear drum, his mind would wonder to it slightly, making the conversation that he was focused on, fuzzy. How it looked to him though, was when he was focused he could see the details of the merchant and buyer through the sound waves that were being generated. But when something loud enough erupted, that picture when fuzzy and the sound originator popped up into view. But he kept at it and re focused his mind and ears, tuning into the merchant and buyer until the picture was clear again.

Draven started to calm his own breath, because he noticed that he would hold his breath when he was trying to concentrate on the single conversation. He noticed then that the picture of sound waves with the buyer and merchant was becoming clear enough to understand but the heavy details were still lost. But he noticed also that doing this helped with keeping the sound picture in his mind when a sudden sound erupted. Though that being done, he would still have those large noises bombard his sound view when a loud enough sound erupted. This happened especially when that other merchant who wanted to sell his fresh fish blurted out his pitch for fresh fish.

Draven closed his eyes and wondered if that would help any. He kept adjusting his ears and bringing the sound image of the merchant and buyer into his mind. He could tell from the sound waves that were being emitted that the merchant had gloves on, though he could not tell any real definitions on it. So he concentrated his ears on the merchant’s hands. He could envision that there was some sort of threading on the palms, but he could only speculate on this because the mental image only stuck for a fraction of a second. So with this he kept a tabs on these details, so that when the form of the glove went fuzzy he would keep the details and form in his mind.

This helped to an extent. Psychologically, Draven closing his eyes helped with keeping tabs on details suck as the stiches on the glove. What also helped was when the merchant knocked on the table, giving out a clear definition to the glove when the sound waves bounced off the table, then the glove then to his ears. He even found a way to time it so his ears would pick up on these sound waves. He found he had the gloves image down, and so he worked on the merchants face. He started with the same trick and adjusted his ears when a loud noise erupted from the plaza, then let his focus re adjust till he could make out definitions in the merchants face. He kept these definitions in his mind as this cycle went on and on.

[Flower]

+10

Learned~

[/blockquote][/blockquote]

[Draven]

00/10

SPOILER: Click to show

Shunshin no Jutsu - Oshi (Body Flicker Technique - Push)
Rank: "C"
Skill: NinJutsu/TaiJutsu
Effect: A Jutsu that allows a user to rush forward in almost instantaneous speed. Used to draw the user close to the opponent.
Special: ---
Drawback: May use 3 times a day. May perform 1 more each time learned. Passing amount renders the user's legs immobile due to severe pain. Unable to perform again unless gained medical treatment. Must move through an opening. Unable to maneuver around obstructing objects. Can't attack while performing any Shunshin or Variation.
Description: User is able to move forward in a straight line along the ground in almost instantaneous untraceable speed while temporarily masking the user's movements within 10 meters. A puff of smoke is occasionally used to disguise the user's movements. It is accomplished by focusing the user's chi along the ankles and foot. User mostly moves just with their ankles and feet. Jutsu takes up no movements. User may only use this Jutsu half of the movements may allow in a single round while rounding down. Example: User has 5 movements, user is able to perform Jutsu 2 times per round.
Limit: Universal NinJutsu or Universal TaiJutsu.

Without warning the merchant and the buyer started to chase Draven. Apparently he had ben caught ease dropping. So he stood up real quickly and pushed off with his foot. It was a great leap but it wasn’t fast. Once he landed again, he planted his front foot on the ground hard and let his center of mass pass over the leg. Once the leg was underneath him bearing his weight he pushed off again. He felt his momentum gain speed a bit. Again he did the same trick and planted his leading foot and pushed off the ground. He was launching himself forward at a greater and greater speed. But eventually he would not be gaining any extra momentum. But he continued to try and push off with his foot. He tried to really use the muscles in his ankle as he pushed himself along in great strides trying to get away from the oncoming attackers.

Draven let his leading foot fall, the muscles in the ankle relaxed so that his center of mass can fall onto that leg. Once the leg was baring all his weight he would then push with all his might. His ankle would strain under the force as he launched himself away from his chasers. He let his next foot plan in front of him and he did the same. He let that leg take his weight and he pushed off. He felt then a sweet spot were he could let his momentum carry his weight until it was in a good position so that he can launch himself forward in such a way. He felt his body get thrown forward as again he planted his foot and push forward. He had an idea though to stop momentarily so that all his weight can flow to his leg so that he can launch himself with better ease.

Draven tried this method and found it was much like being on a swing. He threw himself forward and basically landed on his feet. He would then crouch down and push off with both feet, letting his ankles do all the work for direction and his legs help with the momentum needed to increase his speed. His pursuers were still hot on his heels when he launched himself forward again. The distance between him and the chasers was like a yo-yo, as he set himself up for another launch and launched himself forward. He felt like a grass hopper as he pushed himself again with his legs.

It was exhausting but found his speed was slowly increasing as he leaped forward. He felt the rush of air after he had strained the muscles in his legs propelling him forward. He pushed against the ground every time as he let his legs extend giving him another length between him and his pursuers. He could feel buildings wizzing by as he propelled himself away form the angry men. He leaped again letting his weight surpass his legs and giving him position to gain momentum with his center of mass. He took a look back to see a little distance has been gained as he took another leap forward pushing him further away.

Draven was getting into the groove of leaps as he propelled himself forward. His foot would get into a position underneath his center of mass and with a hefty flick of his ankle he would be shot forward, faster and faster. He felt his body acting like a machine as he was committing this motion to muscle memory. Letting his muscles absorb what he his trying to teach them with this quick vaulting like action. He felt his ankles straining against his weight every time, but every time he did it, the strain would get lessoned because of the continued motion in memorization.

[Flower]

+10

It's cool. I've had those nights too

[/blockquote][/blockquote]

[Draven]

SPOILER: Click to show

Shunshin no Jutsu - Ko (Body Flicker Technique - Arc)
Rank: "D"
Skill: NinJutsu/TaiJutsu
Effect: A Jutsu that allows a user to rush in an arc in almost instantaneous speed. Allows the user to avoid the opponent's attack and gaze.
Special: ---
Drawback: Takes away the number of usages Shunshin no Jutsu - Oshi (Body Flicker Technique - Push). Same distance applications apply. Same drawbacks apply when over using.
Description: User is able to move in an arc along the ground in almost instantaneous untraceable speed while temporarily masking the user's movements within 10 meters. User may move forward, or backwards if they know Tweh version of Shunshin. This Jutsu is used to get around and behind an opponent without sacrificing multiple Shunshins. Supplement of Shunshin no Jutsu - Oshi (Body Flicker Technique - Push) using same schematics.
Limit: Universal NinJutsu or Universal TaiJutsu, Must know Shunshin no Jutsu - Oshi (Body Flicker Technique - Push)

Draven hit almost a dead end. It was a round about, with a fountain in the center. He would have to change his tactics. So he pivoted his foot and pushed off, he started to round the fountain, and every so often he would have to pivot his foot again. Though, this was very difficult for him. He had to make sure his leading foot was in a good spot to pivot, also the footing had to be correct. The first time he tried it he almost twisted his ankle. Though, he continued by waiting till his weight was over the pivoting foot before pushing off. He found he could keep this up a few times but would have to pause just for a second so that his foot wouldn’t feel like it was falling off. Unfortunately for him, this gave his pursuers enough time to catch up.

Draven continued to be chased around the rotunda. He continued to launch himself around the fountain and waiting every so often to rest. He pivoted his foot and pushed off. He had to feel for a catch on the ground and footing so that the push can be efficient enough to launch his weight in such a way, that he would travel around the fountain. He kept pivoting and pushing waiting for his weight to be onto of the foot that was pivoting and pushing. Again it was exhausting work, but it was better than being caught by those ruffians. He planted his foot again, and waited for the right moment to push off, if it was too soon he would slip, if it was too late and his center of mass was past his leg, he would roll his ankle and have a nasty sprain. So he kept taking note of good footing for when to push off with his foot.

Draven kept this up another rotation around the fountain. Pivoting his foot and pushing off. He saw that his pursuers were close on his tail, still. He almost slipped a few times as his foot caught a crack and had to re adjust in a blink of an eye. He had to keep his ankle ridged yet flowing and had to switch between the two. He had to keep adapting to his footing, the ground was uneven and had to keep paying attention or disaster would strike. He pushed of hard and felt his momentum flash forward. While he was in this momentous state he had to plant a foot every few feet and divert his angle so that he would be launching around the fountain. If he wasn’t paying attention to the space in front of him, and calculating were his next footing would be, he would slip.

Around and around Draven went, with his pursuers behind him. He was gaining a little distance every time he launched himself part way around the huge fountain, but then he had to pause for footing. That’s when his chasers closed his gained distance. But he continued hoping to exhaust his pursuers. He continued to plant his leading foot, let his center of mass fall onto that leg, crouch down ever so slightly, and then launch off explosively. Then while he was in a momentum like state, he would plant a foot in strategic position so that he can continue to arc around the fountain. He had to keep in mind when planting his foot, what kind of grounding he had. And with that he had to either make his ankle ridged or flowing depending on how uneven the footing was.

Draven found his ankle getting accustom to this kind of workout. He found he was noticing when to plant his foot, and keep it there for the right moment. He found the sweet spot to push off with his foot to gain momentum. He found he could angle his ankle just so, that he would catch a good footing and direct his forward momentum. He found his legs were starting to work like machines and acting on their own when fast action was needed. He was leaping around this fountain with a sort of ease. He pushed off with great force but regained his composure while he was in mid launch giving the ability to continue his course. He felt himself getting launched forward faster and faster as he pushed off with every leap.

[Flower]

+10 Again

[/blockquote][/blockquote]

[Draven]

00/10

SPOILER: Click to show

Shunshin no Jutsu - Ken'in (Body Flicker Technique - Pull)
Rank: "D"
Skill: NinJutsu/TaiJutsu
Effect: A Jutsu that allows a user to rush backwards in almost instantaneous speed. Allows the user to retreat from the opponent.
Special: ---
Drawback: Takes away the number of usages Shunshin no Jutsu - Oshi (Body Flicker Technique - Push). Same distance applications apply. Same drawbacks apply when over using.
Description: User is able to move backwards in a straight line along the ground in almost instantaneous untraceable speed while temporarily masking the user's movements within 10 meters. A puff of smoke is occasionally used to disguise the user's movements. Supplement of Shunshin no Jutsu - Oshi (Body Flicker Technique - Push) while using same schematics.
Limit: Universal NinJutsu or Universal TaiJutsu, Must know Shunshin no Jutsu - Oshi (Body Flicker Technique - Push)

Draven found an ally that he could make use of, but he wanted to keep tabs on his persuers. So he turned facing the fountain and crouched onto his legs. With a little bit of exertion he moved the muscles in his ankles and strained his leg muscles, straightening them out, giving him propulsion directly behind him. He launched himself backwards 10 meters, and found that he landed awkwardly. He found right away that this maneuver will have to take some getting use to. Meanwhile his pursuers were hot on his trail while he set up for another launch. He again crouched on his legs and pushed off. This time he took note with his ears of where he was going to land. He anticipated the landing this time but was still put off by how awkward this was.

Every time Draven launched himself his pursuers would be yo-yoing with their distance. He had to react quickly to get away from them. So again he crouched and let his ankles do all the work in launching himself backwards. He noted that when he lands he had to take not of his footwork. The ground could have been uneven or slippery, and he had to instantly re adjust his feet so that he would not slip. So with his next attempt he took that into account when he landed. It was still an awkward landing but with every try he got a little better. He could feel his ankles getting more accustomed to the strain of the maneuver as well. With another crouch he launched himself backwards pushing himself further away from his pursuers.

Draven felt himself flying through the air, he estimated the landing was seconds away. He moved a leg backwards behind him, so that it would catch his weight. His ankle was angled so that he could compensate if needed for any uneven terrain. He bent the leg slightly so that it can cushion his fall. He felt his toes hit the ground and felt his momentum still carrying him through the air. He was slowly descending in a fraction of a second as he let his leg start bearing his weight. He felt his foot finally be flat with the ground as it started to slide against the cobbled stone. He felt finally his weight being fully held by the leg underneath him.

Draven’s other leg finally had to be used, by stopping his forward decent. His back leg was posted behind him so that he could stop the sliding if he needed too. He felt his weight shift to his forward leg as he fell forward some. His momentum was still carrying him a bit backward, leaving a small dust trail in his previous path. He was still traveling backwards when he could hear his pursuers have to increase their speed again to catch up with him. All he had to do to set up for the next leap was continue his reverse momentum and shift his body weight to his rear leg again. And then with a quick flick of his ankle and a straining of his leg muscle he would be shot through the air once again.

Draven vaulted once more behind him. He traveled 1o meters behind him. He had to again anticipate the landing. He felt he had a good estimation of what he needed to do when he angled his foot so that he would catch the ground. In fact he felt good about how he was maneuvering his body weight when he landed. When his center of mast got absorbed by his rear leg, he would put his other leg in front of him so that when he braced with his rear leg and his body fell forward, his forward leg would catch his center of mass. This helped him continue his rear momentum and set himself up for another vault away from his pursuers.

[Tieren]

Learned!

[Draven]

[exit]

[Draven]

[enter]

00/60

SPOILER: Click to show

Oujou Rasen (Death Spiral)
Rank: "C", "B", "A", "S"
Skill: TaiJutsu/Supplementary
Effect: Used for puppets with melee weapons. User attacks by spinning violently like a top.
Special: ---
Drawback: ---
Description: User spins their puppet violently capable of either torpedoing into defenses, or using blades to slice through enemies like a blender. Spinning to full speed takes a total of 2 movements before able to use. The puppet does not gain any damage when performing this attack. When the user first learns this technique they are able to plow through "D" Rank Defenses. When the user learns the "B" Rank version of this technique they are able to plow through "C" Rank defenses. When the user learns the "A" Rank version of this technique they are able to plow through "B" Rank defenses. When the user learns the "S" Rank version of this technique they are able to plow through "A" Rank defenses.
Limit: Must be a Puppeteer.

Draven enters into a vast empty area on one of the open parts of the village. He finds some piles of stone and controls his puppet to stand in front of one of the medium piles. He then starts flicking his fingers quickly and lets his puppets torso spin like a top. He keeps this up until he has a extremely fast revolution per minute ratio. He then controls the puppet to vault in an arc in the air toward the medium stone pile. Everything goes into slow motion as he sees the puppet connect with the rock. It starts to spark as it begins a drilling motion into the rock. He flexes his index finger trying to keep the puppet stable. He finds that one of the hardest objective in this maneuver is the awkwardness of the puppets symmetry.

Draven has to keep on his toes as he sees the puppet twist against the rock. He twitch’s a finger here and there in an effort to keep the puppet screwing against the solid stone. He feels that he can keep this up for a few more milliseconds if he tightens in the puppets wings. So with a flick of a finger the wings get closer to the puppets torso. He notices then that the puppet starts to spin faster. The arms of the puppet start to stretch out, because of the centriphical force given with the extra momentum of spinning. So he moves a few of his fingers and brings in those arms. But he finds the wings start stretching back out because of the same force. He will have to find a way to counter balance this if he was going to get an appropriate spin to drill through this rock.

So Draven moves a few fingers at the same time to bring in all limbs and wings to the puppets torso. This time they stick but the puppet itself is starting to become unstable. So he re-adjusts some of the limbs trying to find a balance for the spin. After a few tries he found a sweet spot to keep the puppet keeping up with the spin. He does notice that no damage is actually occurring to the stone. So he attempts to raise one of the arms to connect with the stone. He wants the claw of the puppet to help with the drilling effect to the stone. He carefully moves a finger and other fingers in conjunction with the arm movement trying to balance out the puppet as he moves the puppets arm up to the stone.

Draven was successful enough to get the hand close to the surface of the stone. But he had to keep the whole arm unit tight to the body and head of the puppet to attain continuity with the balance of the spin. He finally reaches a bit further with the puppetry hand, but before the claw connects he activates the wrist spinner giving extra damage output before the connection is made. And finally the claw connects and with the added sin of the claw itself with the spin of the puppet he can tell that there is some progress in the damaging of the medium sized stone pile. Though, he has found a new balancing issue.

Draven had to react quickly so that his puppet doesn’t fly off the spinning track that he is giving it. He has to make the other arm stick out then suck in to counter balance the other arm connecting with the stone. He gets that down so that the whole thing doesn’t unbalance it self, and now he wants to try and bring the other arm up. This time he knows what to look for and uses the wings to stabilize the puppets spin as he works on getting the other claw to connect with the stone. He carefully maneuvers the arm up to the head and activates its wrist spin, which would in turn give extra damage to the stone.

[Draven]

??/60

SPOILER: Click to show

Oujou Rasen (Death Spiral)
Rank: "C", "B", "A", "S"
Skill: TaiJutsu/Supplementary
Effect: Used for puppets with melee weapons. User attacks by spinning violently like a top.
Special: ---
Drawback: ---
Description: User spins their puppet violently capable of either torpedoing into defenses, or using blades to slice through enemies like a blender. Spinning to full speed takes a total of 2 movements before able to use. The puppet does not gain any damage when performing this attack. When the user first learns this technique they are able to plow through "D" Rank Defenses. When the user learns the "B" Rank version of this technique they are able to plow through "C" Rank defenses. When the user learns the "A" Rank version of this technique they are able to plow through "B" Rank defenses. When the user learns the "S" Rank version of this technique they are able to plow through "A" Rank defenses.
Limit: Must be a Puppeteer.

With Draven’s puppet already spinning against the medium pile of rocks, he had his puppet using its hand claws in a rotation fashion and scraping along with the spin of the torso of the puppet. He seen a lot of sparks coming from the entire contraptions attack against the rock and continued the motion. Though, he had to be diligent in keeping the thing balanced. His fingers were twitching like mad trying to extend a wing and a leg here to make sure the thing kept center with its spin. He also had to keep in mind the torso of the puppet, if that was at all off kilter then the whole thing would spin out of control.

A challenge Draven found was the placing of his chakra strings. He had to place them at pivotal points on the puppet so they would have the ability to spin. For instance he had to keep two strands on the legs, one on each leg. Though, thankfully for him the puppets legs can lock together and counter spin with the puppet so that the strings can stay away form being wound up. This also helps him keep the puppet straight because the strings on his leg can be held tight giving the puppet good stability. That being noted, the puppet was 300lb of pure death roll and was still a very large challenge to keep straight.

Another tactical spot that Draven had decided to keep a few strings was at the waist. Since this was another spinning spot he could keep those strands stationary as the puppet spins. Though, the challenge here was to maneuver the strands around the wings when they came around. He had to do a sort of jerk and create a wave in the strings so there would be enough space so that the wings of the puppet could come passing underneath the hip strings on the puppet. Though, this came with its own set of issues. He had to attaché strings to the wings as well, these were most definitely going to be wound around each other.

Draven wasn’t that concerned, as long as he had the strings constantly in motion the winding shouldn’t be too terrible. He can always momentarily release the strands and re-adjust. The trick to the thing was within the feet strands. He had the whole puppet wrapped around with these strands. The strands were in control with all the limbs, wings, head, arms, and all the joins, for ease of use. This way he had full control over the puppet, though the spinning was a definite challenge in making this puppet stay spinning and in control. He had to adjust these strings and move the knees of the puppet to balance out the whole of the spinning otherwise he would have had a mess on his hands.

Draven’s hands were flicking all over, and may have looked like his hands were a spider of some sort being lifted off the ground, the way they were twitching about. It was like juggling how he kept the puppet spinning against the stone. He found ways to make the puppet spin a little faster by taking the puppet off balance by just a hair then sucking in what ever he used to unbalanced the puppet. This created a swinging effect to the rotating force that he was using with the puppet against the stone of the medium pile. He was seeing a lot of sparks as the claws and head of the puppet scrapped against the rock.

[Draven]

??/60

SPOILER: Click to show

Oujou Rasen (Death Spiral)
Rank: "C", "B", "A", "S"
Skill: TaiJutsu/Supplementary
Effect: Used for puppets with melee weapons. User attacks by spinning violently like a top.
Special: ---
Drawback: ---
Description: User spins their puppet violently capable of either torpedoing into defenses, or using blades to slice through enemies like a blender. Spinning to full speed takes a total of 2 movements before able to use. The puppet does not gain any damage when performing this attack. When the user first learns this technique they are able to plow through "D" Rank Defenses. When the user learns the "B" Rank version of this technique they are able to plow through "C" Rank defenses. When the user learns the "A" Rank version of this technique they are able to plow through "B" Rank defenses. When the user learns the "S" Rank version of this technique they are able to plow through "A" Rank defenses.
Limit: Must be a Puppeteer.

Draven completed a few more rotations with the puppet before winding down the thing. He backed the puppet off to see his progress. There was a few cracks and some grooves. He will have to continue if he wanted to sharpen this skill. So he started to twirl the puppet like a top. Again he had chakra strand anchors at the feet, hips, and wings, with the strands at the hips intertwining with most of the puppet so that he can have full control. He had to shake the wing strands and make sure the hip strand were out of the way of each other so that the would not get tangled up. He made sure the feet were locked together and the whole unit was rotating along with the counter rotation at the hips for extra support.

Draven was keeping in check the balance of the structure and was making sure he adjusted the wings and limbs accordingly. He set it up were the hands of the puppet with the claws were over its head and the claws themselves were rotating on their own. This would create a meet grinder effect that should be effective for what he wanted to do. He needed sufficient amount of force to the initial hit against the stone so that the claws can really dig in and chip away at the stone. So he let the puppet bend its legs and coil up like a spring. This was no easy feat though, because he had to coordinate the rotation of the puppet along with the movement of the puppet.

So Draven kept in mind the strands that would be twisting with themselves, the wings. He kept them loose enough so that every once in a while he can unwind them and reattached in the blink of an eye. He made it so that the hip ring itself was stationary making the whole structure spin within the hip ring system. The ankles of course had their own rotation system and actually could latch together so that the torso can spin independently. Once the puppet was fully locked and ready to spring forward he starting to think about the motions necessary for the launch into the stone. He knew that he had to keep the thing form spinning out of control.

So with that Draven launched the puppet into the air. He kept the anchors attached at the hips and legs, while he let the wings flow freely with the strings semi attached. He kept a very loose hold on the wings, only for the necessary adjustment in weight and movement. He did find though that if he swung the wings at the right time he could get a better forward thrust out of the puppet as it sailed through the air nearly hitting the medium pile of stone. The impact was close and he got the claws of the hands ready by locking them all into a single point so that it would make a makeshift drill, with rotation and all.

The puppet hit the rock with a calamity of dust and sparks. Draven tightened the feet, and hip strands up so that he can maintain control of the spinning of the puppet while it tried to burrow a hole through the stone pile. He let the wings tighten up once there was solid connection with the stone pile. This made it so that the puppet itself begins to spin faster. He had to adjust a knee here and an elbow there either sucking it in or letting it slide out a bit to keep the entiret of the puppet stable. He could see chunks of rock get sprayed away form the face of the stone as he continued to wield the rotation of the puppet into the face of the rock.

[Draven]

??/60

SPOILER: Click to show

Oujou Rasen (Death Spiral)
Rank: "C", "B", "A", "S"
Skill: TaiJutsu/Supplementary
Effect: Used for puppets with melee weapons. User attacks by spinning violently like a top.
Special: ---
Drawback: ---
Description: User spins their puppet violently capable of either torpedoing into defenses, or using blades to slice through enemies like a blender. Spinning to full speed takes a total of 2 movements before able to use. The puppet does not gain any damage when performing this attack. When the user first learns this technique they are able to plow through "D" Rank Defenses. When the user learns the "B" Rank version of this technique they are able to plow through "C" Rank defenses. When the user learns the "A" Rank version of this technique they are able to plow through "B" Rank defenses. When the user learns the "S" Rank version of this technique they are able to plow through "A" Rank defenses.
Limit: Must be a Puppeteer.

Draven shielded his face form all the debris that was being knocked off the stone face. He felt the tug on his strings as the puppet advanced into the stone. He was making some progress as he kept the balance in line by adjusting a limb here or their. Its knees or elbows worked well enough for this task by simply sucking it in or pushing them out slighty whenever the puppet felt unstable. Again the tricky part was keeping the wing strands correct. They would twist and he would have to find some way to untwist them, usually he would just merge the two stands and then separate them as untwisted strands to compensate.

Next Draven had to make sure the spin was solidified in the way that it kept spinning, and again he used the way that he was balancing the puppet in this manner to keep the spinning up. When ever the puppet would slow down a fraction he would just out the knees and elbows a bit. It would slow the puppet down slightly as well, but if he waved the limbs back in toward the torso at the correct time he can keep the puppet going indefinitely. He also found there was a sweet spot where if he did this correctly enough he could increase the speed to a degree. He found that this was one of the better ways to keep the puppet form unbalancing.

Another caveat that Draven notice though, was that when he untwisted the wing strands the puppet would get unbalanced, he would have to devise a way to counter this effect. So he tried just merging the two strands for the wings and letting the two anchors rotate around themselves. This was working as long as he did a roping action with the merged strand itself. This created a wave in the strand itself which counter balanced the little off centering that the puppet was having issues with. But it was still not perfected, there was still some wobble to the puppet and he had to figure out where the tremor was coming from.

After close observation Draven noticed that it might be coming from the arms. So he tried something, the drilling action that the hands were doing, he messed with it so that they would spin in opposite direction. Then something amazing happened. The spinning of the puppet became extremely rapid. It took a lot out of him to maintain the stability of the puppet just to keep it stable. He had to pause one of the wrist spinning mechanisms to keep it from flying out of control. It was still hella wobbly, and he was trying to adjust the arms so that the tremors would stop and he would create a faster spin. It was working to a degree but it was still exhausting trying to keep the puppet straight.

So Draven kept the reverse drilling form either hands of the puppet going, making the thing spin so fast. He was now playing with the wings trying to find an absolute sweet spot that would balance the whole thing out. What was great about using the wings was that they acted like a rudder in keeping the puppet stabilized. But it was only enough to keep it drilling against the stone face. Then he had an idea and angled the wings in a fashion much akin to the threading of a screw. And another amazing thing happened. The force of the drilling action increased because more debris was flying off the stone face. But now he had to figure out how to add this effect and stabilize the puppet.

[Draven]

??/60

SPOILER: Click to show

Oujou Rasen (Death Spiral)
Rank: "C", "B", "A", "S"
Skill: TaiJutsu/Supplementary
Effect: Used for puppets with melee weapons. User attacks by spinning violently like a top.
Special: ---
Drawback: ---
Description: User spins their puppet violently capable of either torpedoing into defenses, or using blades to slice through enemies like a blender. Spinning to full speed takes a total of 2 movements before able to use. The puppet does not gain any damage when performing this attack. When the user first learns this technique they are able to plow through "D" Rank Defenses. When the user learns the "B" Rank version of this technique they are able to plow through "C" Rank defenses. When the user learns the "A" Rank version of this technique they are able to plow through "B" Rank defenses. When the user learns the "S" Rank version of this technique they are able to plow through "A" Rank defenses.
Limit: Must be a Puppeteer.

The spinning of the puppet was getting intense and erratic. He had to unlach the legs and mearge the chakra strands to get extra support for the stabilization. It was a daunting task because he was jerking the legs over and over. The legs would look like it was doing the jumping jacks while spinning. This is no easy task because of the force that was needed to pull at the legs. But the puppet was spinning in a tight fashion and the force was immense for what it was doing. He continued this until he found that all he had to do was make the legs move by themselves in this jumping jack form to create the stability needed.

Draven came in contact with another problem though, the spin was still unstable in the scense that it was not gaining any speed or keeping the same extreme speed that he had had before while not moving the legs. So he observed the puppet closely and noticed that he was shaking the wing strings creating a certain kind of instability. So he stopped shaking the wings strings and everything went all whack again and the puppet was unstable. He had to find a good rhythm with the legs moving in and out to find a sweet spot that stabilized the puppet once again. Ooh but once it was stable it was spinning like a dream. So he stopped the whole operation and reset. He let the puppet stand 5 meters away from the now heavily damaged stone.

Draven started twirling his thumb and index finger making the puppet start its spin. It took a short while to ramp up the 300lb puppet into a respectable revolutions per minuet. He then raised the puppets arms above its head and spun the hands. The hands spun in opposite directions so that he would have that awesome spin when it came to embedding into the rock. He didn’t have the ankles latched but he did have the feet together as he spun the puppet. He kept the anchor on the hip ring tight as the puppet spun within it helping out with stability. He created even more of a spin when he angled the wings in much the same manner as the threading of a screw. Then he carefully crouched the puppet as he did before, by bending out the knees till it was essentially coiled up like a spring.

Then Draven was almost ready to launch this sucker at the stone face once again. With a quick snap of his finger the puppet launched into the air. Everything went into slow-motion as he did this because the speed at which the puppet traveled caught him off guard. He had to yank at the anchor of the hip ring and tighten the leg strands to direct this screaming bullet. He aimed it right at the center mass of the stone face. He kept twirling his finger as fast as he could keeping up the revolutions per minute. He also felt that the wing was rushing over the wings giving it so much more power and force going forward. The puppet was a mad hatter on its way to hitting the stone face.

WHAM!!!ZZzZZzzZZZZZZzzzZzzzZ!!! the puppet made deafening sounds as it slammed into the stone face. The speed of the puppets spinning increase as the drilling hands continued their counter spin motion increasing the overall spin of the puppet. He had to be quick with the legs and spread them then closed them together over and over in quick succession. He again had to find a sweet spot for this motion to even have this thing stay on course and not fly off uncontrollably. He was finding it difficult to keep track of the knees and letting them slide out a bit then retracting them to add to the stability. Though, he did not have the efficiency down, he did have the actual force and spin down, because it sounded as if the stone face was about to give.

[Flower]

+10
+10
+10
+10
+10

---

+50

[/blockquote][/blockquote]

[Draven]

50/60

SPOILER: Click to show

Oujou Rasen (Death Spiral)
Rank: "C", "B", "A", "S"
Skill: TaiJutsu/Supplementary
Effect: Used for puppets with melee weapons. User attacks by spinning violently like a top.
Special: ---
Drawback: ---
Description: User spins their puppet violently capable of either torpedoing into defenses, or using blades to slice through enemies like a blender. Spinning to full speed takes a total of 2 movements before able to use. The puppet does not gain any damage when performing this attack. When the user first learns this technique they are able to plow through "D" Rank Defenses. When the user learns the "B" Rank version of this technique they are able to plow through "C" Rank defenses. When the user learns the "A" Rank version of this technique they are able to plow through "B" Rank defenses. When the user learns the "S" Rank version of this technique they are able to plow through "A" Rank defenses.
Limit: Must be a Puppeteer.

Draven backed off his puppet and checked his progress. The stone was cracked and scratched to shit. Huge gouges which are evidence of real enhancement to this technique. So he reset the puppet again and had it stand 5 meters away and started the twirling by twitching his finger in a circular pattern. He then had the puppets legs come together and the ankles lock in place, From the hips the puppet starts spinning with the arms raised. The wrists start to spin in opposite directions and the claws come to a point creating a make shift drill. He then starts to spin the ankle section of the puppet giving it even more revolutions per minute.

Next Draven twists the wings in a way much like that of the threads of a screw. This will help with aerodynamics. Also it will create an added thrust on top of the force of the spinning action. He then carefully bends the puppets knees letting the puppet slowly crouch while spinning. He makes the puppet get as low as he can then gathers some tension. Once everything was wound up like a spring he launched the puppet. This time he was ready for the speed that was generated by all the factors that gave this death roll its force. He also knew to take the puppet by the hip ring and steer it by the leg strings. He aimed the puppet right into the stone face.

The puppet hit with a huge crash. Scrapping and drilling right into the center of the stone face. Draven unlatched the ankles and let them fan out, to stabilize the puppet. Once stable he brought the legs slowly together then fanned them out again. He did this over and over till he was fanning the puppets legs out with a quick motion then bringing them together again. This created a type of drilling action with the rotational force of the entire structure. All 300 lb and all that force was being applied to two single drill points on the stone face. He could hear the stone cracking and had to keep up the whirl of the puppet.

Draven had to adjust the elbows of the puppet ever so slowly. He felt the thing zizzing as he slowly did the same thing with the elbows as he did with the legs. He first went slowly and fanned the elbows out away form each other then he brought them back together. It was a slower process than the legs but he was starting to find a sweet spot where when he brought the elbows together it would add to the spin of the puppet. The puppet at this point was a blur, the noise it was making was a teeth grinding drilling sequel. It took all his mental capacity to keep up with the stability of the machine.

Draven had to move the wings every so often using it as rudder. It the puppet were wobbling one way then he would fan a wing out letting the air catch the puppet stabilizing it. And, if the puppet were leaning another way, he would use the other wing if the first wing was already in use to stabilize the spin. and if the entire system were going nuts he would tighten the string on the hip ring and the legs to ultimately stabilize the puppet. As he was doing all these actions he could hear the stone crying its last call as lots of cracks started spider webbing across the stone structure. And then it happened a break through of sorts...