Chinao Li

[chin]

Basic Information

Name:  Chinao Li
Bloodlimit:
Height: 5'7
Weight: 145
Age: 18
Gender: Female
Alignment: Lawful Evil
Birth Country: Land of Fire
Village: Cloud
Special: Medical/ Clan Specialist

Tai/Nin Non Specialist

Weapons

Primary Weapon:

Multiuse Brush [4]
Rank: C
Type: Main, Weapon, Brush
Effect: A hollow handled, Solid in the middle, double headed brush with a brush head on each side and screw on brush-heads, Various cartridges can be inserted into the handle to be quickly dripped into the brush-head for fast painting.
Special: Uses cartridges of Poison, Oil, Ink and Water.
Drawback: Only two slots and two buttons to activate, Reloading is a bit slow, not durable.
Description: A hollow calligraphy brush, in which various cartridges holding different liquids are inserted into the handle by unscrewing each brush head and inserting and locking one cartridge in each side at a time. It is held in the middle when painting. Activating is as simple as holding whatever side you want activated downwards and pressing a button, which in turn will puncture the cartridge and cause it's contents to flood the chamber and into the brush's head. About 10 inches in length from brush-tip to brush-tip. 1 inch in width. When the other end of the brush is not in use, it is concealed using a wooden cap.
Limit: Must be a Member of the Li clan, Sold everywhere
Cost: 1,000 Ryo

Secondary Items:

Non-Weapon Items


Yatake Set[5]
Rank: "D" Rank
Type: Secondary, One Slot
Effect: A simple paintbrush, complete with a carrying case that even has a small inkwell attachment.
Special: ---
Drawback: ---
Description: A simple paintbrush, complete with a wooden carrying case that even has a small inkwell attachment. The user may snap open the case, remove the paintbrush, and then open the small compartment to paint with. The compartment is the same size as a small bottle of ink.
Limit: Must be a Part of the Li Clan to have one. Must start off with one. May be purchased at any shop.
Cost: 500 Ryo.

Painting Scroll [5]
Rank: "D" Rank
Type: Secondary, 1 per Slot.
Effect: A scroll that is used for painting.
Special: ---
Drawback: Cannot be used in exchange for the Technique Scrolls, only usable with Li Clan jutsu.
Description: A scroll that is five meters in length and one foot wide. It is used by the Li Clan shinobi for their paintings. Most Li Shinobi are seen carrying around several of these painting scrolls, so that they are always prepared.
Limit: May only be purchased by Li Clan Shinobi.
Cost: 500 Ryo per Scroll.

Poison Cartridge [30]
Rank: D
Type: Secondary, 2 per slot, Ammo, Cartridge
Effect: Contains concentrated weak poison suitable for killing smaller animals, causes a weak stomach-ache in humans. Can be easily removed or cured by a Medic.
Special: Can be used in the Multiuse brush.
Drawback: Can easily be destroyed/popped in slot.
Description: A circular cartridge made from a thin Membrane, stored 2 in a thin wooden case (Think like a contact lens case, but slightly bigger) .75 Inch in size. Made from Diluted Scorpion Venom mixed with Water and Goat’s Rue. Liquid in Nature, can only be use
Limit: Poison's effect lasts for 2 turns after Ingesting, Goat’s Rue will nullify the poison on second turn. One cartridge coats one weapon.
Cost: 200 Ryo

Oil Cartridge [30]
Rank: D
Type: Secondary, 2 per slot, Ammo, Cartridge
Effect: Contains a fast burning oil, Suitable for starting on fire quickly, can also be used as a slick.
Special: Can be used in the Multiuse brush. When lit, the oil will burn for 4 turns in dry conditions.
Drawback: Can easily be destroyed/popped in slot. Will only Burn for 2 turns in damp conditions
Description: A circular cartridge made from a thin Membrane, stored in a thin wooden case (Think like a contact lens case, but slightly bigger.) .75 Inch in size.
Limit: None
Cost: 200 Ryo

Ink Cartridge [30]
Rank: D
Type: Secondary, 2 per slot, Ammo, Cartridge
Effect: Contains ordinary ink used by the Li clan.
Special: Can be used in the Multiuse brush.
Drawback: Can easily be destroyed/popped in slot.
Description: A circular cartridge made from a thin Membrane, stored in a thin wooden case (Think like a contact lens case, but slightly bigger.) .75 Inch in size.
Limit: Can be used to use 3 Li clan brush related Jutsu.
Cost: 200 Ryo

Water Cartridge [20]
Rank: E
Type: Secondary, 2 per slot, Ammo, Cartridge
Effect: Contains Ordinary water, useful for washing the brush of previous cartridge's residue
Special: Can be used in the Multiuse brush.
Drawback: Can easily be destroyed/popped in slot.
Description: A circular cartridge made from a thin Membrane, stored in a thin wooden case (Think like a contact lens case, but slightly bigger.) .75 Inch in size.
Limit: A water cartridge will clean the brush of Ink and poison. Takes 2 turns to clean oil from the Brush.
Cost: 100 Ryo

Belt, Individual Equipment [4]
Rank: "C"
Type: Main, Slot Holder, 11 Pouches, Belt
Effect: The belt is designed for carrying various items of individual equipment.
Special: ---
Drawback: ---
Description: Picture A belt that can hold up to 11 individual Pouches. The belt is designed for carrying various items of individual equipment, such as the water canteen cover and ammunition case. The individual equipment belt meant for holding a plethora of pouches. It is normally secured by means of a brass hook and loop buckle and has 2 rows of eyelets along the top and bottom for attaching individual equipment utilizing a wire hanger. The belts are adjusted from each end by means of clamp-type buckles which slide on the belt when open. Essentially this is what is called a Utility Belt.
Limit: These type of items may be bought inside any Tailor Shop.
Cost: 2,000 Ryo Each.


Character Depth

Personality:  Chinao Li is anything but innocent. From a young age she has always cared only for herself and her goals doing anything to achieve them. Her heart is as black as they come rotten from the inside and out. She does not value life in anyway possible viewing everything and everyone like pawns all free to use for her enjoyment. It's all but game to her and she never has a set way to have her fun. All from seeing people flustered and struggling, down to seeing people suffer in agony and anguish.

When generally interacting in the world around her Chinao is bubbly and playful in completely dirty ways normally. She always interacts with everyone kindly in large crowds or those who may have some impact on her. She can't go ruining her chances right off the bat of course. However if she is what she deems alone with someone where no one else can be alarmed by her fun by all means she will do whatever. Or if she feels she can easily eliminate a large group without being found out she will not hold back regardless either.

In combat Chinao doesn't lose her playful side whatsoever. She loves to use her drawings to overwhelm and torture her target by beating them slowly if possible. However she is not a idiot and will be more precise and finish the job if necessary. Occasionally when injured at certain points of varying degrees Chinao is known to "snap" In which she will completely go all out and violate her opponent showing no mercy whatsoever. She tends to go on a mad frenzy with her Li clan jutsu.

Appearance: Chinao stands at 5'7 and has a thick yet slender body being 18 years of age and maturing somewhat. Her skin is very pale in color but not in a unhealthy manner. She has DD sized breast and wide hips with a rear to evenly match. Her arms and legs are both matching the rest of her body and are quite long. She has slight muscle definition all around especially her abs with well toned 4 pack.

Her head is quite small with a round acorn like shape. A long set of flowing blonde hair that reaches down to around her knees in length. She keeps her long bangs out of her face with a light blue hair clip on her left side. A small rounded nose below large light green eyes. A light array of freckles around the bridge of her nose.She has large thin lips that are a light rose cherry color. Her tiny ears are hidden behind her hair.

Chinao's outfit consist of a short skin tight top that stops right beneath her chest. It is sleeveless and patterned with black vertical stripes. On both of her arms she wears gloves that go up to about half her forearm not covering too much. She wears a blackmini skirt that is about 6 inches in length. A thick blue slash is wrapped her waist and flows out on her right hip.On her right thigh a black sleeve covered from the knee up while on her left leg a black sleeve covers from the knee down. She wears typical shinobi boots that go up to her calf.

Background: Chinao was your typical young rich girl. She grew up in the Land of Fire to a wealthy merchant family. However not all was what it seemed as  her parents also dealt with illegal workings as well. It wasn't unusual for Chinao to see their servant come back with chopped off heads or even stained in blood convening with her parents. Chinao and her butler had a close relationship as he had been with her since day one. He was her care taker and personal bodyguard when not at her manor and he was also her teacher. Not only in regular studies and the way of the world but also in ninjutsu. Chinao's butler was a shinobi indebted to her father who had went rogue. Being a member of the Li clan the butler was a adept drawer and instilled these techniques of his clan in to her. This occur early in the morning and at night regardless if he stayed or came back from killing someone.

However at the age of 10 a gang of Chinao's father's enemies attacked their manor. Slaughtered her parents and set the place ablaze as her butler took her and ran. With these men on their trail they took pursuit to the man's once home village, The Cloud Village. But before even reaching the village the village the men caught up with them once more trapping them in a corner. Her butler fought valiantly fell in battle Chinao having a mental breakdown in process as she looked at the murderous who have taken and killed all she had loved. She for the first time snapped using her own Yatake set and drew very demonic like beast which fed on the men. Eating them like a pack of starving wolves as the despair of losing and killing finally sank in. For the first time in what felt like forever she was once again whole.

She spent the rest of the year traveling to the Hidden Cloud village where she would be 11 at the time. Gaining entry and becoming a resident she could spend 5 years training herself before entering the academy at 16. The next two years would be a breeze for her now 18 and a full fledged shinobi.Chinao has reached both mental states of her highest high and the lowest low and she prefers the evil parts much better. Everyday in life is now meant to use others as toys to fill the empty void that was left inside of her. To make others feel the same great despair she feels as well.

[chin]

Miscellaneous:

Miscellaneous :Saves,Ability,Skill


Freebies:

Gifted Adept [Choju Giga]
Rank: "C"
Skill: Chakra Trait
Effect: Due to seeing the manifestation of a Jutsu the user is able to perform it as if they were higher Class Level.
Special: ---
Drawback: ---
Description: User's interest in Chakra was inspired by witnessing a Jutsu being performed in a particularly dramatic method, perhaps even one that affected them physically or spiritually. This early exposure to Chakra has made it easier for them to work similar Chakra on their own. Pick 1 Jutsu when the user picks this trait—from this point on, whenever the user performs that Jutsu, its effects manifestation at 1 Class Level higher. This trait replaces 1 Freebies.
Limit: Must start with Character; replaces 1 Freebies.


Grendle Ancestry
Rank: "B"
Skill: Heritage Trait
Effect: A trait that grants healing properties to the user.
Special: ---
Drawback: Cannot gain any other Ancestry Traits.
Description: Some human bloodlines trace their linage back to a grendle, an offspring born of troll and human parentage. Living humans with this racial trait are immune to bleeding out. If they are also "C" Class they heal Minor damage per 15 rounds. If they "A" Class and they lose a limb, an organ, or any other body part, once per day the user's severed body members (fingers, toes, hands, feet, arms, legs, tails, broken bones, and ruined organs grow back. The physical regeneration is complete in 1 round if the severed members are present and touching the creature. It takes 15 rounds otherwise. Regenerate also heals Serious Damage within 15 rounds, and rids the subject of exhaustion and/or fatigue. It has no effect on nonliving creatures (including undead). This trait replaces 2 Freebies.
Limit: Must start with Character; replaces 2 Freebies.

Suiton no Jutsu (Water Release Skill)
Rank: "C"
Skill: NinJutsu
Effect: ---
Special: ---
Drawback: ---
Description: With this skill, or release, the user is now capable of using, and performing techniques that deal with the element of Water. This means that any NinJutsu or specialized TaiJutsu that deals the Water Release will need this in order to be performed correctly.
Limit: ---

Katon no Jutsu (Fire Release Skill)
Rank: "C"
Skill: NinJutsu
Effect: ---
Special: ---
Drawback: ---
Description: With this skill, or release, the user is now capable of using, and performing techniques that deal with the element of Fire. This means that any NinJutsu or specialized TaiJutsu that deals the Fire Release will need this in order to be performed correctly.
Limit: ---
Heat Mastery, when a user reaches to a point where they gain the full potential and understanding of fire and Heat the user is capable of many things. A technique such as this is a mastery of all Fire Techniques to where they do not have to worry about Minor Burns.

Bewitching
Rank: "C"
Skill: Heritage Trait
Effect: A trait that allows the user to speak while manipulating the feelings of others.
Special: ---
Drawback: ---
Description: Some humans have an uncanny ability to manipulate others, often due to an alluring physical trait. When dealing with NPCs whose starting attitude toward them is not Hostile, they can choose to use this ability to temporarily improve their attitude toward those NPCs by a greater degree than normal. When speaking, treat the NPC’s starting attitude as 1 level higher than it actually is for the purpose of determining their new attitude. The NPC’s new attitude lasts only for a number of minutes equal to 2 per Class level. After that time, the attitude returns to the state it was before the user spoke. If circumstances in the interim have rendered the NPC violent or hostile (such as from being attacked by the bewitcher), the NPC’s attitude remains where it is (rather than returning to its original state). This trait replaces 1 Freebies.
Limit: Must start with Character; replaces 1 Freebies.

Skillful ( Observation)
Rank: "C"
Skill: Social Trait
Effect: Humans pursue a wide range of careers and live in a multitude of conditions, and as a result learn to excel in many different skills.
Special: ---
Drawback: ---
Description: Choose 1 skill, the skill gains a +20 trait bonus to that Skill. The bonus gains an additional +5 per Class Level. This trait replaces 1 Freebies.
Limit: Must start with Character; replaces 1 Freebies

Who, Me?
Rank: "C"
Skill: Social Trait
Effect: User does their best to evade the notice of the cosmos at large.
Special: ---
Drawback: ---
Description: User gains a +4 Heritage bonus on all Saves against any effect who's are alignment-dependent. This trait replaces 1 Freebies.
Limit: Must start with Character; replaces 1 Freebies.


Techniques
Gahou Tenrai (Divine Art of Drawing & Painting)
Rank: E-Rank, Supplementary
Effect: A skill that lets the user draw in amazing detail and speed.
Description: This technique cannot be classified as a Nin, Gen, or Taijutsu because it is not a technique but rather a developed skill for members of the Li Clan. It allows them to draw what they see or from memory with exact detail and amazing speed. This is the clan’s most basic technique needed for them to use most clan jutsus.
Limit: Clan Jutsu

Sumi Nenshou (Burning Ink)
Rank: D-Rank
Skill: Ninjutsu
Effect: Fills a target amount of ink with an explosive property.
Special: “Hand Seals”
Drawback: The user could easily forget which ink has been made explosive and then explode themselves with it.
Description: Targeting a set amount of ink, the user will then perform a small set of handseals. This infuses the chakra with a combustible effect, meaning that if the proper amount of heat is applied to the ink, it will catch fire in a manner very similar to oil.
Limit: Li Clan Jutsu, must know the Fire Release.

Sumi Tobidougu (Hidden Ink Projectile Weapons)
Rank: C-Rank
Skill: Ninjutsu
Effect: The user spits out wads of ink that become projectile weapons as they fly to the target.
Special: None
Drawback: Attack can be dodged or avoided by opponents.
Description: Focusing chakra into their throat, the user can rapidly change saliva into wads of ink that are then spat at the target. The ink forms into projectile weapons of the user’s choice such as: Kunai, Senbon Needles, Shuriken, Kamas, etc. After the attack hits a target it will instantly dissolve back into it’s liquid state, and evaporate away as to leave no trace. The number of projectiles differs as the user increases in difficulty class. The projectiles can take on the properties of previously listed ink types if they know and have performed the correct jutsu before this one.

“D” Rank Shinobi- Can shoot a maximum of ten small weapons or two large ones.
“C” Rank Shinobi- Can shoot a maximum of fifteen small weapons or four large ones.
“B” Rank Shinobi- Can shoot a maximum of twenty small weapons or six large ones.
“A” Rank Shinobi- Can shoot a maximum of twenty five small weapons or eight large ones.
“S” Rank Shinobi- Can shoot a maximum of thirty small weapons or ten large ones.


Limit: Li Clan Jutsu. Must know Hadasumi Soushi.

Ninpou: Choju Giga
Rank: “C”, “B”, “A” Ranks
Skill: Ninjutsu
Effect: Allows the user to bring to life and control a set amount of drawings or paintings.
Special: “Hand Seals”
Drawback: The objects are made out of ink, and thus very weak. Most “D” rank attacks have the ability to completely destroy the ink creations, no matter of their own size.
Description: The user will rapidly draw several objects, usually animals, on a scroll. Then, performing the right handseals, the user will bring those objects to life and use them for offensive purposes. The monsters, made of ink, also share any special properties that the ink has.

“C” Rank- Allows for a maximum of ten small creatures at once or five medium sized creatures. This ability may be re-trained in order to increase the number of small creatures by two and the number of medium creatures by one each time this is learned. After the initial time learning this technique and four additional trainings, the user is required to perform “B” ranked training to learn more.
“B” Rank- Allows for a maximum of twenty small creatures at once or ten medium sized creatures at once, or one large sized creature at once. This ability may be retrained in order to increase the number of small creatures created at once by three, medium creatures by two, and large creatures by one. After the initial learning of the “B” Rank, it must be re-learned a total of four times before the “A” rank may be learned.
“A” Rank- Allows for a maximum of thirty five small creatures at once, or twenty medium sized creatures, or five large sized creatures at once, or one gargantuan sized creature. May be re-trained any number of times to increase the number of small creatures by five, medium creatures by three, large creatures by two, and gargantuan creatures by one.

Limit: Must know Gahou Tenrai

Ninpou: Sumiame no Ochiru no Jutsu (Ninja Art: Falling Ink Rain Technique)
Rank: "C", "B", "A", "S"
Skill: Ninjutsu
Effect: The user paints a raincloud, then brings it out of the canvas to have it rain ink.
Special: The user must draw the rainclouds. Then, "Hand Seals".
Drawback: The user is capable of getting caught within the ink rain, too. The ink rain can stain and ruin clothing. The size and duration of the ink raincloud is completely dependent upon the user's rank of the technique.
Description: A strange method of manipulating the artistic styles of the Li Clan, the user will first paint a raincloud and then, by performing the correct handseals, will have the cloud rise out of the canvas and up into the air, fifty meters above the user. The raincloud will spread out and then begin raining ink upon everyone below it. The raincloud, as it is made out of ink, will be a solid black in color. At "C" Rank, the raincloud can be no larger than ten meters in distance, and can rain for only three turns. At "B" Rank, the raincloud may be twenty meters in length, and can now rain for four turns. At "A" Rank, the raincloud may now be forty meters in length and may now rain for five turns. At "S" Rank, the raincloud may now be eighty meters in length and may now rain for six turns. At the end of the ink rain, the cloud will dissipate, revealing the weather conditions exactly as they were. If the cloud was painted with any special Li ink, the falling rain from the ink cloud maintains those same properties.
Limit: Must have Choju Giga. Must be a member of the Li Clan.

[Madame Loki]

1/3

[Cacophony]

I like it 2/3

[Nekomata Minh]

Here is the check list.

Primary: 4,000 out of 13,000
Secondaries: 25,000 out of 30,000 spent
Apparel: Full 8,000 spent

---

All 8 freebies spent
All five techniques spent.

---

NOTE:There was a slip up on the technique: Ninpou: Choju Giga. (You accidentally underlined and sliced the B Rank too. Honest mistake just make sure to fix it so you don't get mixed up.)

Otherwise it all checks out.

3/3 You are free to rp as a cloud ninja. Congrats.

[chin]

500tp

Ginga
Rank: "E"
Skill: TaiJutsu
Effect: Basic and most diverse movement of Capoeira.
Special: ---
Drawback: ---
Description: Picture Ginga is the basic footwork of Capoeira. The movement itself varies. The technique shows the basic variation of Ginga however individuals have their own way of doing Ginga. Ginga begins in the middle position with both of their hands are up to the front of the user's body. The user brings the left leg back and swaps the weight momentarily mainly to the ball of the back of the left foot. At this point the left arm is up in front of the torso as defense. From here the user pushes off the ball of the back foot to middle position again. User brings the right foot back, resting the weight on the ball of the back right foot. User swaps arms so the right arm is in front in defense. Ginga is an important movement and is the cement that holds diverse parts of Capoeira together. Unlike cement, however, Ginga is fluid. The user can Ginga whenever they feel like it as all the techniques bind well together. The Ginga allows the user to keep rhythm; it is a dance step, but it is not a robotic step. Gina the user can move all around, slip under moves, do their kicks and Esquivas, and explore the unlimited diversity of movements in Capoeira. Ginga can also be used to change direction if the user is doing a sequence of turning kicks.
Limit: Must learn from a Master of Capoeira.

Ginga 2
Rank: "E"
Skill: TaiJutsu
Effect: Variation of the most diverse movement of Capoeira.
Special: ---
Drawback: ---
Description: Variation of Ginga that may be performed in a low position. The user keeps their arms largely to the fore, their legs are very bent throughout the cycle, their torso sways from left to right and the user stays small and leaning closely over their thighs. The user must try to vary their Ginga to find what suits them best. Even when the user is pushing off the back foot, most of their weight is centered over the front foot. If the user is fighting against someone who stays low and is constantly down near the ground, then it can be useful to lower the Ginga so that the user is poised to strike at the opponent where they are fighting. This increases freedom to move unencumbered in an area, as the user is already low and better prepared for the low techniques such as Cabeçada, Rolé, Cocorinha, Rabo de Arraia, Negativa Lateral, Rasteira, etc.
Limit: Must learn from a Master of Capoeira. Must know Ginga.

Aú (Classic)
Rank: "D"
Skill: TaiJutsu
Effect: Aú (Classic) is a cartwheel, and the basis of many acrobatic Floreios and attack movements.
Special: ---
Drawback: ---
Description: Picture Remember to always look forward through the arms while doing this. Keep the chin in toward the chest to see upward to the front while the user is upside down. Support on the palm of the hands. The user's feet should be slightly forward to the front of the body as the user turns. This can be used as a swinging high kick. Aú (Classic) can be done slowly or at great speed. An agile Capoeira user can change directions rapidly with Aú, using it effectively to weave around and follow Esquivas or to turn under high attacks. Kicks can also be converted into an Aú—for example, a Martelo de Estalo wherein the user immediately drops down after the kick and flips over in Aú. The reverse is also possible—an Aú can be aimed directly at an opponent and converted into Chapa no Chão.
Limit: Must learn from a Master of Capoeira. Must know Ginga.

Aú (on the forearms)
Rank: "E"
Skill: TaiJutsu
Effect: An Aú where the user uses their forearms on the floor instead of the hands.
Special: ---
Drawback: ---
Description: The user drops into a semi Esquiva, with their hands already in position above their head, fists loosely clenched before they go over for the Aú. As the user turns over keep the chin well tucked in, so that it is the forearms that take the weight of the user's body (to differentiate this from Aú Cabeça no Chão). Get enough momentum on the turn to take the user back up to their feet again. If the user has difficulty finishing the movement off, slightly straighten the arms at the point when the feet hit the ground, to push up back onto the feet again. Fighting on the forearms is a great style. As well as being fun to do, it will occasionally work in the favor to out-fox the opponent, who may not have seen it done before. Used to evade high attacks.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú Cabeça no Chão
Rank: "D"
Skill: TaiJutsu
Effect: An Aú with the head on the floor.
Special: ---
Drawback: ---
Description: There are many ways to begin this movement. Some begins with an Esquiva Lateral. The free arm extends out beyond the head and is placed on the floor, to give a secure base consisting of the palms of the two hands and the top of the head. In doing this, as the user goes over, keep the legs down and to the front of the body so that they do not tip over backward. Having gone over in the Aú, with 1 foot on the ground against, either stand up or do ground movements such as Cocorinha, Queda de Quatro, Queda de Rims, or Rolé to continue a combination. It can also convert well into Rabo de Arraia. By keeping the weight distributed evenly between the head and 2 hands, there is never much pressure on top of the head. Aú Cabeça no Chão is good for moving around and changing direction on the ground. A user can drop into it from Aú Normal, and from there also drop into an Aú Queda de Rims or turn into a Pião de Cabeça. It is useful following movement if the user has escaped under an attack with a Negativa Lateral. Without raising the head from the ground the user may also continue with a Moenda.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú Cabeça no Chão—Queda de Rims
Rank: "C"
Skill: TaiJutsu
Effect: A variation of Queda de Rims where user turns over in Aú with head on floor, while dropping the waist onto the elbow.
Special: ---
Drawback: ---
Description: In this Queda de Rims, the user turns over in an Aú with the head on the floor and centers the hips to the front while dropping their waist onto the elbow. When user "fall on the kidney" in Queda de Rims, drop the waist down and press the elbow into the side of the waist. Do this simultaneously with landing 1 or 2 feet on the floor, or it can be done before landing the feet. This Queda de Rims technique can link one set of movements to another. Here the movement is an Aú Cabeça no Chão directly hooking into the Queda de Rims, which in turn sets the user up to rise into Ginga or continue into Negativa, Moenda, Tesoura, Relógio, or another Aú Cabeça no Chão back in the other direction. Used to evade mid-level and high attacks.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú Cabeça no Chão. Must know Queda de Rims.


Aú Chibata
Rank: "C"
Skill: TaiJutsu
Effect: The classic cartwheel suddenly turned into an attack, using one or both legs as a whip (the Chibata).
Special: ---
Drawback: ---
Description: Picture This technique is sometimes called Compasso or Aú Com Martelo. It is a kick with the heal, built on the momentum of the body twisting and spinning one leg heel-over-head, so it whips down onto the intended target with great force and speed. It is a great Floreio and an evasive technique, since the user can always pretend that they are just going to whip the opponent's head, when actually they resume the classic form of the Aú without even touching them. Alternatively the user can use Martelo and remain in the handstand position. As a subgroup, this technique offers the Joelhada (Must know Joelhada), which is done vertically on a careless opponent. The primary objective is to time the motion with that of the opponent, seeking to deceive them from the initial Aú and whip them when they try to approach the user with a Negativa, or a Cabeçada. Can be used to whip the opponent's head, back or chest in which case the user can kick hard, use a Joelhada or just push them away. The target is mostly the opponent's head, when they get too close with their Negativa or Cabeçada, using the top or the ball of the foot. If the user lets them get too close, a Joelhada will do the trick. Sometimes the user must go for the chest, using the ball of their foot only. If the user closes in with a Giro, user can whip their head hard, using the top of their foot. The technique for the Aú Chibata is actually the same as that of a classic Aú mixed with the Bananeira. Never forget to maintain eye contact with the opponent. Do not look at the hands. To finish the movement in an Aú-like manner, touch the ground first with one foot and then with the other. However, the user can engage in a Ponte after the user has used the head of their unlucky opponent as a springboard, or the user can remain in a Bananeira preparing for the next move, finish the Aú in a Queda de Rim, or turn it into an Aú Dobrado in order to proceed to new movements.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú Chibata de Chão
Rank: "D"
Skill: TaiJutsu
Effect: A Negativa version of the Aú Chibata that is a swipe instead of a forward whip attack.
Special: ---
Drawback: ---
Description: Picture From the Negativa, the user can engage in a Queda de Rim and thus turn an Aú Chibata back into a new Negativa and a Rolé. Some masters call this simply a Chibata de Chão. Others call it Aú Chibata de Chão, which is mostly considering since Aú Chibata de Chão must be done from an existing move, no matter which one, so long as it allows for execution of a perfect Chibata. Regardless of the terminology, this beautiful move is a trademark of Capoeira and a wonderful resource for ground navigation and fighting.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú Chibata.

Aú Com uma Mão
Rank: "C"
Skill: TaiJutsu
Effect: A cartwheel with 1 hand that is a faster variation of the Aú (Classic).
Special: ---
Drawback: ---
Description: Picture It functions sort of "in between" the Aú Sem Maos (the aerial cartwheel) and the classic Aú. The user keeps the first supporting hand on the ground throughout the move. Although is a technical maneuver that also allows for simulation and evasiveness, it is not as cunning as the classical move, because of its speed. Nevertheless, the fact that it is a faster move makes it interesting for the creative user. Since this is a quick evasive movement, the user should find themselves the best opportunity to move unexpectedly before their "open guard" while quickly changing their position relative to that of the opponent. The user will then be ready immediately for a new action. The user can also take their adversary by surprise by executing two moves in a roll, not necessarily in the same direction. There is no point of impact for the regular Aú Com uma Mão. However, there is a variation of this move, an aerial wheel kick or a flying Meia Lua de Compasso, which is not really an Aú and is done with the help of one supporting hand on the ground for the sake of velocity and ease. The best way to start an Aú Com uma Mão is from a standing position, from Ginga or from zero stance. The user should know how to easily execute a quick and perfect classic Aú before attempting this semi-aerial. When the user is ready, assuming that their left leg is their supporting leg, touch the ground with the left hand while throwing the body upward and downward, and swing the right leg back and immediately upward as hard as possible to start the move. Then launch off of the left leg, if the user does this with enough power, the right leg will lift the user up and the left leg will follow from under the user to complete the movement. Quickly synchronize the supporting arm with the right leg and the torso. Use the hip to help propel the overhead rotation, keeping the other arm ready for extra support in case the user needs it. This move is done quickly. Due to the speed of the attack the user may perform this technique and another while sacrificing 1 movement.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú Compasso
Rank: "C"
Skill: TaiJutsu
Effect: A closed cartwheel that defends both the face and torso with the legs during the movement.
Special: ---
Drawback: ---
Description: This is an Aú or cartwheel, though it differs from Aú (Classic) in that the legs are kept straight, close together, and aimed downward in front of the user's body. This is a closed Aú, defending both the face and torso with the legs during the movement. When doing an Aú, put the hands straight down toward the floor so as not to telegraph the movement too obviously. Make sure to use the full palm of the hands on the floor for stability in Aú, and look in the opponent's direction throughout. The Aú Compasso is a movement for great mobility, the same as an Aú (Classic), although the user here is less vulnerable to Cabeçada and other frontal attacks. It is also easily convertible to Aú Coisa or Chapa de Costas. One can turn the Aú from an Esquiva movement, or following kicks, or Rolé. When used defensively, technique will soften blows against the torso and face by 20 Armour Points. User may learn technique multiple times increasing the defensive purposes by 20 Armour Points.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú de Costas
Rank: "B"
Skill: TaiJutsu
Effect: The backward cartwheel.
Special: ---
Drawback: ---
Description: Picture The backward cartwheel, also known as Macaco em Pé (a Macaco from a standing position). This is a back-standing walkover that can be done repeatedly over the same spot, or from one spot to another, in order to catch up to the opponent from behind. It can also be executed much like the Macaco, a little to the side or completely straight. The Aú de Costas functions both as an evasive and an approaching maneuver, which means that the user can use it to attack their opponent. However, it is used more often as an approaching-attacking move than as an evasive one. In contract to the Aú de Frente, once the user starts the movement, the user can complete it or control the balance in order to execute a handstand or Chibatas, or to perform low movements. As with the classical Macaco, the Aú de Costas is a great aesthetic and strategic tool where the use can perform evasive changes of direction, approach the opponent or withdraw from them. It is a resource for duping an opponent and executing an objective Chibata attack, striking with the tops or the balls of the feet. There are really 3 subtle strategies in performing this technique, the user can use a dissuading Aú de Costas just to trick the opponent into making a wrong move, or a wrong judgment, by executing at least two moves on the very same spot; the user can do it as an evasive move, just like a classic Aú; or the user can do a more directional and offensive Aú de Costas right over the opponent's head. Besides using the Aú de Costas as a Floreio to scare or deceive the opponent, it can also be used to rain heavy Chibatas down on the opponent's head. Watch the power of the kicks. Thrust the first leg up hard and start the Aú de Costas to the rear, thrusting the second hand and then the second leg as if the user was going to execute a Aú Chibata to the rear. As with the Aú de Frente, the torso should be flexible enough to allow the user to touch the ground with their first hand while still keeping their arched supporting leg on the ground. When the user brings the other leg down to a landing position, take another step forward and start over. The second hand travels somewhat behind the user's head just like the classic Macaco.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú Cruzado
Rank: "C"
Skill: TaiJutsu
Effect: A similar technique of Aú Normal, except user takes off of 1 foot and lands on the same.
Special: ---
Drawback: ---
Description: This is similar to an Aú Normal, except instead of taking off from 1 foot and landing on the other, in Aú Cruzado the user takes off on one foot, cross it over to the front, and land on the same foot. As the user crosses the foot, keep the leg low to the user's body, to the user's opponent. The user lands on the left foot while still looking through their 2 arms, and then finishes off by twisting up into Ginga, keeping the left foot where it is and the right leg to the back. The extended leg in Aú Cruzado can either be straight, or bent and falling low in front of the user's body. The leg may pass over an opponent's movements while they are low on the ground, or stave off attacks during an Aú, much like an Aú Compasso. The right leg easily swings around immediately for a Rabo de Arraia in the opposite direction to the Aú Cruzado without needing to switch feet. The right foot is also in a perfect position for a Chapa de Costas with only a slight shift in the angle of the user's body.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú Dobrado
Rank: "D"
Skill: TaiJutsu
Effect: A cartwheel that lands on both feet with a single hand against the ground.
Special: ---
Drawback: ---
Description: Picture For the Aú Dobrado, after the user starts with the classic Aú, once both legs have passed over the user's fully extended boy with a 135° angle between them, start bending the first leg, and then the second to fall on the ground in the direction of the user's feet. The user must hit the ground with both feet at the same time, as if the user were preparing to execute a Macaco.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú Espinha
Rank: "C"
Skill: TaiJutsu
Effect: Spine. During the movement the spin is rotated so that both hips are facing forward in the direction of the movement, rather than laterally to the movement.
Special: ---
Drawback: ---
Description: The user executes this movement launching off from the front right foot and finishes up landing on the right foot again and finishes up landing on the right foot again. The swing of the (right) leg over the body through the phases that creates a momentum for the Aú. Their weight is over their hands and they keep the torso and hips centered over the movement. The user drives the hips forward into the recovery. User does not collapse them upon landing (which would put them in a Resisténcia). Beginners sometimes like to try Esphinha landing on 2 feet rather than 1. This is an acceptable compromise but only remains Aú Espinha if the user lands with the hips forward and do not collapse them into Resisténcia position. Aú Espinha gives mobility. Many users do it as much as Aú Normal. It can be done forward or backward. To do this backward the user would literally reverse the process of the movements. The Espinha can propel the user forward, or the user can Aú Espinha in the same spot repeatedly, without moving forward. Can be used as a strong Axe kick, or an upper attack.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú de Frente
Rank: "D"
Skill: TaiJutsu
Effect: A forward cartwheel movement.
Special: ---
Drawback: ---
Description: Picture Picture A forward cartwheel, also known as Aú Reversão or Aú Cortado, the Aú de Frente does not have the subtle speed variation of the classic Aú—the Aú de Frente being faster— but it does also function as an evasive maneuver when the user needs to position themselves in front or away from the opponent. Once the user starts the movement, they should complete it: there should be no "stopping" on a handstand. The main idea behind the Aú de Frente is to use it as an escape technique. As with the Aú sem Mãos, the user does not really need to worry about timing the motion with that of the opponent in order to execute an Aú de Frente to approach or escape from the opponent. In the "walkover" style, the user performs a "reverse" Aú de Costas, starting as in a Bananeira and finishes facing the original direction pretending the user is just walking away from the scene. There is no point of impact for the Aú de Frente, but keep in mind that by doing the move the user will be ready to engage in a spinning kick or come back in a Xangô, a Macaco or a Ponte—all of which have great kicking potential. After the user starts the classic Aú, as soon as the second leg has passed over the user fully extended body, start bending the first leg slightly, seeking the ground in a forward motion, followed by the second leg, which will execute a forward walkover starting in the second half of the movement. The user's torso should be flexible, so to allow the user to touch the ground with the forward, extended leg while keeping the supporting hand on the ground. Keep the leg extended when first touching the ground. If the user does not do this and they flex the first leg, chances are the user will end up in an Aú Dobrado. After the user has touched the ground with their first foot, keep the forward momentum by following through with the user's torso and standing up. The user can execute the Aú de Frente with a lateral inclination (which some practitioners call Aú Reversão or straight up. Some users do a 180° walkover, like a forward handspring on one leg, and call it Aú de Frente. Some call it Xangô de Frente or Pula do Gato de Frente.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú Fechado
Rank: "C"
Skill: TaiJutsu
Effect: An Aú Variation that allows the user various tactics of attack and defense.
Special: ---
Drawback: ---
Description: A great technical variation of the classic Aú, replete with its own variations the Aú Fechado, known also as the Aú Angola, is an ostensibly more "Negligent" type of Aú and is also known as Aú Baixo (low Aú). It is not as showy as the classic Aú, though sneakier. The Aú Fechado itself is a system of maneuvers. Being low to the ground in an Aú Fechado gives the user a set of controls which run from the possibility of speed variation t blocking techniques and include several types of kicks, such as the Chibatas, kicks with the ball or top of the foot, kicks with the heels, and knee blows called the Joelhada, besides the great variation of ground strategies, which can be launched from a low stance. The objective of the Aú Fechado are to use its interesting and flexible blocking capabilities to protect oneself against an attack during the movement or to deceive the opponent, for which the user has several alternatives. User can use the varied cunning strategies available from this move's repertoire as evasive maneuvers, or in order to block and kick the opponent on several parts of the body, regardless of whether the user is in a standing position or maneuvering on the ground. Aú Fechado Agrupado is a defensive position, in which the user groups their legs and feet in order to block any attempt to kick from above, such as a Chibata. The Aú with a Ponteira executed with the right leg, the user can get a careless opponent on a Negativa, for instance, or attack their upper body before resuming the move. Whether the user will use the ball s of the feet or the heels for attacks from the Aú Fechado depends on the opponent's position and angle. As a defensive strategy, the Aú Fechado Agrupado can be highly effective, especially in little space to escape. Moves such as the Helicóptero, can always surprise the unsuspecting and turn into a dangerous Chibata without warning. The user can use the Aú Fechado to close the guard efficiently and still stick to the flow of motion. The idea is to act according to the flow of motion and not meant to protect from kicks. The point of impact will vary according to the tactics. The user can use the Aú to delude the opponent into a wrong response, but if the user masters the Aú Fechado, the user will be able to deliver some counterattacking kicks against the opponent whether or not they are executing their own Aú or even if the user is in another stance (Countering transfers 25% of an opponent's attack damage back to the opponent.). To perform place the hands slightly further apart than with the classic Aú, and move the head a little closer to the ground. Keep the knees bent and work strongly with the hips and torso to shift the body's center of gravity over the head. Do not stiffen the legs during the move, but rather keep them flexible but nevertheless under control. User can start from a standing position, from a Ginga or Zero stance, or from a low or ground stance. User can start with an S-Debrado and engage in an Aú Fechado. The mechanics is similar to that of classic Aú. Use the legs and feet freely to maintain the guard and create a defensive system while at the same time maintaining the flow of motion.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú Giratório
Rank: "C"
Skill: TaiJutsu
Effect: A spinning cartwheel, sometimes known as a hand spin or spinning handstand.
Special: ---
Drawback: ---
Description: Picture Similar to the Pião de Mão but still different moves. The Aú Giratório can be executed alternating the supporting hands, or with only one supporting hand during the spin. The spinning handstand, which is really a Bananeira Giratória, is executed from the initial handstand. Both can be considered a hand spin. The main idea behind the Aú Giratório is to use it as a Floreio and as an escape technique, whether or not the user has the intention—and the body control—to come back in a new movement. As with all repertories of Aú techniques, the user can use the Aú Giratório to deceive the opponent or escape from them. The best choice would be to execute it if the user is in combat with two or more opponents. By doing a perfect Aú Giratório, the user will be able to quickly use a strategic move and at the same time choose the next action after watching the opponent's approach. There is no point of impact for the Aú Giratório, but once in the handstand position, the user can decide which moves should be executed next, including a set of Chibatas. User can start the Aú Giratório from the Ginga stance or the zero stance and also from links with other moves, such as the S-Dobrado, the Mortelo Rodado, the Macaco, the classic Aú, or from any other move that requires balance of and control over supporting arms and hands. The user can also link their spinning cartwheel to other movements, such as the Pião de Cabeça (the Aú Giratório on the head, without the hands). Begin the Aú to the left side, until the user reaches the handstand position, but still moving laterally, as in a cartwheel. Use the momentum to spin clockwise on the left hand, with the legs extended, and then get off that hand and spin on the right hand, continuing in a clockwise direction. There are 3 ways to control the balance with the supporting hand: the user can stand on the lower palm, user can stand on the upper palm near the fingers, or the user can use the alternating arms for more spins. What the user should not do is let the hand "stick" to the ground while they are spinning. Always try to rotate as far as the wrist can turn, keeping the supporting arm stiff, so that it functions as a rotating axis. Kick the foot up with the right leg and go onto the left hand, followed immediately by the right hand kicking up with the left leg. If the user wishes, they can start turning before they kick up. Do as many spins as the user wishes and capable of, but try to execute the move rather quickly, at a regular classic cartwheel speed, so as not to leave the guard open.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic). Must know Pião de Mão.

Aú Quebrado (Bico de Papagio)
Rank: "C" Always 30 TP
Skill: TaiJutsu
Effect: A regular error with Aú Quebrado is to attempt to kick the leg out to the side.
Special: ---
Drawback: ---
Description: A regular error with Aú Quebrado is to attempt to kick the leg out to the side. The leg should kick forward and inward—otherwise the joint where the thigh connects to the hip will inhibit the movement. User kicks forward even though it looks like the side. User kicks into position as soon as they put the weight onto the straight (left) arm. In this kick, the motion of the down-smash and the whip back into the original position provide the momentum to achieve the balance. Remember to tuck the other leg in as close to the body. The whole movement is performed smoothly and quickly. Drop into Esquiva Lateral with the left hand on the floor and the left arm straight. Kick forward and inward with a straight (right) leg until the user reaches the point where the leg is fully extended, then bounce or "unpick" back through the same angles. The bounce comes about as the kicking leg cannot go any further through its range of motion. Point the toes of the kicking foot. This move can be used in a couple of ways. First, it is a kick and can be used as such, like an Aú Batendo, to kick downward at an opponent's low movements. Second, it can act as a Floreio. In the latter context try to make it follow the action and not simply stand alone and disjointed from what is happening in battle. It is better to do this in a Jogo de Dentro. Kick is strong enough to knock the opponent to a kneeling position.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú (Classic).

Aú Quebrado 2(Bico de Papagio)
Rank: "C" Always 30 TP
Skill: TaiJutsu
Effect: A variation on the Bico de Papagaio.
Special: ---
Drawback: ---
Description: The difference here is that the second leg is kept straight and does not tuck above the body. This technique is achieved in the same way as Aú Quebrado, though note that here, the user's right arm locks in behind the kicking leg and they grasp their own ankle. The left leg, rather than tucking in, stretches out, including the foot, to balance the appearance of the technique. The application is the same as Aú Quebrado. Kick is strong enough to knock the opponent to a kneeling position.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Aú Quebrado (Bico de Papagio).

Ponte
Rank: "D"
Skill: TaiJutsu
Effect: A back bridge, similar to a gymnastic bridge or back bend.
Special: ---
Drawback: ---
Description: Picture Back arched, hips as high as possible to get a full stretch of the shoulders. The user here has stretched arms out to full extension and has gone up on their toes for extra height. In Capoeira it is not uncommon for users to convert a Resistençia or even a Cabeçada into a Ponte to configure their body to see an opponent just by arching their back and reaching over into the bridge. From this position they can drop into a lower bridge or walkover. The ability to Ponte well will enhance a user's flexibility and agility in Capoeira, where it is the "slippery" fighter, as much as the muscle-bound, who often takes the advantage.
Limit: Must learn from a Master of Capoeira. Must know Ginga.

Ponte Walkover: Breaking it Down
Rank: "D"
Skill: TaiJutsu
Effect: User begins in a Ponte, raises 1 leg, pushes off with the other, and walks straight over themselves.
Special: ---
Drawback: ---
Description: User starts in Ponte, or bends themselves backwards into Ponte to avoid high attacks. From this foundation, user kicks up forcefully with their (left) leg, while pushing off with their right. This creates momentum for the walkover. User lands on the (left) leg and stands up again. There are many techniques in Capoeira that circle in horizontal plane (such as the kicking leg in Armada and Rabo de Arraia, the whole body in Relógio, etc.). There are also techniques which circle at a semi-horizontal or semi-vertical angle, such as Chapéu de Couro Parafuso, and so on. To gain the full spectrum of techniques, do the circles that loop over themselves head over heels or vice versa, such as Gato, Macaco, Salto Mortal, Aú Espinha, and the Ponte with a Walkover. These movements increase versatility and the range of possibilities in a fight.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Ponte.

Gato
Rank: "D"
Skill: TaiJutsu
Effect: This movement means "cat". It is similar to a Macaco and is called the back handspring.
Special: ---
Drawback: ---
Description: Picture Also known as Xangô. The user is poised as if they are going to sit down in an invisible chair. Just when they are about to sit in the chair, it is pulled from beneath them. At this point, they throw their arms straight back out behind the head, forcefully, at shoulder width apart, keeping them very straight and locked out at the elbow. It is as if jumping backward into a handstand. The legs flip over the head, and continue, with the feet together and finish standing. An excellent movement for mobility. A great technique used to avoid high attacks and sweeps while moving away from the opponent.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Ponte Walkover: Breaking it Down.

Gato (on the Forearms)
Rank: "D"
Skill: TaiJutsu
Effect: A back flip, though user catches their body on their forearms.
Special: ---
Drawback: ---
Description: beginning on Cocorinha, the user begins to stand up, and at the point where they are sitting in an aforementioned imaginary chair, the user flings their arms backward, simultaneously jumping up and back while arching their spine, reaching for the ground with the side of the hands, the forearms, and elbows. The head is pulled back, so that when they hit the ground with the forearms, they are lowing at the ground, and does not hit with the top of the head. The legs flip straight over and back down to earth. This Gato can be used to move around in the same way as Gato.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Gato.


Queda de Rims
Rank: "C"
Skill: TaiJutsu
Effect: A low cartwheel escaping technique.
Special: ---
Drawback: ---
Description: The kidney escape is a beautiful and traditional Floreio, as well as a strategic move that can be executed from a variety of techniques, such as an Aú, a Rolé or even a Meia Lua. It is also a great technical resource that can be done at different speeds and for different purposes. or even a Meia Lua. It is also a great technical resource that can be done at different speeds and for different purposes. Primarily, it is really a Floreio and an escape; however, it can be unexpectedly turned into a low attacking weapon, like when the user uses a Martelo to surprise the opponent. The point of impact will be the user's head hitting the ground. Start the Aú and support the body weight while dropping slowly down onto the elbow, which will now be supporting the upper body from under the kidney with the help of the other supporting arm. Doing the Queda de Rim with only one arm is useless as a real combat strategy. User would feel like an uncontrolled propeller. Use both hands for support and retract both legs, knees together, ready for the next move. Do not lean or place the head on the ground. This may be decorative for street exhibitions, but is definitely not recommended. Once the user is steady on the Queda de Rim and watching the opponent's action, use the legs as a lever for a good low Martelo, done either with the top or the ball of the foot. These kicks be highly effective against a distracted opponent trying to approach the user with an Aú or other low, sneaky moves. Normally, user gets out of the Queda de Rim by engaging in a Negativa followed by an S-Dobrado or a Macaco, or by executing amore contemplative Ponte in order to continue in a waiting mode while planning the next move.
Limit: Must learn from a Master of Capoeira. Must know Ginga.

Queda de Rims (Moving)
Rank: "D"
Skill: TaiJutsu
Effect: The Moving Queda de Rims, user falls from another move such as an Aú.
Special: ---
Drawback: ---
Description: The reason for calling this a "moving" Queda de Rims is to emphasize that the user has fallen into it directly from (for example) an Aú Normal before either of their feet have yet touched the ground. As the user comes out of Initial Aú, whether it is normal or with head on the floor, control the body weight and drop lightly but directly down onto the elbow. If the movement is too fast or uncontrolled, hitting the Queda de Rims will be difficult. Bend the legs and work on achieving a full Queda de Rins before the feet touch the ground. This type of Queda de Rims has the same applications as others do, with the additional Advantage that it adds "flow" to the user and feels good to do. The user poised on the elbow here has the potential to roll out to the side, forward into Negativa, around and back into Moenda, or to tap 1 foot down to stop their momentum and push up into a Bananeira.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Queda de Rims.

Martelo de Chão
Rank: "C" Always 30 TP
Skill: TaiJutsu
Effect: A variation of the Queda de Rims.
Special: ---
Drawback: ---
Description: Picture The Martelo de Chão works like the porcupine's hiding technique, i.e., at first the user shows a strictly defensive action, only to surprise the opponent who is approaching the user and counting on the user's apparent inactiveness. While on the ground the user delivers a strong swinging downward kick. Capable of knocking the opponent down to a kneeling position.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Queda de Rims.


Rolé
Rank: "C"
Skill: TaiJutsu
Effect: A rolling movement within Capoeira.
Special: ---
Drawback: ---
Description: Picture There are different ways of doing the movement, and in this one the user is simply crossing 1 leg around themselves, taking it from one side of their body to the other, and to the back. When the user crosses the (left) leg over, they keep it low, in order to defend their body while doing the Rolé. The user is looking through the middle of their arms while they do this movement. Rolé is common in Capoeira. It helps in moving around while remaining grounded and protected. In the Rolé position the user is poised to convert the technique into Chapas, Rabo de Arraia, and Aú, to drop into lower Esquiva techniques, come up into Ginga, or to Zigzag and weave while playing on the floor. It fits hand in glove with movements like Negativa and Negativa de Solo or Queda de Rims and is used for mobility, defense, and directional changes.
Limit: Must learn from a Master of Capoeira. Must know Ginga.

Rolé 2
Rank: "D"
Skill: TaiJutsu
Effect: A rolling movement within Capoeira.
Special: ---
Drawback: ---
Description: The user simply steps across from one Esquiva Lateral to another on the other side, always looking through their arms and keeping their hands and feet on the ground. The user simply steps with their extended left leg across their body, and looks through their arms and legs. The user then steps the right leg around to an Esquiva Lateral position on the other side. A common mistake is to look over the shoulder while doing Rolé, instead of looking through the arms. This Rolé has the same applications as Rolé. The main difference is that the user does the whole movement on one lateral line, as opposed to finishing off by bringing their leg to the back.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Rolé.

Esquiva
Rank: "C"
Skill: TaiJutsu
Effect: Escape, or Dodge. Important as kicking in Capoeira. A technique to go low and escape kicks.
Special: ---
Drawback: ---
Description: Picture With Esquiva there are no hands on the floor. The user leans from the waist directly over the bent leg, making it quick and easy to drop into and come back out of again. The user can drop the torso forward over the leading (front) leg. As the user's head is still relatively exposed in Esquiva, the user keeps their hand poised defensively for protection of their face. To change direction quickly, swivel the feet so the toes change direction. At the same time, swing the shoulders, arms, and head forcibly in the other direction, aligned with the toes of the user's leading foot. At whatever phase of the user is in, it is possible to drop very quickly into this Esquiva to evade kicks. User is able to move in and out of this technique without sacrificing a movement.
Limit: Must learn from a Master of Capoeira. Must know Ginga.

Cocorinha
Rank: "D"
Skill: TaiJutsu
Effect: A defensive movement that ducks under attacks. Hands are raised above the head for defense.
Special: ---
Drawback: ---
Description: Picture Picture Cocorinha means "deflection" (Thus named due to the squatting position). It is a defensive movement that ducks under kicks. Hands are raised above the head for defensive purposes. The user drops down very low, with the heals flat on the ground. Concentrate on building up the power and springiness in the legs to move in and out of this Esquiva with ease and speed. The user can drop straight down, or step, or hop forward into this position under attacks, moving inside strike distance of the opponent. The crossed hands, as a last resort, can be raised forcefully to fend off even a front kick such as Benção (not best used against kicks). From Cocorinha, the user is in a good position to do Cabeçada, Rasteira, Negativa, Rolé, Aú Compasso, Negativa Lateral or Negativa do Solo, or even to shoot straight upward from an explosive jumping-turning kick such as Armada Pulada or a Back Flip such as Gato or Macaco.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Esquiva.

Cocorinha 2
Rank: "D"
Skill: TaiJutsu
Effect: A variation of the Cocorinha technique.
Special: ---
Drawback: ---
Description: This type of Cocorinha has a similar squatting position, though here 1 or 2 feet may be raised onto their ball, and the hands closely defend the side of the head. User makes themselves small and can walk forward or backwards (duck-walk) while keeping the position. User gains agility to move in and out of the opponent's movements in a low and well-defended posture. This is very quick to drop into from any stage within Ginga, without having to readjust the position of their feet. The ability to step seamlessly into or out of Cocorinha enables the user to move forward and back and change direction quickly without opening up their body. This Cocorinha sets the user in position to launch Cabeçadas and leg sweeps, or to drop further into Negativas or Rolé.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Cocorinha.

Resistençia (Queda do Cocorinha)
Rank: "D"
Skill: TaiJutsu
Effect: A swaying movement to avoid high and mid attacks.
Special: ---
Drawback: ---
Description: Picture This Esquiva used to be called Queda de Cocorinha, though in contemporary Capoeira it is more commonly called Resistençia. The difference here is that 1 hand is held on the ground for support. The hand is close to the user's feet, and their weight is on the haunches. If the user falls too far back by having the hand too far back from their feet, the position is not so well defended, and the user will be slower to spring from the movement. This technique is used as an Esquiva to duck under attacks and has similar application to Cocorinha.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Cocorinha.


Esquiva de Frente
Rank: "D"
Skill: TaiJutsu
Effect: A frontal Esquiva used to sway away from attacks.
Special: ---
Drawback: ---
Description: Picture If the user does the Esquiva de Frente, the user may or may not incline their head in the same direction as a rotating or crescent kick, but the user's Esquiva will be executed mainly by a retracting leg that can be a large or a medium step back. In any case, the user will still look at the opponent. The user sidesteps and performs a front Esquiva. The user kneels in a 90° angle on the front leg. The opposite arm of the front leg is raised up to defend against high attacks while the other arm lightly presses against the ground.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Esquiva.

Esquiva Lateral
Rank: "D"
Skill: TaiJutsu
Effect: A variation of Esquiva allowing the user to escape with their weight over the bent leg and the support hand on the floor.
Special: ---
Drawback: ---
Description: Picture This is a lateral escape movement, with the weight over the bent leg and the support hand on the floor. Keep the support hand in close to the foot and keep the hips low. Sometimes beginners do not drop their hips low enough and they let their head droop forward, exposing it to kicks. When performed correctly the user's head is protected by their hand. The user's body is straight so that the hips are aligned with their legs and spine. This escape technique can slip under turning kicks, and it may be followed up with kicks (such as Chapa de Costas) or with Aú movements or Rolé.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Esquiva.

Esquiva Queda de Rims
Rank: "D"
Skill: TaiJutsu
Effect: This is an escape movement for high attacks.
Special: ---
Drawback: ---
Description: Tucking the elbow of the arm nearest the opponent into the waist (in the area of the kidney, hence the name "escape, falling on the kidney"). As the user lowers themselves, keep the hips facing upward. Do not turn the hips to the side or this will change the type of Esquiva the user is doing. Position the hands as they are in the photo, thus providing the base, while they see the opponent through the middle of the 2 hands. The knees are quite close together. This is a movement the user can fall into from an upright position, or from an already low position like Cocorinha or Resistençia. If someone did a low Rabo de Arraia, for example, the user could face their oncoming kicking leg and drop beneath it in this Esquiva. A good user can flip the 2 legs over their pivoting elbow and toward their head to come out of this position.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Esquiva. Must know Queda de Rims.

Queda de Quatro
Rank: "D"
Skill: TaiJutsu
Effect: A movement where user is on all fours (2 hands and 2 feet).
Special: ---
Drawback: ---
Description: Picture Early name was called Movimento de Aranha, meaning Spider Movement. Be on flat hands and feet and fully prepared to turn a Rolé or a Chapa de Costas from this movement. This is an Esquiva, and also a common transitional stage between other techniques. A user might drop from an Esquiva or Negativa Lateral, back into a Queda de Quatro, and then straight into a Rolé. Be aware that the Queda de Quastro is less defended than the Resistençia, so do not stay in Queda de Quatro for any length of time. A user can also walk forward and backward in Queda de Quatro, which can be useful in a low game of Jogo de Dentro or Jogo de Baixo.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Esquiva.

Queda de Três
Rank: "C"
Skill: TaiJutsu
Effect: A variation of the Queda de Quatro technique that allows the user an extra defensive maneuver.
Special: ---
Drawback: ---
Description: Picture The Dodging move called Queda de Três is commonly practiced as a defense against a Benção. When the user starts to fall on the Queda de Três, the user uses both hands to support their fall. The user does not fall straight down like a log. Start by falling into a sitting position and then, when the user is halfway to the ground, assume a straighter position and fall with the hands flat on the ground. The Queda de Três (fall on threes) is almost exactly the same as the Queda de Quatro, except that the user leaves on "teasing" leg straight up as an extra defensive maneuver.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Queda de Quatro.

Volta Por Cima
Rank: "B"
Skill: TaiJutsu
Effect: A floor maneuvering technique. A technique called Turn around and over.
Special: ---
Drawback: ---
Description: Picture An interesting technique called Volta Por Cima (turn around and over). This technique could well be a part of a Rasteira because the user actually pretends to do—or refrains from doing—a Rasteira, but what the user is actually doing is a Volta Por Cima, which is almost a Relógio—used more as a Floreio. The user can also execute the Volta Por Cima as a Floeira, although the Esquiva is one of its best applications. It is chillingly beautiful to see a Capoeira user doing an Esquiva by going down for a counterattacking Rasteira make an abrupt change to a Volta Por Cima (Countering transfers 25% of an opponent's attack damage back to the opponent.). This happens more often when the user fires a Meia Lua or an Armada and the user goes down for a Rasteira, but then the user surprises the opponent with a second attempt, which is promptly answered with a timely Volta Por Cima. This technique is used to escape mid, and high swinging attacks while allowing the user to maneuver through the floor without losing momentum.
Limit: Must learn from a Master of Capoeira. Must know Ginga. Must know Esquiva.

Mortal de Costas
Rank: "E"
Skill: TaiJutsu
Effect: The Mortal de Costas, or simply Mortal, is an impressive acrobatic demonstration.
Special: ---
Drawback: ---
Description: Picture The Mortal should be executed in a single movement and is seldom used for attack, though it can be. The Mortal is a spectacular move, which can be performed for decorative and for tactical purposes. In combat it serves as an opportunity for a quick escape to scare the opponent, as it is also great as a warning tool. For a good Mortal de Costas, start with the arms down and the feet shoulder width apart. User will soon move their arms back, and then forward again for momentum. Do not ever look down. Find a spot higher than head level. The user will soon be looking for the sky during the move. Thrust the arms back and behind the user, so as to gain momentum to launch the body back into a full back flip, as the user squats at 80° angle to the knees preparing to push themselves off the ground at maximum power, with both feet. Look up while slinging the arms back and up. At this time, the arms take control leading the user up into the jump. This is a very important step. User needs their arms as a synchronized lever in order to gain height for a safe jump. When launching into the jump, make sure to burst off the ground, swinging the arms back over the head. The arms must pull up upward. At this point, start bringing the arms up to tuck the arms and legs in, close to the chest. This combination is exactly what the user needs in order to roll over perfectly. To finish the move, once the user has rotated completely, extend the knees back and stretch out the legs to land fully on the soles of the feet, bending the legs again just enough to soften the impact of the weight on the ground.
Limit: Must learn from a Master of Capoeira. Must know Ginga.