Youngster Suna showdown [Amira vs. Kusanagi]

[Tetsu]

The warm sand blew around the oasis laden courtyard as Amira approached the central district on her way to the tower. "Funny, I haven't been here before." She said looking around the courtyard with a sense of thirteen year old curiosity. The courtyard itself was a square 20 meter by 20 meter road that wrapped around a square fountain of water with a state of the first Kazekage sitting in the center. Empty shops and carts lined the central yard as she stretched her arms to greet the morning sun. "What a lovely day for a bit of action." She muttered as she realized that the Kazekage's tower and the obelisk of tears sat within eye view. The sun cast a shadow from the tall black stone pillar across the courtyard as she now stood at the south end of the pool. Four streets intersected at each end. The south lead to the cloud district which was hobbled and poor, the north lead to the wind district which houses the tower and the obelisk. Both were a good 200 meters away or so however. The sandstone buildings told stories of the people who once traveled the great city in the sand.

She quickly began to check her gear as she stood looking at her own reflection. She felt the 9 kunai housed in various spots along her tactical vest, especially her back. Her 45 shuriken were housed in her front Breast pockets. The village's world map sat comfortably in her left breast scroll pocket. In her right breast pocket, her 77 explosive tags resided. Her wire reel held her 90 meters of wire as well. Her over all gear was fit for any patrol. She looked at the rippling water as she came to realize that the pool was extremely deep and probably led to an underground cavern as well. Interesting find she thought as the wind continued to blow her tied back light black hair. The early hours of the morning was indicated by the sun still lingering in the west and the shadows that cast across the buildings. What an interesting day it was indeed.

[Kamehameha]

Walking about in the warm dry village of Sunagakure, Kusanagi would find himself in a district he had never been to before. Somehow his running around had brought him to this new cool place. Everything that was new to Kusa's eyes seemed to be cool. He would be seen in his usual attire, consisting of His attire black hakama and white haori. His feet were hidden deep in his black shinobi sandals, revealing only his orange polished nail toes. He had two sets of clay pouches today, his new big black pouch hung on his thigh while a blue one hung on his thigh. Sitting it home was no fun, and he was hoping this place would give him something interesting to do.

"Wow!" he exclaimed after seeing how awesome the Kazekage tower looked from here. He emerged from the north, and spotted a body by the pool a couple of meters on the south side of the district. As he walked towards the south, where the human body was situated, he came across more interesting things. One that caught his full attention was the sculpture of the great first Kazekage sitting at the center of a square water fountain. When he was 6 meters away from the unknown body, his eyes began to gain a clear view of the person. "Good morning, Cap, " he said waving and walking to end up 2 feet away from Captain Amira. He was curious about what the Kazekage was doing here. "What'chu up to?"

[Tetsu]

Ah, We meet again Amira thought as she looked dead ahead to find her squad mate Kusanagi standing before her exactly 2 meters away. "Oh hey there." She said with an element of nonchalance as she turned from to pool to face her friend and ally. She put on her own cheesy smile as she gazed upon the serious face. He always takes things to seriously she thought as she quickly drew a pair of Kunai from the back slot of her vest. Quickly flipping the blades handle so that not of the kunai were held downward as she held them complacently in her hand. the pool behind her trickled softly as She looked at her squad mate now only two meters away. "How about we have a friendly spar?" She asked backing up a meter before getting into the cat stance. "Show me what you've got!" She laughed with a gentle smile as she stood upright bouncing on her toes swaying left and right with each bounce. "It's your go clay-boy" she jested with a friendly smile as she awaited his attack at the edge of the pool. The cool sandy setting made their impending dual carry a free corse ambiance.
__________________________________________
Movements used: 1/8
Handseals used: 0/30

Footwork
Rank: "D"
Skill: TaiJutsu
Effect: A simple technique in which is needed to know in order to keep the boxer moving keeping them light on their toes against opponents.
Special: ---
Drawback: Get caught flat-footed and you will be vulnerable to counterpunches.
Description: Keep your weight balanced on both feet. Stay on the balls of your feet so you can attack, spin or retreat quickly to safety. Practice moving side to side or in a circular motion around your opponent. Shift and shuffle your feet quickly, but keep them close to the ground so you have a solid base under you. Switch stances often when training. This means you'll change which foot is in front. Work your calf muscles by jumping rope, biking and doing bag drills while moving constantly. Good footwork requires training with an integrated approach to movement, strategy, punches thrown and balance. It all has to work together, so you should always be thinking about your footwork.
Limit: Must learn in a gym that teaches Bokushingu (Boxing), Must know Upright Stance or Semi-Crouch

Quick Draw
Rank: "C"
Skill: TaiJutsu/Supplementary
Effect: User has learned how to draw their weapon without taking up a movement.
Special: ---
Drawback: ---
Description: The user can draw a weapon without a movement. The user can draw a hidden weapon (With Sleight of Hand) without taking a movement. A user who has this technique may draw a throwing weapon and hurl the weapon within 1 movement. Without this technique, the user may draw a weapon as a movement.
Limit: Must be a Throwing Specialist.

Demon Horns Stance: Cat
Rank: "E"
Skill: TaiJutsu
Effect: A stance used for speed.
Special: ---
Drawback: ---
Description: The left arm is slightly stretched forward at shoulder height while the right hand is the next to the user's right hips.
Limit: Must learn from a Master of Meimei Undoushinkei (Divine Reflexes) Style.

Cat’s Horns: Silent Feet
Rank: "D"
Skill: TaiJutsu
Effect: A way of walking to make the user more flexible and faster to react while performing the later techniques within the Demon Horns Stance: Cat.
Special: ---
Drawback: ---
Description: User starts walking only on their toes and the ends of their feet. User slightly glides over the ground while walking.
Limit: Must learn from a Master of Meimei Undoushinkei (Divine Reflexes) Style. Must know Demon Horns Stance: Cat.

[Kamehameha]

He was greeted by a friendly smile, and issued a challenge. "Sure," he said with a smile after Captain Amira's request for a friendly spar. He had always wanted to see what the Captain had up her sleeves, and this spar was an opportunity to see the Cap's abilities. He moved back 5 meters, increasing the distance between him and Amira to 8 meters. He stood in his natural position, moved his left hand to unzip and enter the pouch on his left thigh. He used the mouth on his left palm to consume 1 slot of clay out his pouch. He chewed the clay, infusing it with explosive chakra, then revealed two little birdies from his mouth. His right hand held a handseal, with his index and middle fingers held upwards before him. He concentrated on his little birdies, increased their size by a few inches and gave them birdy abilities. I hope you're ready for this" Still holding the seal, his birds flew out his hand at a high speed and went straight for Amira. When the birds were 1 meters infront of Amira, he focused on the chakra he had infused into them, and made them explode. The explosion would release a violent wind capable of knocking one one down. He had made sure to position his legs in a way that the wind caused by the explosion didn't bring him down.

" “Katsu”
Rank: "E"
Skill: Special handseal.
Effect:---
Special:---
Drawback: If the user performs "Katsu" for
detonation, their is no way to stop the
detonation. The Bomb will explode no matter
what (Though Certain bombs may be the
exception to this rule, stated by the jutsu
itself ).
If the user uses "Katsu" to enlarge a clay
creature, that said clay creature Cannot revert
back to its minuter version. The clay creature
enlarges no matter what (Though Certain
bombs may be the exception to this rule,
stated by the jutsu itself).
Description: A special handseal. This seal
denotes "Concentration". A sankuchi uses this
sign for a variety of purposes; whether it is to
alter the size of certain creations, cause a
creation to detonate or give a special effect
stated by a certain jutsu/clay creation. The
handseal is one of the users hand head
upward, his/her index and middle finger held
upward, while his/her thumb, ring finger and
pinky held inwards the palm. The user may
also hold both index and middle fingers of
both there hands together, crossing there
pinky and ring finger, with there thumb
meeting as well. (either way gives the same
effect, no being superior to the other). Katsu is
used in a majority of the Sankuchi jutsus, and
its effects are constant unless otherwise
stated.
"Katsu" detonates any bomb the user selects,
but detonate, all of the same bombs for the
same set. For example, if the user creates 2
clay spiders for "Tagging bomb" and 2 clay
birds for "Grenade", the user may choose to
detonate the clay birds used for "Grenade" and
not the spider used for "Tagging bomb".
However, the user detonates all the clay birds
at the same time and not one after another. In
the case above, once the user decides to
detonates the 2 clay birds used in "Grenade",
they are both destroyed at the same time.
(some jutsus may be the exception to this
rule, stated by the jutsu itself).
Limit: Only useful to the Sankuchi. Anyone
may learn this, but why?

Concussion bomb
Rank: D
Skill: Ninjutsu
Effect: Powerful wind released from a clay
bomb
Special: Refer to "Katsu" consumes 1 slot, for
one mouth (maximum size: small size
creature) (maximum amount: 2 creatures for
one slot)
Drawback: Time and preparation. Does not
harm.
Description: after molding and infusing a piece
of clay the user may form any creature they
wish (spider, birds, etc. Small size). This clay
creation moves about fulfilling the users
desires. Upon command, this clay creature
burst violently, but in a non-lethal fashion
from the burst of the clay creature, a powerful
wind is released instead of an explosion. This
wind covers a radius of 10 meters, and can
knock down any unsafely secured items, sway
trees about and kick up little debris. When
contact is made with an enemy, the burst may
knock them off balance, or feel equivalent of a
hard punch (if used correctly). Anything
beyond 10 meters will just feel the strong wind
Limit: Must know "Katsu", "mouth control" at
least once, C-ranked "clay infusion" and C-
ranked "clay life"

Bag 1: 1|60 slots
Bag 2: 0|20 slots

[Tetsu]

Of course he would start with his clay. The little Kazekage quickly reared her blades back as his hands went back into his pouches that dat in his thigh. The projectiles this guy cooked up normally exploded which was never a good thing. She had the weapons she needed in her hands as it was. Taking we blades back out as Kusanagi's hands began to chew the grey clay. Quickly relaxing and following the two hands separately, she came to realize that she was within a point blank range. Taking her arms back into an underhanded throw that released the blades just as he began to put his out to relinquish whatever his hands had been creating. The hands were the true target. As the blades left her hands, Amira quickly waited for the result. If the blades missed then she would have to take some more fire action.

If the birds were released, thenThey were now the pressing target. Taking a jump backwards two meters, Amira would target both of the birds with a pair of shuriken that she would quickly draw from her breast pockets. Taking them back into an underhanded throw as well, Amira quickly launched the projectiles to intercept the incoming projectiles in mid air. The inevitable explosion that followed suit blasted Amira with some wind, however she held strong to her stance. "Clan Jutsu eh?" She asked as she quickly clasped her hands to form the rat handseal as she landed on the ground once again 5 meters away from Kusanagi.

The Nara clan were feared for the technique that she now began to activate took a C rank worth of handseal time as her chakra infused shadow began to extend forward at a rate of 30 meters per second. "Clay boy, you have yet to see my signature haven't you..." She smiled sly knowing that she had only preformed the wood style before this occasion. Her shadow extended as the explosion's flash lingered in the air. Taking a deep breath, Amira quickly attempted her best to not to hurt him too badly.
__________________________________________
Movements used: 4/8
Handseals used: 12/30

Quick draw used
Footwork used

Point Blank Shot
Rank: "D"
Skill: TaiJutsu/Supplementary
Effect: A technique that gives the user greater proficiency within the range of 10 meters.
Special: ---
Drawback: ---
Description: With this technique the user has learned how to combat against opponents within 10 meters without fear or fumbling with their weapon. They gain the courage and ability to perform combat without much effort. This is a prerequisite technique for more popular techniques. What good is a Throwing Specialist if they are not ready to battle while in close range.
Limit: Must be a Throwing Specialist.

Precise Shot
Rank: "D"
Skill: TaiJutsu/Supplementary
Effect: User can throw weapons at an opponent engaged in melee combat without risk of hitting someone else.
Special: ---
Drawback: This does not include Grappling.
Description: Another prerequisite technique that brings the Throwing Specialist even closer to combat without fumbling or worry of using the weapon. Normally without this technique there is a chance the user could miss their target and strike an alley who may be in melee combat with. This technique makes the user proficient in hitting the target even if the target is engaged in close combat with someone else.
Limit: Must be a Throwing Specialist. Must know Point Blank Shot.

Acrobatic Throw
Rank: "C"
Skill: TaiJutsu/Supplementary
Effect: User compensates skill for awkward attack positions such as hanging upside down from a branch, sliding down a slow or dropping from a balcony.
Special: ---
Drawback: ---
Description: Normally a Throwing Specialist must have solid footing on the ground in order to throw proficiently. The Throwing Specialist is only able to throw at 1/3rd of their normal proficiency. With this technique the user is able to throw at awkward positions. They are able to throw upside down from a branch, sliding down a slope, jumping and falling, or even rolling on the floor. With this technique the user may throw at 1/2 their proficiency . When the user learns Throw on the Run they are able to throw at 2/3rd of their proficiency.
Limit: Must be a Throwing Specialist. Must know Precise Shot

Throw on the Run
Rank: "C"
Skill: TaiJutsu/Supplementary
Effect: When attacking with a throwing weapon, the user may move while attacking within 2/3rd proficient in range.
Special: ---
Drawback: Only works within 2/3rd Proficiency.
Description: Normally a Throwing Specialist is only able to throw within the range of 1/2 of their proficiency while on the move. This technique increases the range up to 2/3rd of the total proficient range. Example: 1st Range Increment of a Kunai is 10 meters. While on the move user may throw within 5 meters proficiency. With Throw on the Run user may throw within 6.6 meters proficiency while moving around.
Limit: Must be a Throwing Specialist. Must know Acrobatic Throw.

Improved Rapid Throw
Rank: "C"
Skill: TaiJutsu/Supplementary
Effect: User is able to throw a ranged weapon once more within a movement for only 2 movements.
Special: ---
Drawback: Only works within 1st Range Increment.
Description: With the Improved Rapid Throw technique the user may throw 1 ranged weapon for 2 of their movements per round. This allows the user to throw 2 ranged weapons within 2 of their movements. If user has Quick Aim this technique works with Far Shot.
Limit: Must be a Throwing Specialist. Must know Rapid Throw

Ranged Disarm
Rank: "C"
Limit: Must be a Throwing Specialist. Must know Rapid Throw.
Skill:TaiJutsu/Supplementary
Effect: User is able to disarm within the distance of half of their proficiency.
Special: ---
Drawback: Only works within 1/2 Proficiency.
Description: A disarming technique where the user takes aim at a weapon an opponent is holding. The user is able to hit the hand with such precision that it makes the opponent drop their weapon. This could be used to stop opponents from performing handseals as well. A person is unable to perform techniques if their hands cannot move, or if they are unable to properly make handseals with their hands. If the user knows Throw on the Run they are able to disarm within 2/3rd of their proficiency.
Limit: Must be a Throwing Specialist. Must know Precise shot.

Improved Deflect Projectiles
Rank: "C"
Skill: TaiJutsu/Supplementary
Effect: A more advanced variation of Deflect Projectiles.
Special: ---
Drawback: ---
Description: When using the Deflect Projectiles technique, the user need not have a free hand. The user can deflect ranged attacks with their feet, a weapon, or an object in their hands. If the user successfully deflects the ranged attack with a weapon, the user may deal damage to the projectile that would have hit the user. The user may also attempt to deflect additional ranged attacks beyond the first; the user may make attempts equal to 1/2 of their movements.
Limit: Must be a Throwing Specialist. Must know Deflect Projectiles.

1. Kagemane no Jutsu (Shadow Imitation Technique) X12
(Starter)
Rank: "C"
Skill: NinJutsu
Effect: The Kagemane no Jutsu (Shadow Imitation Technique) allows the user to extend their shadow on any surface, including water, and as far as they know and as long as there is sufficient area.
Special: "Holds Rat Seal" Technique performs after length of normal handseals.
Drawback: Tiring to use repeatedly. The ability is subject to some form of diminishing return and decreases in potency after repeated use. If the user is low on chakra, the performance rate of the technique also deteriorates. Insufficient lightning will make the technique less effective. A particularly strong opponent can also resist the shadow's forced imitation. May only change directions within the span of 60 degrees. When retracting the technique it may only retract by retracing where it has gone.
Description: Once the user's shadow comes in contact with the target's shadow, the two merge and the target is forced to imitate the user's movements. The user and the target could both throw a kunai. It is recommended to keep all weapons in areas where they normally don't keep them.
First Learned user uses technique up to 10 meters. Each time learned gains an extra 10 meters.
After 50 meters user must train an extra 10 TP per tech - TP Does not go down by Class Level.
After 100 meters user must train an extra 10 TP per tech - TP Does not go down by Class Level.
After 150 meters user must train an extra 10 TP per tech - TP Does not go down by Class Level.
Cap of this technique is 200 meters.
Technique may travel 10 meters per second plus 5 meters per Class Level.
Every 20 meters user is able to split the shadow by 1 giving a maximum of 10 splits.
Each split shares the max amount of distance user is able to perform this technique.
Every time used in a single mission that is in the time-span of 1 I.C. day will reduce max distance by 5 meters.
User may hold an opponent for 4 rounds plus 1 round per 50 meters.
Every Class level the opponent is higher than user the time limit reduces by 1 round.
If user is a Master of the Clan the amount of rounds increases by 1 round.
When user's Chakra reduces by 1/4 their max distance reduces by 1/4. Same mathematics occurs the more chakra is used. (Use Honor System).
May only use other Nara Techniques in conjunction with this technique.
Limit: Must be part of the Nara Clan.
Current Range: 120 meters
Current splits: 6 Splits
Current Rate: 30 meters/second

Kage Manipurye (Shadow Manipulation) (C rank)
Rank: "C", "B", "A"
Skill: Passive, Mastery
Effect: Allows the user to control their shadows with a greater finesse.
Special: Requires a certain amount of TP within Nara Clan Jutsu.
Drawback: ---
Description: As the Nara Clan member dedicates time and effort into learning and using the Shadow techniques of the clan, the user gains a much greater understanding and finesse in the art of controlling their shadows. Such is the case that their speed, strength, and the ability to stretch their shadow out even further becomes available to the user. The more techniques of the Nara Clan that the user possesses, the higher this capability will rise.
"C" Rank- When this rank of the technique is obtained, the user's holding capability with Kagemane increases by 30%, meaning that the amount of time before the opponent is capable of breaking out increases by 30%. The speed of the shadow is increased marginally, so that it is still seen and capable of easily being dodged. Increases the distance that the user is capable of extending their shadow out by 5 meters for every rank of Difficulty Class that the user has obtained, starting from "D" Rank.
"B" Rank- When this rank of the technique is obtained, the user's holding capability with Kagemane increases by 40%, meaning that the amount of time before the opponent is capable of breaking out increases by 40%. The speed of the shadow is increased noticeably, so that it is still seen but moves at speeds that might rival a Taijutsu Specialist of the same difficulty class as the user. Increases the distance that the user is capable of extending their shadow out by 10 meters for every rank of Difficulty Class that the user has obtained, starting from "D" Rank.
"A" Rank- When this rank of the technique is obtained, the user's holding capability with Kagemane increases by 50%, meaning that the amount of time before the opponent is capable of breaking out increases by 50%. The speed of the shadow is increased dramatically, so that it is difficult to see as it darts forward to capture the opponent. The speed becomes fast enough that is is said to be capable of rivaling the speed of a Taijutsu Master of the same difficulty Class as the user. Increases the distance that the user is capable of extending their shadow out by 20 meters for every rank of Difficulty Class that the user has obtained, starting from "D" Rank.
Limit: "C" Rank requires 500 TP in Nara Clan Jutsu. "B" Rank Requires 750 TP in Nara Clan Jutsu. "A" Rank requires 1,000 TP in Nara Clan Jutsu. Once the user reaches the TP requirement, they gain this ability automatically.

[Kamehameha]

She had to disturb, didn't she? Just as Kusanagi was busy trying to mould his birdies, a pair of projectiles were hurled towards him. As the kunai came towards flying towards him, he used his flexibility to quickly jump one foot backwards performing a backflip while in mid air, and allowing the pair of kunai to fly just below him while he is still in the air. The moment his feet touched down, Amira appeared to have jumped forward, decreasing the distance between them to five meters. This was not good for Kusa, he was not used to getting up close with his opponents. Most of his attacks were long ranged.

The moment Amira's hands got into an odd hamdseal, he knew that whatever she was planning was not good. He quickly sacrificed one of his shunshins, increasing the distance between them and avoiding whatever Amira had planned to throw. After opening the distance between them to 15 meters, he quickly went through a series of handseals, focused on the sand 1 foot before him and controlling the sand's structure to create a vast amount 10 replicas of himself. The clones would line up before him 7 inches away from each other, acting as a wall. Should Amira remain at the position 15 meters away, one of the sand clones at the right side of Kusa's position would rush forth. When 5 metes from Amira, the clone would throw its hands to the side calling forth the sand on the ground to go rushing towards Amira in the form of a wave.

Should Amira have ran towards Kusa while he was busy creating his clones, the same clone that would have went running and towards her and attempt to bury her with sand, would jump 1 foot before the rest, and send the wave forth in attempt to stop her from getting closer to Kusa.

Shunshin no jutsu-ken'in (body flicker
technique-pull)
Rank: D
skill: ninjutsu/taijutsu
Effect: A jutsu that allows a user to rush
backwards in almost instantaneous speed.
Allows the user to retreat from the opponent
special: ---
Drawback: Takes the number of usages
shunshin no jutsu-oshi (body flicker
technique-push) same distance application
apply. Same drawback apply when over using
Description: User is able to move backwards in
a straight line along the ground in almost
instantaneous untraceable speed which
temporarily masking the user's movement
within 10 meters. A puff of smoke
occassionally used to disguise the user's
movement supplement of shunshin no jutsu-
Oshi (body flicker technique-push) while using
same schematics
limit: Universal Ninjutsu or Universal Taijutsu,
must know shunshin no jutsu-oshi (body
flicker technique-push)

Suna Bunshin no Jutsu (Sand Clone
Technique)
Rank: ["D""C+"]
Skill: NinJutsu
Effect: The user creates clones of sand.
Special: "Hand Seals"
Drawback: For D Ranks The Clones that are
created are basically useless, only used as a
distraction, only used to stand/move and can
not be used to attack. One meter of sand is
needed per clone.
Description: If the user has an abundant
amount of sand along the ground the user is
capable of focusing their chakra along the
sand to where they are capable of controlling
the sand's structure to create a vast amount
of clones if capable. When first learned the
user is capable of creating up to five Clones,
this is for the D Rank Version. If the user
learns the C Rank version they are capable of
creating ten clones. At C rank the clones are
capable of attacking and using sand
techniques. The C rank of this may be learned
an additional four times to create a maximum
of thirty clones.
Limit: Must have the Sand Release.

Suberi Suna Nami (Sliding Sand Wave)
Rank: "D"
Skill: NinJutsu
Effect: Creates a wave of sand.
Special: ---
Drawback: Can be destroyed by D rank Raiton
techniques. Sand immediately falls to the
ground after an attack/defense.
Description: The user throws his hand to the
side as if calling the sand to follow, it forces
the sand on the ground to fly up in front of
the user to either attack or defend against
oncoming jutsus. This sand is not very strong
and will easily be broken down if hit by a C
rank or higher jutsu and will revert back to the
ground. The sand rises to about the size of a
normal human body and will revert back to the
ground right after being called upon. Once the
user hits A rank this technique can stop C
rank attack. When the user hits S rank it can
stop B rank attacks.
Limit: Must have the Sand Release.

[Tetsu]

Amira's shadow began to move forward, but just as her shadow began to activate Kusanagi began to form handseals. Her hands quickly began to form handseals as well, hoping to find. Her shadow's nature suddenly changed as the clones began to grow out of the sandy ground before Kusanagi as his hands quickly flashed together to form seals. Her shadow split into six separate divisions as it surged forward with a rate of exactly 30 meters per second. As one of the clones began to mobilize, Amira's shadow became more solid than before. Her Kagemane quickly switched to the hardened shadow seeing as each branch charged forward, four hardened in a tight shadow seeing branched shadow tree, surging towards her friend with haste.

As the clone began to advance forward, Amira split her interests. taking her shadow branches and advancing them forward towards his clones, Amira quickly extended her solid shadow forward to strike four of the quasi-solid with its solid tendrils. Destroying the four towards the middle, Amira advanced her shadow in between the newly formed gap to surge towards Kusanagi once again. This whole sale action happened within a fraction of a second as the Kagemane now threatened to not only capture Kisangani, but now he was threatened with the solid shadow seeing tendrils that surged forward along with the Kagemane's six branches. At the exact same moment, Amira's fifth tendril crawled up her body to pull one of her shuriken from her vest's breast pocket. The tendril quickly launched the blade at the clone that now resided 5 meters away.

As the blade hurled forward, suddenly a sandy wave began to approach. The single shadow sewing tendril quickly surged forward to smash the sand wave with an A ranks worth of damage. The sand would inevitably be dispelled as her combined attack to the clone and Kusanagi himself pressed on. The fifth tendril sank back into her shadow and would quickly join its brothers in attacking Kusanagi and defending against his wall of six clones that now would have been reduced to only one. "Is that all you've got?" She joked as she awaited whatever came next.
__________________________________________
Movements used: 4/8
Handseals used: 24/30

Kage Nui, 影縫い (Shadow Sewing)
Rank: "A" Rank
Skill: NinJutsu
Effect: ----
Special: "Hanseals"
Drawback: Cannot move while using this technique, be be stationary, can only use the Kagemane while using this technique.
Description: Forming hand seals, The user of this jutsu can extend their shadow and create multiple tangible tendrils for various purposes. Such purposes can include using them as stabbing weapons, rope for binding an opponent. The user extends their shadow either up their own body with Kagemane, or up their opponents body once caught in Kagemane. Then, forming some handseals, 5 shadow like tendrils are formed that can be used to trie down appendages, stabbing weapons, and rope like wire. The tendrils are not very strong at all, in fact, they can barely rip through skin, but they can if concentrated hard enough on the technique. It must also be used simultaneously with Shadow Imitation Technique, so it is possible to split the shadow and use both jutsus at the same time. Each time learned, the user can create two more tendrils.
Limit: Nara Clan Technique, Must have knowledge of the Shadow Imitation Technique "B" Rank
Current tendrils possible: 5

Kagemane no Jutsu X12 still in use
Point blank shot used
Precise shots used
Quick draw used

[Kamehameha]

It seemed Amira was not planning to give Kusa a chance to produce his creatures. Immediately after he had produced his sand clones, shadowy tree like things came crawling quickly and pierced through four of his clones which were 1 foot in front of him. The moment his clones got destroyed by the tree like thingies, he let out a powerful high pitched noise from his mouth towards Amira. Should his attack be too slow to affect Amira before she could catch him with her shadowy tree jutsu, he would have his hands crossed before his face in attempt to prevent the attack from getting his face.

Should his attack be successful, he would suffer a mild pain, but push himself, and move his left hand to his pouch to take a bite of that clay consuming 14 slots of clay, and combining it with the 1 slot that was already in his mouth to try, and try to mould a creature that would give allow him to move around freely. His attack would offer him enough chance to finish moulding and infusing his creature with chakra. He would reveal a small clay hawk from his mouth and throw it in front of him to begin the enlarging process. Once the clay hawk was in contact with the ground, he would hold a seal with his right hand, making his hawk to grow big enough to give him a ride. He would jump atop of his big hawk and start flying into the sky.

Jutsu used:
Urutora Oto Shindou (Ultra Sound Vibration)
Rank: ["C"] "B"
Skill: Ninjutsu, Vocal
Effect: Sound waves vibrate bones painfully.
Special: Singing
Drawback: Cannot be used more than twice
during battle, due to this jutsu having a minor
effect on the user (who suffers a mild pain). If
the user uses this technique more then twice,
he/she may fall victim to this jutsu.
Description: The user send a powerful and
high pitched noise directly at an opponent.
The user may use their vocal cords or weapon
to emit the sound, which is launched at a 60
degree radius. The sound waves do not target
hearing, but rather an opponent bone
structure. The sound waves hits the solid
bones and bounces off of them, causing them
to vibrate. This vibration is extremely painful
to the opponent, can tamper with an
opponent's actions. The opponent can still
move and hear, but attacks and movements
are severely hindered (C- rank=3 post, B-
Rank=6 posts). The duration of the jutsu
depends on the distance from the user that
the target is, decreasing by one third with
every increment of one third. [ex: Someone 5
meters away from the C version get the full
effect, but someone 15 meters away gets hit
by the effect for only 2 posts] C-Ranks
reaches a maximum of 30 meters, B-Ranks
reaches a Maximum of 60 meters.
Limit: Art of the Bard, 'Singing'.

The if Jutsu :
"Clay Harrier"
Rank: B-ranked
Skill: Ninjutsu
Effect: Creates a clay creature that is very
mobile.
Special: Refer to “Katsu”.
Consumes 15 slot for one mouth
(Maximum size: Large sized creature)
(Maximum amount: 1 creature for 15 slots
used)
Drawback: Time and preparation. Continually
draw of chakra
Description: After molding and infusing a
piece of clay, the user may form a certain bird
type creature of large class. Once enlarge, this
clay creation moves about, fulfilling the users
desires. The true purpose of this bird though is
not for explosions, but rather for the users
mobility. After creation, the user can stand on
top of the clay bird and enjoy a free ride. This
bird of clay is much more mobile then any
human as the bird helps the user gain
distance and speed in battle. The user
continually pours his/her own chakra into the
bottom of there feet, allowing them to control
the bird without use of there hands and ensure
that they do not fall off the bird as well. The
user of course cannot climb it extreme
altitudes with this clay bird, nor travel more
then twice there own speed as if they were on
land. If the user decided to destroy their Clay
Harrier as any other bomb, they must merely
use "Katsu" after leaping from their Clay
Harrier. The user should take into account
that this may be a very dangerous maneuver
as one could foolishly destroy a means of
transport; leap from a very high altitude which
will harm them; or miscalculate speeds and
further harm themselves on impact with the
floor. This explosion is rather weak as well as
the harrier is intended solely for flight. The
blast left from exploding the harrier is roughly
the equivalent to 2 “Exploding tags”. Being
caught in the explosion may serious burns,
burn marks and lacerations. The radius of the
explosion is roughly a concentrated 2 meters
in size.
Limit: Must know "Katsu", Kuchisaki Seichuu
(Mouth Control) at least once, B-ranked
"Touji Hyu-zu" (Clay Infusion) and B-ranked
"Touji Itonami "(Clay Life)

“Katsu”
Rank: "E"
Skill: Special handseal.
Effect:---
Special:---
Drawback: If the user performs "Katsu" for
detonation, their is no way to stop the
detonation. The Bomb will explode no matter
what (Though Certain bombs may be the
exception to this rule, stated by the jutsu
itself ).
If the user uses "Katsu" to enlarge a clay
creature, that said clay creature Cannot revert
back to its minuter version. The clay creature
enlarges no matter what (Though Certain
bombs may be the exception to this rule,
stated by the jutsu itself).
Description: A special handseal. This seal
denotes "Concentration". A sankuchi uses this
sign for a variety of purposes; whether it is to
alter the size of certain creations, cause a
creation to detonate or give a special effect
stated by a certain jutsu/clay creation. The
handseal is one of the users hand head
upward, his/her index and middle finger held
upward, while his/her thumb, ring finger and
pinky held inwards the palm. The user may
also hold both index and middle fingers of
both there hands together, crossing there
pinky and ring finger, with there thumb
meeting as well. (either way gives the same
effect, no being superior to the other). Katsu is
used in a majority of the Sankuchi jutsus, and
its effects are constant unless otherwise
stated.
"Katsu" detonates any bomb the user selects,
but detonate, all of the same bombs for the
same set. For example, if the user creates 2
clay spiders for "Tagging bomb" and 2 clay
birds for "Grenade", the user may choose to
detonate the clay birds used for "Grenade" and
not the spider used for "Tagging bomb".
However, the user detonates all the clay birds
at the same time and not one after another. In
the case above, once the user decides to
detonates the 2 clay birds used in "Grenade",
they are both destroyed at the same time.
(some jutsus may be the exception to this
rule, stated by the jutsu itself).
Limit: Only useful to the Sankuchi. Anyone
may learn this, but why?

[Tetsu]

It seemed that Kusanagi had chosen to guard against her five tendrils, opposed to moving out of the way of the Kagemane's sixth strand that traveled on the ground towards Kusanagi as well. Using the shadow sewing not only as a means of destroying the clones, but also opening his defensive wall for the already active shadow to link their shadows. A horrid sound suddenly belted from her opponent's mouth as her shadow would almost unavoidably connect with Kusanagi's. Her body suddenly began to feel sluggish as the sound wave reached her body causing the vibration of her body's skeletal structure.

Their shadows connected as Kusanagi reached back to attempt to mold some of his clay with his hands. Her aching muscles prevented her from standing any longer as she fell to her knees holding onto the rat seal that Kusanagi would inevitably mimic. She felt he chakra flow beginning to stabilize as she came to realize that the screech Kusanagi had let loose must be why she felt so suddenly weak. She flattened her hands together as he shadow sewing quickly changed mode of operation. The black tendrils began to crawl up Kusanagi's body to attempt to beat him us as much as possible. She kept the points blunt as she jabbed At Kusanagi's body with the tendrils in attempt to beat him up a good deal. She tried to remain as still as possible as she continued to press her attack with the tendrils.

__________________________________________
Handseals used: 0/30
Movements used: 0/8

Kagemane no jutsu still active
Shadow sewing still active
Shadow manipulation (C rank)

[🔥Bootysmith🍑]

Just after he had consumed clay from his pouch, Kusanagi's body suddenly started to control itself. He fell down on his knees holding the same handseal he had seen Amira holding. "What's happening to me?" he said looking at Amira to find her in the same position as me. He tried to move his hand, but couldn't. "What is this? What did you do?" He looked around and found that their shadows had connected. Seeing that he couldn't control his body anymore, he tried to chew the clay in his palm and found that he mouth was still working. "When I get outa this, I'm going to set a bomb on your head." he said as Amira's thingies began to crawl up his body in attempt to beat him up. He had nothing to to but take the jab like a man. He let out a small screen as Amira thingies delivered a couple of jabs to his body. He felt very weak and defenseless.

[Tetsu]

Gotcha, Amira thought weakly as she slowly pushed her shaken body to a standing position. She felt much better than she had only moments ago, however she really didn't feel great. Taking her time, she gradually walked half the distance forward. (aprox. 7.5 meters) Kusanagi inevitably would mimic the motion as she brought him to the center of the plaza. "This is my clan's Technique my friend..." She said stretching her sore arms behind her head as she paces herself. Wincing at the slight pain that still lingered from the blood curdling screech, Amira continued to explain. "Kagemane or shadow imitation makes you mimic me, kinda like this." She said as she took her hand placed it on her hip. Kusanagi would inevitably mimic the action. "They didn't make me Kazekage for nothing don't you know." She said laughing as she got into a boxing stance. "I'm going to let you go, so how about it?" She said releasing the Kagemane as she stood opposing Kusanagi.

her ally would now begin to regain control of his body. This meant that she would have to act quickly if she was going to do anything physically, it would have to be now. The instant the connection was broken, Amira lunged her leading hand forward in a standard boxing jab. Following up the hit by moving her lead right foot forward, Amira quickly began to feel the strain of her bone that still remained. She quickly shook off the annoying pain and launched a follow up motionless jab that would ultimately leave not signs of initiation. The jab wasn't as hard as it could have been due to the fact that Amira's lingering body based ache kept her from doing any serious damage as it was. However, she only wanted to display some physical prowess. Her jabs both targeted Kusanagi's face. She again shifted her weight to the left side of her body for the follow up straight punch with her left hand opposed to the distracting right hand jabs. She winced as the punches extended her rattled bones. Clay boy was going to pay for this inconvenience.
__________________________________________
movements used: 4/8
Handseals used: 0/30
Distance from Kusanagi: in contact

3.The Jab (10 TP)
Rank: "D"
Skill: TaiJutsu
Effect: A quick, straight punch thrown with the lead hand from the guard position.
Special: ---
Drawback: ---
Description: Picture Stand with your feet hip distance apart. Step your right foot back 18-24 inches with the weight of your right leg on the ball of your foot (right heel is somewhat elevated and the knees are slightly bent). Bring your right fist close to your right cheek bone and your left fist slightly in front of it about jaw height. Pull your elbows in towards your ribs so that they line up somewhat below your fists. Push off of the ball of the right foot, bend the left knee slightly and start to extend the left hand in a pushing type motion (there should be a subtle rotation as your left hand goes forward your right shoulder moves back). You may also rotate the fist so that when it reaches the desired destination your left palm will be facing down. Retract the left hand as fast as you extended it and return to the original position. Remember before punching relax the hand, snap it forward and clinch before making contact. Do your best to strike with the first two knuckles and keep your wrist in neutral position upon impact. Aim six to eight inches beyond your target. Extend the arm only about 90-95 percent. Keep your chin tucked down toward your chest--this protects your jaw from exposure to being hit. Bring your hand back as fast as you throw it. Move your head on an angle as you throw the punch.
Limit: Must learn in a gym that teaches Bokushingu (Boxing), Must know Upright Stance or Semi-Crouch

4.The Cross/The Straight
(10TP)
Rank: "D"
Skill: TaiJutsu
Effect: A powerful, straight punch thrown with the rear hand.
Special: ---
Drawback: ---
Description: Picture Determine which hand is your strong hand. Although you can throw a straight hand punch with either your left or right hand, it will be most effective if you use your strongest hand. Most right-handed fighters have a stronger right hand, while left-handed fighters have stronger left hands. Get into a basic boxing stance. Keep your feet shoulder-width apart with your knees slightly bent. If you are right-handed, your left shoulder should be pointed toward the other fighter and your right shoulder should be back. The opposite is true if you are left-handed. Keep both hands up. They should hover just under the chin, with your forearms in front of your body. This will protect you from the opponent's punches. Begin the straight hand punch from the foot. Push off your back foot and pivot toward your opponent, twisting your foot, leg, torso and shoulders. Concentrate on bringing power up from your leg, hips, trunk and shoulders and channeling it into your fist as you twist your body. If you don't pivot your body, your punch will be much weaker than if you use the correct form. Aim for the other fighter's face. Punch out in a straight line and extend the arm out all the way. At the point of impact, your feet and body should be facing the other fighter. Snap your hand back to your chin as you twist your body back to the beginning position. Remember to keep your left hand up throughout the punch so you have a guard up to protect you from a counterpunch.
Limit: Must learn in a gym that teaches Bokushingu (Boxing), Must know Upright Stance or Semi-Crouch

7.Motionless Jab
(80TP)
Rank: "B"
Skill: TaiJutsu
Effect: A jab that cannot be predicted as it is motionless.
Special: ---
Drawback: ---
Description: By looking at an opponent's shoulder and elbow a user normally can predict a punch. This technique however the user learns how to throw the jab without using any kind of movement within his shoulder and elbow while extending the arm as far as possible. This makes reading the punch impossible. Those who experienced the motionless jab say all they see is a fist growing larger in size before making contact with the face. Since the fist grows it creates an optical illusion so even if an opponent tries to bob their head back the shock and connection of the attack becomes even more severe.
Limit: Must learn in a gym that teaches Bokushingu (Boxing), Must know the Four Punching Basics.

1.Upright Stance
(5TP)
Rank: "E"
Skill: TaiJutsu
Effect: A Basic upright stance used in boxing.
Special: ---
Drawback: ---
Description: Picture To adopt an Upright Stance, you should stand with your legs roughly shoulder-width apart. Your back foot should be about half a step behind your front foot. If your dominant boxing hand is your right hand, your left foot will lead. Lift your right heel off the ground by about 3 inches and point both feet inward (although do not exaggerate this movement). If you lift your heel too far off the ground, or turn your feet too far inward, you will become unbalanced. As a test, imagine someone pushing you from any direction. In a properly balanced stance, you should be able to maintain an upright position and not fall to the ground or sway from side to side. To increase the stability of your stance, keep your knees and hips slightly bent but make sure your back is straight. Your lead fist (which will be your left fist if your dominant boxing hand is your right hand) should be positioned vertically at eye level, approximately six inches away from your face. Your right fist should be positioned next to your chin, with your elbow held against your ribcage. This is good defensive positioning and will effectively protect your body. Whilst watching televised boxing matches, you may have noticed the boxers tapping their cheeks with their hands. This repetitive action acts as a reminder to keep fists up at all times and is especially important as the match progresses and energy levels drop. To further protect yourself from blows from your opponent, keep your chin pressed against your chest. Punches to the jaw often cause knock-outs, so it is essential to keep this stance throughout the boxing match.
Limit: Must learn in a gym that teaches Bokushingu (Boxing)

[Kamehameha]

This is not good, he thought as his body mimicked Amira walking towards her. Close ranged fighting was not his style. While Amira explained her jutsu, the mouth on his left palm would be busy infusing chakra onto the clay to use as soon as he escaped from this jutsu. When Amira demonstrated how the jutsu worked by forcing Kusa to place his hip, his creature would be ready in his mouth just waiting to get activated. "I see... I'm still gonna set a bomb on your head." he said giving the Kazekage a smile. When she she told him she was going to release him, he immediately began planning his escape.

The moment Amira's shadow released him, he would disappear in a puff of smoke and appear 10 meters away from Amira. He felt like all he did in this fight was run. Immediately when he separated himself from Amira, he quickly flashed a few handseals channeling false information into Amira's head. Should Amira fail to negate his genjutsu, she would find herself in a nightmare. With Amira shaken by the jutsu, he would spit out a clay owl onto the ground. Holding a handseal using his right hand, the owl would increase into a large creature enabling Kusa to ride. He would jump on the back of his giant owl, channel chakra onto its back and ascend 10 meters into the sky.

Shunshin no jutsu-ken'in (body flicker
technique-pull)
Rank: D
skill: ninjutsu/taijutsu
Effect: A jutsu that allows a user to rush
backwards in almost instantaneous speed.
Allows the user to retreat from the opponent
special: ---
Drawback: Takes the number of usages
shunshin no jutsu-oshi (body flicker
technique-push) same distance application
apply. Same drawback apply when over using
Description: User is able to move backwards in
a straight line along the ground in almost
instantaneous untraceable speed which
temporarily masking the user's movement
within 10 meters. A puff of smoke
occassionally used to disguise the user's
movement supplement of shunshin no jutsu-
Oshi (body flicker technique-push) while using
same schematics
limit: Universal Ninjutsu or Universal Taijutsu,
must know shunshin no jutsu-oshi (body
flicker technique-push)

Glimpse of fear
Rank:"D"
Skill:Genjutsu
Effect: The user plunges the subject directly
into a walking nightmare, immersing it in a
world of fear for a brief instant
Special:"Handseals"
Drawback:---
Description: A fear, mind-affecting technique.
Affects 1 creature. The user is able to perfor
this technique at a distance of 6 meters plust
7 meters per class level. The duration of this
technique lasts for 5 rounds per class level.
This technique may be negated. User plunges
the subject directly into a walking nightmare
immersing it in a world of fear for a brief
instant. The change happens fast that many
creatures do not consciously sense it all, but
a failed save means the sudden shift in
perception registers long enough to leave the
subject shaken for 5 rounds per class level.
Sightless creature and creatures immune to
fear effects are not affected by this jutsu. In
addition, a target that fails the save to resist
this jutsu also takes a -4 penalty on all saves
made to resist jutsus with the fear descriptor
for the duration of this jutsu
Limit: must know phantasm perception

"Clay Harrier"
Rank: B-ranked
Skill: Ninjutsu
Effect: Creates a clay creature that is very
mobile.
Special: Refer to “Katsu”.
Consumes 15 slot for one mouth
(Maximum size: Large sized creature)
(Maximum amount: 1 creature for 15 slots
used)
Drawback: Time and preparation. Continually
draw of chakra
Description: After molding and infusing a
piece of clay, the user may form a certain bird
type creature of large class. Once enlarge, this
clay creation moves about, fulfilling the users
desires. The true purpose of this bird though is
not for explosions, but rather for the users
mobility. After creation, the user can stand on
top of the clay bird and enjoy a free ride. This
bird of clay is much more mobile then any
human as the bird helps the user gain
distance and speed in battle. The user
continually pours his/her own chakra into the
bottom of there feet, allowing them to control
the bird without use of there hands and ensure
that they do not fall off the bird as well. The
user of course cannot climb it extreme
altitudes with this clay bird, nor travel more
then twice there own speed as if they were on
land. If the user decided to destroy their Clay
Harrier as any other bomb, they must merely
use "Katsu" after leaping from their Clay
Harrier. The user should take into account
that this may be a very dangerous maneuver
as one could foolishly destroy a means of
transport; leap from a very high altitude which
will harm them; or miscalculate speeds and
further harm themselves on impact with the
floor. This explosion is rather weak as well as
the harrier is intended solely for flight. The
blast left from exploding the harrier is roughly
the equivalent to 2 “Exploding tags”. Being
caught in the explosion may serious burns,
burn marks and lacerations. The radius of the
explosion is roughly a concentrated 2 meters
in size.
Limit: Must know "Katsu", Kuchisaki Seichuu
(Mouth Control) at least once, B-ranked
"Touji Hyu-zu" (Clay Infusion) and B-ranked
"Touji Itonami "(Clay Life)

“Katsu”
Rank: "E"
Skill: Special handseal.
Effect:---
Special:---
Drawback: If the user performs "Katsu" for
detonation, their is no way to stop the
detonation. The Bomb will explode no matter
what (Though Certain bombs may be the
exception to this rule, stated by the jutsu
itself ).
If the user uses "Katsu" to enlarge a clay
creature, that said clay creature Cannot revert
back to its minuter version. The clay creature
enlarges no matter what (Though Certain
bombs may be the exception to this rule,
stated by the jutsu itself).
Description: A special handseal. This seal
denotes "Concentration". A sankuchi uses this
sign for a variety of purposes; whether it is to
alter the size of certain creations, cause a
creation to detonate or give a special effect
stated by a certain jutsu/clay creation. The
handseal is one of the users hand head
upward, his/her index and middle finger held
upward, while his/her thumb, ring finger and
pinky held inwards the palm. The user may
also hold both index and middle fingers of
both there hands together, crossing there
pinky and ring finger, with there thumb
meeting as well. (either way gives the same
effect, no being superior to the other). Katsu is
used in a majority of the Sankuchi jutsus, and
its effects are constant unless otherwise
stated.
"Katsu" detonates any bomb the user selects,
but detonate, all of the same bombs for the
same set. For example, if the user creates 2
clay spiders for "Tagging bomb" and 2 clay
birds for "Grenade", the user may choose to
detonate the clay birds used for "Grenade" and
not the spider used for "Tagging bomb".
However, the user detonates all the clay birds
at the same time and not one after another. In
the case above, once the user decides to
detonates the 2 clay birds used in "Grenade",
they are both destroyed at the same time.
(some jutsus may be the exception to this
rule, stated by the jutsu itself).
Limit: Only useful to the Sankuchi. Anyone
may learn this, but why?

[Tetsu]

Just as she had expected. As soon as Kusanagi had fled, Amira had quickly begun to flash handseals. Kusanagi was no fan of close combat, and Amira was both a close and mid range fighter. The 10 meter distance would be easy for what she wanted to preform. As her hand formed the boar handseal, she noticed that Kusanagi's hands began to move at the exact instant that her had. The dragon, the ram, the. Finally the boar handseals followed as Amira's four seals outpaced Kusangi's six handseal and up requirement that probably entailed something terrible. That was one of the advantages of the mokuton.

Quickly, the wooden branches shot up around Kusanagi's legs at the base of where he was standing exactly 10 meters away. Two of the six pillars targeted Kusanagi's arms specifically to stop the handseals at the same moment that the leg bindings occurred. The other two pillars were targeted towards Kusa's torso and lower half of his body. The .5 ft by .5 ft thick wooden beams began to attempt to wrap up Kusa while stopping his handseals. Amira quickly closed her eyes and prayed for the best as she let herself fall backwards into the pool that resided one meter away. Pushing herself backwards towards the pool, she let herself splash into the water, the liquid slowly flowing over her head as she began to sink down into the cool pool.
__________________________________________
Handseal used: 3/30
Movements used: 2/8

Mokuton Soutei Hashira (Wood Release - Binding Pillars)
Rank: "C", "B", "A" Rank (C rank X7)
Skill: NinJutsu
Effect: A technique where branches is pushed from the ground and wraps around an opponent.
Special: "Boar, Dragon, Ram, Boar"
Drawback: This technique is the basics of other techniques. The user must learn this technique multiple times in order for the distance of branches can increases.
Description: After using the seals the user uses the water and earth release in which branches crushes out of the ground to wrap around the user. When the user first learns this technique the user is capable of creating approximatly Six Different branches with a width of six inches, with the distance of Ten Meters From the user. Every time learned the distance may increase by an additional ten Meters. When the distance reaches up to a Hundred Meters the type of training becomes B-Rank Training. When the distance reaches Two Hundred Meters the Training becomes A-Rank. When the user reaches to B-Rank Training the width of branches is Twelve Inches if the user desires. When the Training Reaches A-Rank the width of the branches is Twenty Four Inches if the user desires. Each time learned the user is capable of creating another branch.
Limit: Must have the wood release

[Kamehameha]

Just as he performed his handseals, he saw Amira flashing her own. Whatever she was planning wasn't good. He kept his eyes fixed on Amira as he tried to chanel chakra into her head. But before he could finish his handseals, branches emerged from the grown, and began wrapping around his legs moving up. Two of the branches moved up his body, and wrapped his arms, preventing his from finishing his jutsu. More branches moved up wrapping around his torso, disabling him from moving. "This is not good." he said trying to think of something to help him escape these damn branches.

'What was I thinking sparring with the Kazekage? She's obviously out of my league' he thought. He looked over at where the Cap was standing, and found her falling into a pool. He took that as a Amira's sign of victory. He stoof there motionless waiting for Amira to remove her shitty shit branches.