Isolated. [Aimi]

[Pricillia "Cillia" Deus]

Out of a horror movie...
An image one would most likely see in a horror movie.

A two story dark mansion, existing somewhere in the outskirts of the snow village. Once the iron doors of the yard are shut, escape from the demonic structure is impossible. The yard itself is 100x100 meters and has a dark-wood forest in the backyard, full of rotting trees. Stone steps lead to the entrance of the house from the front yard. As one would enter, the first thing they would witness would be a dark lobby, extending 15x15 meters. Looking up, they would notice that there are at least 7 meters from the floor to the ceiling of the room. To the left of the lobby, there is a long corridor with only one room at the end of the corridor which is empty. A similar corridor extends from the right of the lobby, leading again to a single empty room.

Even though the house appears to have 2 levels, there is no visible access to the second story of the house as there is no steps to the second story to be found whatsoever.

~

The silver haired girl couldn't help but ask herself "What the fuck am I doing here??" a countless number of times while she kept on exploring the giant horrific mansion. Cillia liked places such as this, but the fact that she couldn't open the yard gate made the things a little too creepy, even for her. She was now inside the empty room at the end of the left corridor of the mansion. The room had no windows and apparently, from what Cillia managed to investigate so far, the only exit from the mansion was the front door, which led to the front yard gate which couldn't be opened. 'How exactly did I get here again?' Cillia thought as she sat down on the ground and began thinking.

She knew that there was something behind this building and that something was going to happen at some point. She wanted something to happen as otherwise, she would kill herself due to boredom. Cillia was yet to investigate the right to the lobby corridor, however, assuming what she found in the left one, she could pretty much guess what there was in the right one. Of course, the female was prepared for everything as she had her puppet, the bloodthirsty doll, Abellia. For the time being, Cillia decided to wait. She hated waiting, but she had to wait. She also had her butt bag, inside which, she had some grenades and weaponry.

SPOILER: Click to show

Link to Bio: X
Link to Puppet: X
Puppet HP: 80/80

[Aimi Kaguya]

"This must be the place..." Aimi said to himself quietly. He stood outside of the mansion's iron gate, looking up at the two story building with some curiosity. He had been told by his superiors to come check this place out, to "investigate" and bring back anything he found. But after nearly a week of travel to the land of snow, the land of his birth, which was already an uncomfortable thing for him, only to find that he had to spend another four days searching for the damned place to find... what, exactly? The whole ordeal was frustrating to him, and he had been ready to go back to the Kusa no Kuni on his second day of traveling. By this point, he wanted to be done and over with this damn investigation mission so he could just get some rest.

He didn't know what he would find inside, had not been told what to look for exactly, nor had he been informed if there would be people inside. He made a quick check of his equipment to be certain he had all he needed. At his left hip was one of his six katanas, he had oped to bring it instead of his odachi because of the size difference, and on the same leg his knife holster that carried two of his kunai. He opened up the butt bag on his left hip, checking inside to find his five remaining kunai and his two bundles of wire, a small handful of paper bombs strewn in as well. Closing the but back, he reached into the second one at his left-side lower back to find his remaining paper bombs and incendiary tags. He had as much equipment as he needed to feel safe, or at least he hoped he did. Looking back up at the ominous mansion, Aimi gave a sigh and opened the gate, deciding that if there were people inside, he would announce himself with the creak of the gate first.

SPOILER: Click to show

LInk to Profile

Sword, Longsword (Overview) x6
Rank: "C"
Type: Main, Piercing/Slashing, Sword
Effect: Swords that slash hack, dice and anything else within this genre that reaches a certain length.
Special: ---
Drawback: ---
Description: A Sword with a blade between 3 feet to 4. These weapons range from any types of blades such as the long Sword, the Falchion, Katana, Tachi, Jian, Rapier, the Scimitr, the Shinai, and Waster. Any of these weapons or any weapon that fits within the length is considered as a long sword.
Limit: These types of weapons may be capable of being bought inside any Weapon Shop
Cost: 4,000 Ryo

Kunai (Overview) x7
Rank: "C" Rank
Type: Secondary, 2 per Slot, Piercing/Slashing, Knife
Effect: A digging tool, a bit like a trowel. The blade was soft iron and unsharpened because the edges were used to smash plaster and wood, to dig holes and to pry. Also used as a knife.
Special: ---
Drawback: ---
Description: The kunai is conventionally wrought in ranges from 6 to 8 inches, with the average at 7 inches. The kunai was used by common folk as multi-purpose gardening tools and by workers of stone and masonry. The kunai is not a knife, but something more akin to a crowbar. The blade was soft iron and unsharpened because the edges were used to smash plaster and wood, to dig holes and to pry. Normally only the tip would have been sharpened. The uses to which a kunai was put would have destroyed any heat-treated and sharpened tool like a knife. There could be multiple kinds of kunais such as handless ones, or even double sided kunais as long as they are within the same length.
Limit: These types of items may be capable of being bought inside any Weapon Shop.
Cost: 1,000 Ryo per Slot, or 500 Ryo Each.

Double Knife Holster Type 1 (Overview)
Rank: "C"
Type: Main, Tailor, Slot Holder, Holds 1 Slots (1 for Items of Scroll Length), Holster
Effect: A sheath used primarily to keep a fix blade inside.
Special: ---
Drawback: ---
Description: Picture A holster that is able to fit 2 knife, kunai, or smaller objects that have the same length of a scroll but the same width of a knife such as senbon within a 2 pouches side by side. This holster is able to be attached to any part of the body as long as there is a strap to keep the holster in place such as the forearm, the thigh, inside a boot, and even the shoulder blade. When purchasing the pouches can have an opening on either side for the kunai or knife. Limit: These type of items may be bought inside any Tailor Shop.
Cost: 580 Ryo


Butt Bag Type 1 (Overview) x2
Rank: "C"
Type: Main, Tailor, Slot Holder, Holds 15 Slots (15 for Items of Scroll Length), Bag
Effect: A waist pack worn with the pouch in back.
Special: ---
Drawback: ---
Description: Picture A pack worn at the back along a belt at the waist. Water repellent collar with drawstring pack with quick release closures attached to 1 inch cinch straps and a top carry handle. It has a vented bottom with keeper clips to attach to the belt, or straps to wrap around a belt. The compartment has the dimensions Height of 10.25 inches Width of 10.5 inches and Depth of 7 inches. The interior holds 15 slots of scroll length as well as main objects that fit in the same dimensions. Normally extra clothes is held in this spot as well as other non combative supplies.
Limit: These type of items may be bought inside any Tailor Shop.
Cost: 1,700 Ryo

Tag: Exploding x25
Rank: "A"
Type: Secondary, 80 per Slot, Explosive, Tag
Effect: Exploding tags are scraps of paper inscribed with a special writing, centering on the kanji for "explode" (爆, baku). Infused with chakra, they will explode after a set amount of time, remotely, or after being ignited by flame. The tags can be attached to a surface or wrapped around a weapon to be thrown at an enemy.
Special: ---
Drawback: May harm the user if not put right.
Description: Paper that is 2 inches by 6 inches in size and 0.039" (1 mil) thick. These papers are exploding tags that are able to harm and kill opponents or just simply explode within a certain radius. They can be placed on targets, wrap around a weapon, or even thrown at opponents. Tags have a killing diameter of 1 meter, and a wounding diameter of 2 meters. Tags can be activated to explode within 6 seconds, or by a simple technique. May be attached to 3 items without taking up room in a single slot.
Limit: These types of items may be capable of being bought inside any Weapon Shop.
Cost: 12,000 Ryo per Slot, or 150 Ryo Each.


Tag: Incendiary x 10
Rank: "S"
Type: Secondary, 80 per Slot, Explosive, Tag
Effect: Exploding tags are scraps of paper inscribed with a special writing, centering on the kanji for "explode" (爆, baku). Infused with chakra, they will explode after a set amount of time that bursts an area into flames.
Special: ---
Drawback: May harm the user if not put right.
Description: Paper that is 2 inches by 6 inches in size and 0.039" (1 mil) thick. Tags can be activated to explode within 6 seconds, or by a simple technique. A tag that can be attached to any surface that has the ability to burn an opponent. The pouch has a death distance with fire within 1 meter diameter while having a severe burning/wounding distance of 2 meters diameter within the point of origin. May be attached to 3 items without taking up room in a single slot.
Limit: These types of items may be capable of being bought inside any Weapon Shop.
Cost: 12,000 Ryo per Slot, or 150 Ryo Each.


Wire (Overview) x 2 bundles
Rank: "C"
Type: Main, Slashing/Piercing, Soft Weapon
Effect: Metal drawn out into the form of a thin flexible thread or rod.
Special: ---
Drawback: ---
Description: Wire is a single, usually cylindrical, flexible strand or rod of metal. Wires are used to bear mechanical loads and to carry electricity and telecommunications signals. Wire is commonly formed by drawing the metal through a hole in a die or draw plate. Standard sizes are determined by various wire gauges. Wire is normally sold in Bundles. A bundle of Wire is 15 Meters. (May only start with 1 bundle for New Characters)
Limit: These types of weapons may be capable of being bought inside any Weapon Shop.
Cost: 6,000 Ryo per Bundle, 400 Ryo per Meter

[Pricillia "Cillia" Deus]

The dark mansion was rather quiet as it was located in an isolated part of the snow village and there weren’t really many surrounding sounds. The only sounds that could be heard were the remaining leaves of the rotting trees, blown by the wind and suddenly, a creak. If Pricillia had to guess, there were two possibilities where this creak was coming from. The first possibility was quite unlikely as it was the door of the mansion itself. It was an unlikely possibility as one would have to go through the yard gate to get to the mansion and the possibility of the yard gate releasing the creak instead was quite higher. Relying on her deduction abilities, Pricillia decided to roll with the idea that whoever or whatever made the sound was now in the yard of the mansion. Knowing herself that the yard gates couldn’t be opened after they were once closed, the could only assume that they were closed from the outside in some way which could only mean that now, there was someone inside the yard which was most likely a person.

Pricillia was as analyzing as always and she gave it a moment to analyze the situation. Undoubtedly, a human entered the mansion. This sole fact opened two possibilities – that the said human was an ally to Pricillia or that it was an enemy to Pricillia. If the individual was an ally to Pricillia and the snow village, they would in some way signal that they were entering the yard and wouldn’t try to sneak inside like they did so it would be safe for Cillia to assume that whoever entered the mansion’s yard was an enemy. If she was wrong, she would end up letting them alive but if she was in fact correct and the person was an enemy, she would have to assault them while in the same time, protecting herself, not knowing the fighting capabilities of her foe. A normal kunoichi might have a hard time attacking and protecting herself at the same time, however, with Pricillia’s puppet, Abellia, Pricillia didn’t have to be there in person so she could attack.

Pricillia now had to analyze the battlefield for the possible upcoming fight. Before she entered the building, she noticed that it had no windows whatsoever so she could safely assume that she wasn’t spotted by the enemy. Of course, the possibility of the enemy being a sensor-type also existed so Pricillia would have to be extra cautious. Before she would do whatever with her puppet, Pricillia began performing a number of handseals. After she was done performing the handseals, she whispered: ”Kirigakure no Jutsu…” (transl. “Hidden Mist Jutsu”) The humidity in the air was high due to the snow outside of the building and the mist spread rather quickly throughout the entire mansion. Now, it was time for the second part of Pricillia’s attack which actually included the control of her puppet, Abellia. Quickly reaching towards it, Pricillia managed to connect her chakra strings to her puppet. ”Kugutsu no Jutsu…” (transl. “Puppet Technique”) Pricillia whispered again and she now had control over her puppet, Abellia. Closing her eyes and pulsing her chakra through her chakra strings, Pricillia could now see through the eyes of her puppet and even hear through the ears of it which would allow her to attack without actually exposing her physical body. Having a great ability in controlling puppets, Pricillia’s chakra strings could reach up to one hundred meters which would pretty much cover the whole mansion. The fog would be dense but Pricillia remembered where the front door was and also remembered that it was the only possible entrance to the mansion and knew that eventually, the person inside the yard would enter through that one and only entrance. That would be the time if Pricillia would determine if it was an ally or truly an enemy and it would also be the time when she would be able to react accordingly.

The mansion was pretty simply built and even though there was a dense mist inside, Pricillia could easily control her puppet to the front door until she could finally see the door handle. Then, Pricillia would make her puppet make a couple of steps backwards, until it was 2 meters away from the door. Considering how dense the mist was, the enemy would be unable to see Abellia until they made a couple of steps inside the mansion and this would be when Pricillia would be able to instantly take them down with the puppet’s weaponry. In addition, Pricillia had her chakra strings invisible and also had the chakra signals modified so her puppet would be able to move much less noisier, which would without a doubt help her in this battle.

Having all preparations done, Pricillia now only had to wait.

SPOILER: Click to show

Puppet HP: 80/80
Techniques Used

[/b] [10]
Rank: "C"
Skill: NinJutsu
Effect: A Skill where a user uses the water around them to create a massive mist to fill around the user.
Special: "Handseals"
Drawback: ---
Description: A skill which creates a very dense fog that descreases the surrounding visibility to near zero. It produces an environment perfect for a silent assassin who follows an opponent through sound. This mist can not be blown away by any type of Wind Jutsu.
Limit: Water Release

• Chakra Ito (Chakra Strings) [30]x10
Rank: "C"
Skill: NinJutsu
Effect: Chakra strings are a technique usually used by puppet users to allow them to control their puppets in battle.
Special: ---
Drawback: Must learn multiple times.
Description: The user is capable of controlling a puppet depending on the distance of the puppet. If the puppet surpasses a certain distance then the chakra strings simply disconnect leaving the puppet down along the floor. When first learned the user is able to control a puppet within the distance of up to 10 meters. Each time learned the distance increases by 10 meters. When the user reaches 200 meters there's an additional 10 Training Points needed to learn the technique. When the user reaches 400 meters there's again an additional 10 Training Points needed to learn the technique. These extra points do not go down by Class. User may learn an unlimited amount of times.
Limit: Must be a Puppeteer.

• Kugutsu no Jutsu (Puppet Technique) [30]x5
Rank: "C"
Skill: NinJutsu/Supplementary
Effect: Allows the user to effectively control puppets with lesser chakra strings allowing greater control per puppet.
Special: ---
Drawback: Must learn multiple times. Is able to learn 5 times max.
Description: When the user learns this technique they will reduce the amount of chakra strings needed to control a puppet. When user learns twice they will be to control Small Puppets with 1 Chakra String, Medium Puppets with 3 Chakra Strings, Large Puppets with 5 Chakra Strings, Huge Puppets with 9 Chakra Strings, Gargantuan Puppets with 11 Chakra Strings, and Colossal Puppets with 13 Chakra Strings. User must learn this Jutsu 3 times in order to control a Gargantuan Puppet. User must learn all 5 times in order to control a Colossal Puppet. After learning twice user will be able to control Small Puppets with 1 Chakra String regardless of continuous learning.
Limit: Must be a Puppeteer. Must know Chakra Ito (Chakra Strings)

• Hissori Kugutsu (Silent Puppetry) [20]
Rank: "C"
Skill: Supplementary
Effect: User becomes proficient with their puppetry making the puppets quieter than normal.
Special: ---
Drawback: Without this Technique a puppet sounds clunky and makes gear like sounds when performing any action.
Description: Normally puppets make creaking sounds from gears rubbing against one another and awkward turning that occurs within the puppets. This technique allows the user to control the puppet with better precision by buffering out the sounds that come from the gears found inside the puppets. This makes the puppet completely silent unless the users wish for the puppet to make excessive noise.
Limit: Must be a Puppeteer.

• Metsuki no Kugutsu (Puppet Eyes) [20]
Rank: "C"
Skill: NinJutsu
Effect: Allows the user to see what a puppet may see.
Special: ---
Drawback: Difficult to move around while seeing through other eyes. Does not work if user is Blind.
Description: This technique allows the user to see through the eyes of a puppet if there are "Eyes" on the puppet. The user relays the chakra strings from their fingers to their eyes, and all the way through one of the puppets. User is able to see what the puppet sees through their own eyes. If the puppet is installed with any kind of visual enhancements then they are able to see through that kind of vision as well. User is not able to see through multiple puppets at the same time and must switch from puppet to puppet if needed.
Limit: Must be a Puppeteer.

• Jitei no Kugutsu (Puppet Ears) [20]
Rank: "C"
Skill: NinJutsu
Effect: Allows the user to hear what a puppet may hear.
Special: ---
Drawback: Does not work if user is Deaf.
Description: This technique allows the user to see through the eyes of a puppet if there are "Ears" on the puppet. The user relays the chakra strings from their fingers to their ears, and all the way through one of the puppets. User is able to hear what the puppet hears through their own ears. If the puppet is installed with any kind of hearing enhancements then they are able to hear through that kind of hearing as well. User is not able to hear through multiple puppets at the same time and must switch from puppet to puppet if needed.
Limit: Must be a Puppeteer.
[/ul][/font][/div][/spoiler]
[/blockquote]

[Aimi Kaguya]

Once on the other side of the gate, Aimi looked around the yard. It was big, a hundred yards or more he estimated, and the mansion was right in the middle of it. It was strange, this building. He looked at it now and saw that it had no windows that were visible... now why was that? Big house like that should have a ton of windows... but none of the front of the house. That seemed a bit suspicious to him, but at the same time could only be a bad design choice. He walked on past the gate, trying to take in his surroundings as he went. The yard seem ordinary enough he supposed, just grass and the ground beneath it, he didn't see any traps... then again, an experienced shinobi would have hidden them beyond sight. Aimi shook his head and looked ahead at the mansion. He needed to focus on that, and so focus he would. It occurred to him as he was crossing the yard that if there were people inside, they might be poised and ready for a trap. That made him hesitate, but he continued forward anyways, on his guard, alter to what dangers might be ahead of him. Not knowing made him uneasy, especially after over a week of travel, especially when he wasn't sure why he was here int he first place. One could never been too careful after all.

He stopped walking when he was right in front of the house. He looked it up and down and wondered what could be inside. He certainly knew how to find out. Concentrating and channeling himself, Aimi placed his hand on the door and called upon his soul to Know Chakra, this way he would know if there was someone inside or not. While he was at it, he figured he'd might as well Know Who to find out who it was that had last touched the door. The information came to him in waves, but they were very clear waves, distinct and pure. The last person who had touched the door had been female, they were nineteen years old, they were white in skin color, and their name was Pricillia Deus. That name didn't strike any bells in his head and he hadn't been told to look for the person, so he didn't really think much of it. For all he knew, it was just a village girl who had come here to do something or other by herself (or with someone, who could say?)He didn't have any relative information to know whether or not she was dangerous or ordinary though.

He did knot one thing though: Someone was still inside, someone with chakra.

SPOILER: Click to show

Know Chakra
Rank: "D"
Skill: NinJutsu
Effect: This technique allows the user to detect Chakra energies.
Special: ---
Drawback: ---
Description: You tune yourself to the energies of others. This technique's range is 20 meters with a cone effect. User sends their own energy outwards to help them detect and know Chakra energies. The amount of information revealed depends on how long the user studies the particular area or subject. For the 1st Round the user will know if there is presence or absence of chakra energies. 2nd round they learn the number of different Chakra energies and the power of the most potent of Chakra energies. Finally for the 3rd round they will learn the strength and location of each energy. Distance increases 5 meters per class level.
Limit: Must be a Soulcaster.

Know Who - Used up to B rank
Rank: "D", "C", "B"
Skill: NinJutsu
Effect: Gain information on an object.
Special: ---
Drawback: ---
Description: By touching an object you can get information from the impression a soul has left behind much like a finger print. When first learned the user can learn the gender of the person who made the object as well as the gender of the last person other than the user who touched the object. When they learn the "C" Rank version the user can learn the race and age of the person who made the object as well as the race and age of the last person other than the user who touched the object. When the user learns the "B" Rank version the user can learn the name of the person who made the object as well as the name of the last person other than the user who touched the object.
Limit: Must be a Soulcaster.

[Pricillia "Cillia" Deus]

’Damn, what’s taking them so long?!’ Pricillia thought as she looked through the eyes of her puppet to see if there was any movement at the door but there was none. Being able to clearly hear through the ears of Abellia, Pricillia followed the movements of the target somewhere in-front of the door right before they stopped and never re-sounded again. From this, Pricillia could only deduce one thing – that the target was in-front of the door and was waiting. But what? Closing her eyes, Pricillia focused and began thinking of possible scenarios. There weren’t many, actually. The only thing that came in mind to Pricillia was that she has indeed be detected and that now the person in-front of the door was completely aware of her existence inside the building. ’Damn! Why did this have to get so complicated?’ Pricillia again thought and began molding a strategy inside her head. As shrewd as she was, Pricillia quickly came with a decent strategy but for it, she had to cancel the puppet technique and dislocate her chakra strings from her puppet for a moment which could prove to be a risk if the enemy was a high class sensor and could sense that she was at a weak moment.

Still, willing to take the said risk, Pricillia disconnected her chakra strings and instantly began performing handseals. ”Mizu Bunshin no Jutsu…” (transl. "Water Clone Technique"). Spending chakra enough to create a single water clone, this would be her limit at the current circumstances due to the drastic lack of a good water source. Soon, a water clone appeared before her, looking exactly like her whatsoever. The clone, created after Pricillia thought of the plan knew exactly what it had to do. It turned it’s back to Pricillia who hid a grenade inside the clothes of the clone. Pricillia also connected a chakra string to the pull of the grenade so she could pull it and activate it from a distance. The plan Pricillia had in mind was quite complicated and held quite a lot of risks behind it, however, it was a worth it plan. Knowing that the water clone wouldn’t be able to go far from the original body, both Pricillia and the water clone ran out of the room through the corridor. Pricillia stopped at the corner of the corridor – a spot from which she had a pretty decent view and could also see her puppet clearly enough to reconnect her chakra strings to it and make it move 5 meters to the back so it wouldn’t be spotted if the door opened.

Pricillia was aware of the fact that the person outside could’ve heard her footsteps as it was hard to run quietly over an old wooden floor, however, to the silver haired girl, this didn’t matter as she would show herself to the enemy soon enough. In fact, she was doing it now, while hiding behind the corner. ”HEEEELP!!!!!!!!!!!” Pricillia’s water clone screamed out as she ran through the closed door of the mansion, jumping outside of the building where the enemy supposedly was. Pricillia wasn’t really good in acting but a simple “frightened” didn’t prove to be hard for her and logically, her clone who stopped in-front of the door and with a frightened expression on its face, looked around. Seeing a male in-front of the door, the clone quickly turned its attention towards the male. ”Insi—Inside!!” Appearing out of breath, the clone said in a frightened manner. Pricillia herself never wore a visible headband as she always kept her inside her butt bag. Thus, the enemy couldn’t deduce that Pricillia, or her clone, were from the snow village and in the eyes of anybody, they would appear as normal civilians, lost inside a house, frightened by something inside. While the clone waited for a reaction from the male outside the door, Pricillia kept her cover in the corner of the corridor and looked at both her clones and the person’s silhouettes from her puppet’s eyes, ready to pull the trigger of the grenade hidden inside her clone’s clothes at any point.

SPOILER: Click to show

Puppet HP: 80/80
Techniques Used

[/b] [10]
Rank: "C"
Skill: NinJutsu
Effect: ---
Special: "Handseals"
Drawback: ---
Description: Mizu Bunshin no Jutsu is a Ninjutsu technique that utilizes water to create a Bunshin clone. Unlike a normal Bunshin, the Mizu Bunshin has the ability to interact more with the environment due to it having physical substance. This allows the clone to carry out limited attacks on its target. The range of the clone is limited; however, it can not travel very far from the original body. If the Mizu Bunshin is injured, the clone will usually revert back into its natural water state. When first learned the user is capable of having or capable of creating up to Five Clones. Each time learned the user learns this technique the number of Clones is capable of increasing by one. The maximum amount of clones is Ten for the Difficulty Class of D Rank. For each Difficulty Rank Increase the number increases by five of maximum but learning is still one per learned.
Limit: Water Release

• Chakra Ito (Chakra Strings) [30]x10
Rank: "C"
Skill: NinJutsu
Effect: Chakra strings are a technique usually used by puppet users to allow them to control their puppets in battle.
Special: ---
Drawback: Must learn multiple times.
Description: The user is capable of controlling a puppet depending on the distance of the puppet. If the puppet surpasses a certain distance then the chakra strings simply disconnect leaving the puppet down along the floor. When first learned the user is able to control a puppet within the distance of up to 10 meters. Each time learned the distance increases by 10 meters. When the user reaches 200 meters there's an additional 10 Training Points needed to learn the technique. When the user reaches 400 meters there's again an additional 10 Training Points needed to learn the technique. These extra points do not go down by Class. User may learn an unlimited amount of times.
Limit: Must be a Puppeteer.

• Kugutsu no Jutsu (Puppet Technique) [30]x5
Rank: "C"
Skill: NinJutsu/Supplementary
Effect: Allows the user to effectively control puppets with lesser chakra strings allowing greater control per puppet.
Special: ---
Drawback: Must learn multiple times. Is able to learn 5 times max.
Description: When the user learns this technique they will reduce the amount of chakra strings needed to control a puppet. When user learns twice they will be to control Small Puppets with 1 Chakra String, Medium Puppets with 3 Chakra Strings, Large Puppets with 5 Chakra Strings, Huge Puppets with 9 Chakra Strings, Gargantuan Puppets with 11 Chakra Strings, and Colossal Puppets with 13 Chakra Strings. User must learn this Jutsu 3 times in order to control a Gargantuan Puppet. User must learn all 5 times in order to control a Colossal Puppet. After learning twice user will be able to control Small Puppets with 1 Chakra String regardless of continuous learning.
Limit: Must be a Puppeteer. Must know Chakra Ito (Chakra Strings)

• Hissori Kugutsu (Silent Puppetry) [20]
Rank: "C"
Skill: Supplementary
Effect: User becomes proficient with their puppetry making the puppets quieter than normal.
Special: ---
Drawback: Without this Technique a puppet sounds clunky and makes gear like sounds when performing any action.
Description: Normally puppets make creaking sounds from gears rubbing against one another and awkward turning that occurs within the puppets. This technique allows the user to control the puppet with better precision by buffering out the sounds that come from the gears found inside the puppets. This makes the puppet completely silent unless the users wish for the puppet to make excessive noise.
Limit: Must be a Puppeteer.

• Metsuki no Kugutsu (Puppet Eyes) [20]
Rank: "C"
Skill: NinJutsu
Effect: Allows the user to see what a puppet may see.
Special: ---
Drawback: Difficult to move around while seeing through other eyes. Does not work if user is Blind.
Description: This technique allows the user to see through the eyes of a puppet if there are "Eyes" on the puppet. The user relays the chakra strings from their fingers to their eyes, and all the way through one of the puppets. User is able to see what the puppet sees through their own eyes. If the puppet is installed with any kind of visual enhancements then they are able to see through that kind of vision as well. User is not able to see through multiple puppets at the same time and must switch from puppet to puppet if needed.
Limit: Must be a Puppeteer.

• Jitei no Kugutsu (Puppet Ears) [20]
Rank: "C"
Skill: NinJutsu
Effect: Allows the user to hear what a puppet may hear.
Special: ---
Drawback: Does not work if user is Deaf.
Description: This technique allows the user to see through the eyes of a puppet if there are "Ears" on the puppet. The user relays the chakra strings from their fingers to their ears, and all the way through one of the puppets. User is able to hear what the puppet hears through their own ears. If the puppet is installed with any kind of hearing enhancements then they are able to hear through that kind of hearing as well. User is not able to hear through multiple puppets at the same time and must switch from puppet to puppet if needed.
Limit: Must be a Puppeteer.

• Isshi no Otoshina (String Entrapment) [30]
Rank: "C"
Skill: NinJutsu
Effect: A skill that allowed the user to entrap, trip, or interfere movement against the opponent.
Special: ---
Drawback: ---
Description: A technique used to grasp hold, or trip opponents or objects. This technique is used to restrict movements and buy some time to escape or perform a more powerful attack. This technique is for support purposes. Depending on the user's ability to perform Chakra Ito (Chakra Strings) depends on the length of this technique.
Limit: Must be a Puppeteer. Must know Chakra Ito (Chakra Strings)[/ul][/font][/div][/spoiler]

[/font][/div][/blockquote]

[Aimi Kaguya]

What was this Aimi heard? Foot steps, running towards him from the sound of it. Was it the owner of the chakra he had found? Was it the Deus girl? No way to be certain if either was friend or foe, so, taking a few steps back away from the door, Aimi reached down and stuck a finger into the metal loop of one of the kunai on his leg, ready to throw it should the oncoming foot steps prove to be dangerous. What came through the door was surprising if not completely confusing. The girls' screaming made him tense up and flinch, blinking out of surprise before snapping open and looking at the screaming girl, crying for help. There was no way to be absolutely certain unless he asked her name, but going by the general description that Know Who had given him, he could assume that this was Pricillia. To be safe, Aimi made sure to keep at Know Chakra to get a definite answer on if this girl was the owner of the chakra source he had discovered before.

The girl, presumably Prcillia, indicated to Aimi that there was something inside which had apparently driven her out of the mansion. When he looked in the door though, all he saw was a dense fog. Now he was really confused. There shouldn't be fog in there... unless it's a jutsu... Aimi thought, even more on edge than he had been before. At this point, he wasn't trusting anything that the girl would tell him and was suspicious of everything in front of him. Maybe it was something in her face or her voice that put him off, or maybe it was the lack of sound coming from inside of the house that tipped him off, but he didn't think he could go off of this girls' word alone. He was tired of all the guess work, he wanted some definite answers.

Pulling his finger out of the kunai ring, Aimi brought it up with his other hand and swirled them around before him, the necessary actions for Pre-Sight. Focusing on using this as well as keeping Know Chakra active, Aimi looked around him as his eyes adjusted to seeing the life energy in the surrounding area for the past thirty six minutes. To him, it looked as though things were going in reverse but sped up, as though things were being rewound. If he looked behind him, he would see himself walking backwards towards the gate. His eyes, however, were directed at the house and where the girl had gone from. He watched her run backwards into the fog, then the fog seemed to dissipate before his eyes as he saw her again, now wandering around the house. She had a puppet with her, he saw and what he didn't see was anyone else in the house. He watched as she left the house and seemed to run backwards towards the gate, a sign that she had not been there long at all. From what he had seen, he could easily assume that the fog was a product of this girl, and whatever danger she was talking about was her own, not a product of anything else in the mansion.

As his eyes cleared and the present swam back in front of him, Aimi was left with many questions, virtually all of which were unanswered. What any of this had to do with investigating the mansion, he had no idea. But he was tired, and he no longer had the patience for this sort of thing. Locking eyes with the girl not far in front of him, Aimi made her the target of Harm Thy Soul, sending the invisible ray forward to connect with the girls' soul, intent on sending her back into the mist covered house from whence she had come and keep her far, far away from himself. Afterwards, he would walk up and slam the door shut, then turn around and walk towards the gate. He could tell that whoever it was that owned the chakra inside, be it the girl he had just repelled or someone, if anyone, else, was close to his strength in chakra if not his equal. That only drove him to walk faster.

SPOILER: Click to show

Know Chakra
Rank: "D"
Skill: NinJutsu
Effect: This technique allows the user to detect Chakra energies.
Special: ---
Drawback: ---
Description: You tune yourself to the energies of others. This technique's range is 20 meters with a cone effect. User sends their own energy outwards to help them detect and know Chakra energies. The amount of information revealed depends on how long the user studies the particular area or subject. For the 1st Round the user will know if there is presence or absence of chakra energies. 2nd round they learn the number of different Chakra energies and the power of the most potent of Chakra energies. Finally for the 3rd round they will learn the strength and location of each energy. Distance increases 5 meters per class level.
Limit: Must be a Soulcaster.

Pre-Sight
Rank: "D"
Skill: NinJutsu
Effect: Allows vision into the past.
Special: ---
Drawback: ---
Description: Life energy exists without time and when a soulcaster uses this ability he can see that energy as it is laid out. A technique that affects only the user and where they were. User stays where they were and sways their hands around. When this technique is performed they are capable of seeing 12 minutes into the past per class level. The Soulcaster can see the area they are viewing as if they were there. The distance they are capable of seeing is approximately 30 meters from where they are plus 10 meters per class level.
Limit: Must be a Soulcaster.

Harm Thy Soul - Used the B rank version while being B rank
Rank: "D", "C", "B", "A", "S"
Skill: NinJutsu
Effect: User targets a creature and forbid it from getting to close to the user.
Special: ---
Drawback: ---
Description: User performs this technique on an opponent at up to 20 meters away by shooting a ray like attack that's invisible to the naked eye. The opponent doesn't feel the effects, however the opponent's soul and the user's soul reacts in a repelling manner. Whenever an opponent reaches 2 meters of the user they are quickly repelled 10 meters. This technique lasts 2 rounds per class level and each rank the user learns the technique. Each rank the user learns equals the class level the user may repel. So if the user who is "C" Class knows only the "B" Rank version they may only repel a "B" Class user or lower for 10 rounds.
Limit: Must be a Soulcaster.

[Pricillia "Cillia" Deus]

Being a spectator of the meeting between the target and her water clone through her puppet’s eyes, from which she could now see somewhat cleanlier due to fog slowly spreading out of the opened mansion’s door. Pricillia didn’t really count on her water clone to fool the enemy to an extend where they would actually fall for her trap and enter the mansion where she would get them with her puppet – what Pricillia wanted to do with this act was see the reaction of the individual in-front of the door, hear what they said and witness their reply to a girl’s scream for help. What she managed to see through her puppet’s eyes were nothing but mere silhouettes from outside as the fog was still too dense, however, what she found interesting was that she didn’t hear anything neither. A normal person would reply to a crying girl’s cry for help, especially a snow shinobi. From the lack of reaction, Pricillia managed to deduce that the individual in-front of the mansion wasn’t a shinobi from the snow village, however, also managed to deduce that they weren’t a mere civilian either as a civilian would react in some way or would at least ask a question – a ton of questions. The individual there was fearless, or so would Pricillia think.

The person there did nothing, or at least nothing that Pricillia could see through the dense fog, however, Pricillia knew what to do. Moving her left hand’s index finger, she moved the chakra string connected between it and the trigger of the grenade and pulled it. This happened at about the third second after Pricillia’s clone walked outside of the house and performed the act, which meant that a cont of six seconds have began before the grenade detonated. At about the third of these six seconds, Pricillia’s clone slowly began returning inside the house for some reason. Not being able to tell that reason through her puppet’s eyes, Pricillia could only assume that it has been controlled to do so, but that wouldn’t matter as the grenade would explode soon. ”3…2…1…” Pricillia whispered to herself. At that time, Pricillia’s water clone was just under the frame of the door when suddenly – an explosion. Pricillia, forgetting to calculate the explosion decently and unable to predict the circumstances and the fact that her clone for some reason began returning inside the mansion didn’t expect that her puppet would take hit as well and couldn't move it in time, making it suffer a tad bit from the explosion’s shock wave.

Not having time to worry about her puppet, Pricillia quickly pulled it back using her chakra string and she herself made a jump to the back, moving a bit further than the corner of the corridor so she wouldn’t be spotted as easily if the enemy entered the building. To her, this was the perfect time to withdraw her puppet as there should be quite a lot of smoke that would cover the movement of the puppet and Pricillia herself. Being 5 meters inside the corridor, Pricillia had her puppet right besides her and was now waiting to see if she got her enemy with the earlier explosion.

SPOILER: Click to show

Calculating Puppet Damage:

[/ul]
Puppet HP: 60/80
Techniques In Use:

[/b] [30]x10
Rank: "C"
Skill: NinJutsu
Effect: Chakra strings are a technique usually used by puppet users to allow them to control their puppets in battle.
Special: ---
Drawback: Must learn multiple times.
Description: The user is capable of controlling a puppet depending on the distance of the puppet. If the puppet surpasses a certain distance then the chakra strings simply disconnect leaving the puppet down along the floor. When first learned the user is able to control a puppet within the distance of up to 10 meters. Each time learned the distance increases by 10 meters. When the user reaches 200 meters there's an additional 10 Training Points needed to learn the technique. When the user reaches 400 meters there's again an additional 10 Training Points needed to learn the technique. These extra points do not go down by Class. User may learn an unlimited amount of times.
Limit: Must be a Puppeteer.

• Kugutsu no Jutsu (Puppet Technique) [30]x5
Rank: "C"
Skill: NinJutsu/Supplementary
Effect: Allows the user to effectively control puppets with lesser chakra strings allowing greater control per puppet.
Special: ---
Drawback: Must learn multiple times. Is able to learn 5 times max.
Description: When the user learns this technique they will reduce the amount of chakra strings needed to control a puppet. When user learns twice they will be to control Small Puppets with 1 Chakra String, Medium Puppets with 3 Chakra Strings, Large Puppets with 5 Chakra Strings, Huge Puppets with 9 Chakra Strings, Gargantuan Puppets with 11 Chakra Strings, and Colossal Puppets with 13 Chakra Strings. User must learn this Jutsu 3 times in order to control a Gargantuan Puppet. User must learn all 5 times in order to control a Colossal Puppet. After learning twice user will be able to control Small Puppets with 1 Chakra String regardless of continuous learning.
Limit: Must be a Puppeteer. Must know Chakra Ito (Chakra Strings)

• Hissori Kugutsu (Silent Puppetry) [20]
Rank: "C"
Skill: Supplementary
Effect: User becomes proficient with their puppetry making the puppets quieter than normal.
Special: ---
Drawback: Without this Technique a puppet sounds clunky and makes gear like sounds when performing any action.
Description: Normally puppets make creaking sounds from gears rubbing against one another and awkward turning that occurs within the puppets. This technique allows the user to control the puppet with better precision by buffering out the sounds that come from the gears found inside the puppets. This makes the puppet completely silent unless the users wish for the puppet to make excessive noise.
Limit: Must be a Puppeteer.

• Metsuki no Kugutsu (Puppet Eyes) [20]
Rank: "C"
Skill: NinJutsu
Effect: Allows the user to see what a puppet may see.
Special: ---
Drawback: Difficult to move around while seeing through other eyes. Does not work if user is Blind.
Description: This technique allows the user to see through the eyes of a puppet if there are "Eyes" on the puppet. The user relays the chakra strings from their fingers to their eyes, and all the way through one of the puppets. User is able to see what the puppet sees through their own eyes. If the puppet is installed with any kind of visual enhancements then they are able to see through that kind of vision as well. User is not able to see through multiple puppets at the same time and must switch from puppet to puppet if needed.
Limit: Must be a Puppeteer.

• Jitei no Kugutsu (Puppet Ears) [20]
Rank: "C"
Skill: NinJutsu
Effect: Allows the user to hear what a puppet may hear.
Special: ---
Drawback: Does not work if user is Deaf.
Description: This technique allows the user to see through the eyes of a puppet if there are "Ears" on the puppet. The user relays the chakra strings from their fingers to their ears, and all the way through one of the puppets. User is able to hear what the puppet hears through their own ears. If the puppet is installed with any kind of hearing enhancements then they are able to hear through that kind of hearing as well. User is not able to hear through multiple puppets at the same time and must switch from puppet to puppet if needed.
Limit: Must be a Puppeteer.

• Isshi no Otoshina (String Entrapment) [30]
Rank: "C"
Skill: NinJutsu
Effect: A skill that allowed the user to entrap, trip, or interfere movement against the opponent.
Special: ---
Drawback: ---
Description: A technique used to grasp hold, or trip opponents or objects. This technique is used to restrict movements and buy some time to escape or perform a more powerful attack. This technique is for support purposes. Depending on the user's ability to perform Chakra Ito (Chakra Strings) depends on the length of this technique.
Limit: Must be a Puppeteer. Must know Chakra Ito (Chakra Strings)[/ul]
[/font][/div][/spoiler][/blockquote]

[Aimi Kaguya]

Aimi herd the click of the grenade before he saw anything. The moment he heard the click, and shortly after saw the pin being pulled away, his eyes widened and his first instinct - the first word that popped into his head was Trap! He reached out and took a hold of the opened door, throwing it shut after the person he had pushed while at the same time turning his body to run away. He sprinted as fast as he could, but so many things were running through his head as to what could happen next - fire, kunai, explosion, it barely registered with that what he saw was a grenade pin. He was sprinting as fast as he could but he needed to get further, faster. Acting on the first thing that came to mind, Aimi formed the symbol of a ram and activated the Wing Grow technique of the Tsubasa, growing his wings as fast as he could. How long did he have left? How much protection would the door closing grant him? No time to think, hardly any time to act. His wings just did not seem to grow quickly enough, the bones growing from his shoulders and the shin growing over them,t he wings following. There was pain, he didn't register it. The need to get out of whatever trap had been set alive overrode any feelings of pain he felt. He ran, he sprinted, he launched himself as far as his legs would carry him. When his wings were fully grown, he jumped into the air and gave a great flap of his new body parts, desperately trying to get into the air to escape.

Then came the explosion.

The grenade went off with the force of what one would expect from a grenade, and the sound was deafening. For an instant Aimi was deaf, and then came the shock wave. How much the door actually helped, Aimi couldn't know but it seemed like it didn't help much at all. He felt the sudden wave of pressure and heat at his back and it sent him sprawling forward, tumbling through what littler amount of air he had been able to get and sending him head over heels. He landed in a head on the ground some five meters from where he had initially jumped, eleven meters from the door. His ears were ringing and he couldn't see straight because of it. Nothing was louder than the ringing except maybe the beating of his own heart. There was pain, he could feel it, but where? It took him a moment to realize that he was lying on his right shoulder, a moment longer to register the pain all throughout his body. He was bruised from the shock wave, let alone his collision with the ground. He tried to push himself up from off of the ground and found that he couldn't. His eyes were still swimming, he couldn't tell what was wrong by looking at it. A piece of shrapnel maybe, a wooden chip of the door, a fragment of the grenade. His left wing was also injured at the top, he could feel the sharp tang of metallic pain signaling a clean cut through the skin. How deep it was he couldn't say.

Gritting his teeth, his eyes starting to adjust and the ringing slowly decreasing in volume, Aimi pushed himself off of the ground with his left hand and found that he could manage that. He sat up and the only thought in his head was On your feet! Move, move! Nothing else mattered at that moment than for him to get up and check to see just what had happened in the world behind him. He looked over his left shoulder, seeing the general image of the mansion as his vision slowly cleared. He needed to move, he needed to get on his feet!

SPOILER: Click to show

Tsubasa Sodachimasu no jutsu (Wing Grow Technique)
Rank: C-Rank
Skill: Ninjutsu
Effect: Lets the user grow wings of a bird out of their shoulders.
Special: Ram
Drawback: The user may feel some pain, due to the initial outburst of the extra shoulder bones that are used for the rest of the wings to grow on. Cannot Re-grow wings that were ripped or severed from the body. If one wing is removed then it is impossible to retract the wings. If a wing is injured somehow, once retracted they cannot be used for 2 weeks OOC.
Description: The user forms the handseal, and then the extra shoulder bones that come from the Ritual of Talon and Feather burst through the back of the user and they start to grow into wings of any given bird, through chakra increasing the length of the bones, (user chooses) that are twice the length of the user’s arms. Chakra will numb the pain, but it will still hurt. The chakra will also accelerate the growth of the skin, but it will come out with feathers, having stimulated the chemical. The user may then use the wings to fly and perform other techniques that require this jutsu. When the Tsubasa wishes it or has an injured wing they can retract the wings into their body to heal over time or simply to hide them.
Limit: Must be a Tsubasa, must have Ritual of the Talon and Feather performed on them.

Wing Control
Rank: C-Rank
Skill: Supplementary
Effect: Allows the Tsubasa to properly use their wings for flight.
Special: ---
Drawback: Guidance of an experienced Tsubasa. [PC or NPC]
Description: This training will allow the Tsubasa to control their wings properly after growth. Without the training control of the Tsubasa's wings will be jerky and extremely difficult. The control will be harsh enough that the Tsubasa will be unable to fly without it and merely have the wings for show. With the simple exercises and control methods taught by the experienced Tsubasa, the user will rid them self of the problem of controlling a new appendage and be able to use their wings as if born with them naturally.
Limit: Must be a Tsubasa, must know Wing Grow, must have Ritual of the Talon and Feather performed on them.

[Pricillia "Cillia" Deus]

Waiting one second after the explosion, Pricillia noticed that the mansion wasn’t yet invaded by her enemy and by this, she could only assume that in some way, they have been damaged by her grenade because if they weren’t they would be launching an attack towards her at that very instant. ’Momentum.’ Pricillia thought as she darted herself through the corridor. It took her about two seconds to get to the center of the lobby where there was now a clear vision to the yard as the explosion scattered the mist she has earlier created. The door was gone and Pricillia could now see her enemy with her own very eyes. It appeared to be nothing but a normal man that had wings sticking out of his back. ’Tsubasa, eh?’ Pricillia thought. Pricillia had knowledge over that clan as one of her academy teachers told her about it and ever since she heard about it, Pricillia has wanted to see one of those winged men. ’Not that impressive as she described it…’ Disappointed that the Tsubasa clan wasn’t really what she expected, Pricillia witnessed how the boy she apparently got with her explosion landed. ’Momentum…’ This word again echoed through Pricillia’s head as she remembered what one of her teachers used to tell her and she knew that this was the best time to attack – when the target was harmed.

Making two steps forwards in a graceful matter, Pricillia also pulled her puppet from inside the corridor. The steps she made and the fact that she manually pulled it using her arms and chakra strings gave it a slight boost and it made it to her in less than two seconds, however, she wouldn’t stop there as she would use that boost and momentum to launch her puppet towards the enemy who from what Pricillia could see through the smoke of the grenade was slowly starting to get up and had their back turned to her. As the puppet could physically jump, Pricillia made it so the puppet would skip the steps and move towards the enemy faster. Knowing that she had the fight in her hands from the moment her opponent took the explosion of her grenade, Pricillia decided to try something out which could actually work. While the puppet was mid-air, closing to the enemy who was apparently injured, Pricillia made it took a stance from the Krav Maga fighting style – a style which she has personally trained and just before the puppet would land, Pricillia would make it move from the said stance to a combat move, in which one would basically strike their foe with a hammer fist to the back. Hoping her attack would hit, Pricillia now only had to see how her enemy would react and if they didn’t in time, there was a high possibility of Pricillia’s attack actually breaking bones in the enemy’s body, considering the tough material Abellia has been made out of.

SPOILER: Click to show

Puppet HP: 60/80
Techniques Used:

[/b] [30]x10
Rank: "C"
Skill: NinJutsu
Effect: Chakra strings are a technique usually used by puppet users to allow them to control their puppets in battle.
Special: ---
Drawback: Must learn multiple times.
Description: The user is capable of controlling a puppet depending on the distance of the puppet. If the puppet surpasses a certain distance then the chakra strings simply disconnect leaving the puppet down along the floor. When first learned the user is able to control a puppet within the distance of up to 10 meters. Each time learned the distance increases by 10 meters. When the user reaches 200 meters there's an additional 10 Training Points needed to learn the technique. When the user reaches 400 meters there's again an additional 10 Training Points needed to learn the technique. These extra points do not go down by Class. User may learn an unlimited amount of times.
Limit: Must be a Puppeteer.

• Kugutsu no Jutsu (Puppet Technique) [30]x5
Rank: "C"
Skill: NinJutsu/Supplementary
Effect: Allows the user to effectively control puppets with lesser chakra strings allowing greater control per puppet.
Special: ---
Drawback: Must learn multiple times. Is able to learn 5 times max.
Description: When the user learns this technique they will reduce the amount of chakra strings needed to control a puppet. When user learns twice they will be to control Small Puppets with 1 Chakra String, Medium Puppets with 3 Chakra Strings, Large Puppets with 5 Chakra Strings, Huge Puppets with 9 Chakra Strings, Gargantuan Puppets with 11 Chakra Strings, and Colossal Puppets with 13 Chakra Strings. User must learn this Jutsu 3 times in order to control a Gargantuan Puppet. User must learn all 5 times in order to control a Colossal Puppet. After learning twice user will be able to control Small Puppets with 1 Chakra String regardless of continuous learning.
Limit: Must be a Puppeteer. Must know Chakra Ito (Chakra Strings)

• Hissori Kugutsu (Silent Puppetry) [20]
Rank: "C"
Skill: Supplementary
Effect: User becomes proficient with their puppetry making the puppets quieter than normal.
Special: ---
Drawback: Without this Technique a puppet sounds clunky and makes gear like sounds when performing any action.
Description: Normally puppets make creaking sounds from gears rubbing against one another and awkward turning that occurs within the puppets. This technique allows the user to control the puppet with better precision by buffering out the sounds that come from the gears found inside the puppets. This makes the puppet completely silent unless the users wish for the puppet to make excessive noise.
Limit: Must be a Puppeteer.

• Puppetry: Combat Knowledge [10][20][70][100]
Rank: "D", "C", "B", "A", "S"
Skill: TaiJutsu/Supplementary
Effect: Allows the user to mimic fighting styles with their puppets.
Special: ---
Drawback: Unable to perform Chakra Related Techniques (Such as Enten Kobushi - Scorching Sun Fist). Unable to perform enhancement techniques (Such as The Eight Celestial Divination Gates). Unable to perform techniques that increase power when continuous learning nor powered attacks (Such as Tsuyosa Ryuu: Futae-no-Kiwami (Mastery of Two Layers) and Ryoku-Tama (Power Shot)). Masteries do not carry over to the Puppets. Unable to perform Shunshin no Jutsu.
Description: May only perform Techniques the user knows. Each time the user learns this technique they are able to perform a technique within a fighting style 1 rank below while using puppets. This means when the user first learns this technique they are able to mimic the techniques of "E" Rank. When the user learns the "C" Rank version of this technique they are able to mimic "D" Rank techniques while using puppets. When the user learns the "B" Rank version of this technique they are able to mimic "C" Rank techniques while using puppets. When the user learns the "A" Rank version of this technique they are able to mimic "B" Rank techniques while using puppets. When the user learns the "S" Rank version of this technique they are able to mimic "A" Rank techniques while using puppets. Users are unable to have their puppets perform "S" Rank techniques.
Limit: Must have Mastered Puppetry

[/b] [5]
Rank: "E"
Skill: TaiJutsu
Effect: The Neutral, or Passive, stance is your natural, unprepared position.
Special: ---
Drawback: ---
Description: It is extremely useful for all aspects of training, considering that, on the street, you will most likely need to perform combatives and self-defense techniques without any preparation. Be sure to train from this position at least part of the time when working on combatives, and at all times when practicing self-defense techniques. The Stance: Stand with your feet about hip-width apart (or less), with your arms hanging to the sides.
Limit: Must learn from a Master of Krav Maga.

• Hammerfist to the Back [10]
Rank: "D"
Skill: TaiJutsu
Effect: Hammerfist to the back is essentially the same as hammerfist to the side, but with a greater turn to meet an attack coming from behind.
Special: ---
Drawback: ---
Description: You should practice it to develop the concept that you can strike in a full circle around your body. Starting Position Passive Stance. Look over your right shoulder. Move your left hand sideways and upward, elbow slightly bent. As your hand moves toward its target, rotate your hip and shoulder. Tuck your chin. Your rising arm should cover as well as strike. Pivot your outside foot and step in toward your target to make sure weight is being transfered into the punch. On contact, your elbow should still be somewhat bent. The bent elbow should pass your target to help the punch penetrate; it also helps prevent hyperextension of the joint. Tips: Add torque by rotating the fist: at the beginning of the punch, the back of the hand faces the target. Just before contact, rotate the meaty part of your hand out to make contact. As with all punches, you should recoil after striking. Knockback ability is brought into this attack depending on how well the user knows Hammerfist to the Side.
Limit: Must learn from a Master of Krav Maga. Must know Hammerfist to the Side.

[/ul]
[/ul][/div][/font][/spoiler][/blockquote]

[Aimi Kaguya]

His ears were still ringing and his vision was blurred, but he could see his assailant was at the door. That grenade had been meant to kill him, but he wasn't dead yet. Banged up, bruised, sure, but not dead. He saw them both, the girl and her puppet, and a burning instinct to survive blazed through him, but it wasn't just to survive. The pain that ran through his body gave him strength, and he wanted to give her that same pain and more. Adrenaline did it's job, numbing the very worst of his pain. His left white wing was staining itself red with blood, his shoulder bleeding freely and his right temple was also wet with blood. It only gave him strength though. He forced himself up from off of the ground, instinct and training taking over - the ground was dangerous, the ground was easy to be pinned to. It took him about a second to get on to his feet and his eyes, while still clearing, were locked onto the oncoming attacker.

He lifted his arms up and started forming the hand seals for dog, dragon, boar and tiger, the pain in his right shoulder making it a bit difficult. He channeled chakra into his throat and mouth, tilting his head up to follow the jumping puppet and let it out in a breath, spraying hot ash in a thick cloud in front of him int he shape of a cone, utilizing the Fire Style: Hot Ash Breath jutsu. He didn't know if it would do damage to the construct, nor did he much care. What he wanted was the cover of the jutsu. It took roughly a second to form the seals, another second to release the jutsu. At the same time, Aimi jumped up into the air and gave a push with his wings, not only pushing the hot ash forward more but propelling himself backwards away from his attacker. He flapped as hard and as fast as he was able, flying up and back at a forty five degree angle away from Pricillia and her puppet, preparing himself to dodge whatever if he needed to.

SPOILER: Click to show

Fire Style: Hot Ash Breath.
Rank: C
Skill: Ninjutsu
Effect: Allows the user to expel hot ash from their mouth onto their targets to cause great burns to their body.
Special: Dog, Dragon, Boar, Tiger
Drawback: The User could easily be caught within the technique, burning himself within the hot ash. This technique does not discriminate between friend and foe. Only lasts for one post before diminishing into the air.
Description: User forms the needed hand seals and focuses chakra to their throat and mouth. Inhaling, the user releases a large wave of steaming hot black ash from their mouth, out towards the opponent. The ash quickly covers an area of 10 meters wide and 20 meters in front of them, leaving the hot ash in a 30 meter Cone expelling from the user, 8 feet high into the air, in about 1 second. This ash hinders all sight while active, except DouJutsu. However only remains within the air for one turn (6 Seconds). This ash upon contact, will instantly burn whoever is caught within, leaving second degree burns (B Rank Damage) along the effected body parts.
Limit: Fire Release

Wing Control
Rank: C-Rank
Skill: Supplementary
Effect: Allows the Tsubasa to properly use their wings for flight.
Special: ---
Drawback: Guidance of an experienced Tsubasa. [PC or NPC]
Description: This training will allow the Tsubasa to control their wings properly after growth. Without the training control of the Tsubasa's wings will be jerky and extremely difficult. The control will be harsh enough that the Tsubasa will be unable to fly without it and merely have the wings for show. With the simple exercises and control methods taught by the experienced Tsubasa, the user will rid them self of the problem of controlling a new appendage and be able to use their wings as if born with them naturally.
Limit: Must be a Tsubasa, must know Wing Grow, must have Ritual of the Talon and Feather performed on them.

[Pricillia "Cillia" Deus]

Using the cover of her puppet’s attack, Pricillia used the moment to get closer to the enemy and by the time they began dodging the attack of her puppet, Pricillia was already by the stairs where she stopped and reached for her butt bag, pulling two Hira-Shuriken from inside it with her free left hand – the hand she wasn’t using to control her puppet. Once again relying on shrewd tactics, Pricillia connected two chakra strings to the two shuriken right before she threw them towards the enemy who was departing from the ground. Pricillia knew that the enemy would probably use their wings, so she aimed the shuriken a little higher than what she normally would. If her shuriken managed to make contact with the enemy or went over them, Pricillia would have them entrapped with two chakra strings, in the best case scenario. This shuriken attack was also working as a distraction as the enemy would have to turn their attention to the shuriken and would turn their attention away from the puppet who was now apparently going to get attacked.

’A fire technique?’ Pricillia thought as she knew that technique as weak as that wouldn’t do much to her precious puppet, however, this was a good time to play possum with her puppet and she quickly detached her chakra strings from it, making it collapse to the ground. In the best case scenario, the enemy would assume that a part of the puppet has been broken and that it could no longer function properly, giving Pricillia a number of great attack openings later on through the battle.

For the time being, Pricillia was curious to see whether her shuriken-entrapment strategy would work as she now focused on her enemy’s reaction.

SPOILER: Click to show

Calculating Puppet Damage:

[/b] "C"
• Type of Attack: Fire (/2) / Ranged (/2)
• Puppet Hardness: 10
• Calculations: 40 Damage /2 = 20 Damage /2 = 10 Damage - 10 = 0 Damage[/ul]
Puppet HP: 60/80

Technique Used:

[/b] [30]x10
Rank: "C"
Skill: NinJutsu
Effect: Chakra strings are a technique usually used by puppet users to allow them to control their puppets in battle.
Special: ---
Drawback: Must learn multiple times.
Description: The user is capable of controlling a puppet depending on the distance of the puppet. If the puppet surpasses a certain distance then the chakra strings simply disconnect leaving the puppet down along the floor. When first learned the user is able to control a puppet within the distance of up to 10 meters. Each time learned the distance increases by 10 meters. When the user reaches 200 meters there's an additional 10 Training Points needed to learn the technique. When the user reaches 400 meters there's again an additional 10 Training Points needed to learn the technique. These extra points do not go down by Class. User may learn an unlimited amount of times.
Limit: Must be a Puppeteer.

• Isshi no Otoshina (String Entrapment) [30]
Rank: "C"
Skill: NinJutsu
Effect: A skill that allowed the user to entrap, trip, or interfere movement against the opponent.
Special: ---
Drawback: ---
Description: A technique used to grasp hold, or trip opponents or objects. This technique is used to restrict movements and buy some time to escape or perform a more powerful attack. This technique is for support purposes. Depending on the user's ability to perform Chakra Ito (Chakra Strings) depends on the length of this technique.
Limit: Must be a Puppeteer. Must know Chakra Ito (Chakra Strings)
[/ul][/div][/font][/spoiler][/blockquote]

[Aimi Kaguya]

Aimi's wings pounded against the air, propelling him back and up away from his cloud of ash. He had about six seconds of cover and he wanted to get as far away as he possibly could in those six seconds. His wings were a useful tool for getting away from something quick, in a second he was two meters away form where he had been previously and climbing higher. Another half a second and he was almost three meters away from where he had been and roughly six feet from the ground. Then came the two shuriken. They tore through the cloud of ash he made and pelted towards him at speeds only typical for a thrown projectile. He wasn't far enough in the air to just roll to the side and not far enough back to duck and dodge them. Instinct took over again, and he did the only thing he could think of. Reaching down with his right hand to his left hip, Aimi drew out his sword and used his knowledge of Yobousen to deflect the oncoming projectiles. He still had about three and a half seconds of cover from his jutsu on his side, he needed to use them to his advantage.

His eyes had finally cleared and the ringing had reached a minimal clang inside of his head. He could think, he could act out of more than instinct, and he fully intended to. So far the tide of battle was against him with his puppet user Pricillia Deus, he intended to shift it in his favor. He sheathed his sword,and with the last two seconds of his cover formed the hand signs necessary for Raiton: Sakurai, shaping his chakra into the shape of many hundreds of small petals all around his body in a three meter radius as he flew ever backwards into the air, bringing up both a shield and a weapon for oncoming attacks. The blue-white light of his jutsu would break through the last of the ash cloud he had made and reveal his jutsu for what it was, lightning in element and ready to be used at a moments' notice. This is where things would start to turn for him, by his estimate he was close to twenty meters away from Pricillia at what used to be the door to the mansion: He could make that distance easily while flying... but perhaps there was something else he could do instead.

SPOILER: Click to show

Yobousen (Guarding Against Attacks) - Known up to C rank
Rank: "E", "D", "C", "B", "A", "S"
Skill: Taijutsu
Effect: Training that strengthens defense against attacks.
Special: ---
Drawback: These combat principles can only be applied to weapon attacks.
Description: Yobousen is the lesson in which a swordsman learns how to use his/her sword in order to block attacks from another sword, polearm, or other bladed weapons. With each progression in skill levels, the user becomes able to block or deflect stronger attacks with better efficiency.
E-Rank: The swordsman only has elementary knowledge in how to properly defend him/herself.
D-Rank: The swordsman is capable of blocking or deflecting E-rank weapon attacks.
C-Rank: The swordsman is capable of blocking or deflecting D-Rank weapon attacks.
B-Rank: The swordsman is capable of blocking or deflecting C-Rank weapon attacks, as well as push the opponent off balance for 3 seconds (half turn).
A-Rank: The swordsman is capable of blocking or deflecting B-Rank weapon attacks, as well as push the opponent off balance for 6 seconds (full turn).
S-Rank: The swordsman is capable of blocking or deflecting A-rank weapons attacks, as well as push the opponent off balance for 12 seconds (two turns).
Limit: Gyakusatsu

Raiton: Sakurai, —‹Œõ: ’OF –Ø —‹Œõ, (Lightning Style: Cherry Blossom Lightning)
Rank: C
Skill: Ninjutsu
Effect: The user creates a mass of blue-white lightning petals.
Special: gHand Sealsh
Drawback: Not a complete technique, but a set-up for others.
Description: The user forms the hand seals, focusing chakra around them. They then mold the chakra into several hundred blue-white sakura petals of lightning in a three-meter radius around the user, like the Sand of a Saton user. These petals float gently around the userfs body. Each one gives out minor shocking, but together they can give strong shocks and burns akin to a C rank shock. The petals last until the user chooses to dispel them. The user can control these techniques in a fifteen meter radius around them.
Limit: Must have Raiton.