The Crypt [T/P]

[Draven]

Enter:

Draven enters his use to be home. The crypt, a damp dark smelly place, that he was once trapped in for many years. Down here he would make the necsicary turns to find where is “friends" are. He would nod to one of them and speak in a forgien language, “Hello Larry how have you been." Larry would stand there with his same slack jawed look on his face. A worm was currently crawling out of Larry's face.

Draven would catch up with his friend in a language that to an outsider would only sound like a series of grunts, moans, and gurgles. Of course this was the language of the undead, his friends were of course of the undead. And thus he would be getting ready to train with his friends, to test his Genjutsu's out. For if you can preform an illusion on the near brainless, then you can preform them on anyone. Fortunately he had vastly trained on this school of Ninja craft enough so that he could effect them.

SPOILER: Click to show

Command
Rank: "D"
Skill: GenJutsu
Effect: User gives the subject a single command, which it obeys to the best of its ability at its earliest opportunity.
Special: ---
Drawback: ---
Description: A Mind-Affecting Technique. Affects 1 creature. The user is able to perform this technique at a distance of 7 meters plus 6 meters per class level. The duration of this technique lasts for 1 round. This technique may be negated. User gives the subject a single command, which it obeys to the best of its ability at its earliest opportunity. User may select from the following options.

Approach: On its turn, the subject moves toward the user as quickly and directly as possible for 1 round. The creature may do nothing but move during its turn.
Drop: On its turn, the subject drops whatever it is holding. It cannot pick up any dropped item until its next turn.
Fall: On its turn, the subject falls to the ground and remains prone for 1 round. It may act normally while prone.
Flee: On its turn, the subject moves away from the user as quickly as possible for 1 round. It may do nothing but move during its turn.
Halt: The subject stands in place for 1 round. It may not take any actions but is not considered helpless. If the subject can't carry out your command on its next turn, the Jutsu automatically fails.


Limit: Must know the Compulsion Perception.

00/10

Draven would be standing a good 20 meters from Larry. He had a scroll in his hand and reading how this particular technique was preformed. It was a rather straight forward technique. He simply had to imbude his chakra in with his words and speak a specific command. Though there seemed to be some complication to the technique that he would have to be aware of. For one the way the chakra would have to flow was very specific. And there where a limited number of commands that he could use with this technique.

Draven would feel his chakra already churning up within him. He could feel it already instinctively mold into the compulsion perception. This perception was a type of chakra that molded around emotions thus there was an element or a copying that was derived from the heart. A trick he had learned once was to poke at his heart with his chakra to instill a reaction. This reaction pattern was then copied by his chakra. The pattern was then infused with the brain wave pattern from his mind.

Draven did this to mimic a certain emotional state that he wished to instill within his technique. This time the emotion he had to reproduce is a compelling reason to follow his word. There was no handseals needed for this technique so the delivery of the chakra was rather strait forward. He would continue to craft the needed emotion to produce a compulsion to follow his command. He actually produced a need within his own mind to follow the next word that was uttered. This feeling was copied and infused with his chakra.

The instructions of Draven’s chakra were being formed. He could already feel the brilliance of such an egg of chakra. The chakra itself was wrapped up tight within itself. This chakra had to travel on the waves of sound that his word would produce. This chakra had to mimic some of the traits of sound for this to work. The scroll indicated as such as the delivery method being the spoken word of the user. He had a thought that perhaps this is why this particular technique did not need handseals. It would be a short time before he got use to modling his chakra in such a manner.

Draven would feel the chakra push to his throat, his voice box. This is where he would let his control go of the chakra and let his voice carry. Though not all control would be lost from it, he would still have control over how and who it was directed at. In this case it would be against his friend, Larry the Zombie. Of course he had infused a note of truth with it so that his friend would be effected by it. Thus he would let loose his voice and he would speak, “Halt.” he would say. His chakra would carry to his friend. The chakra laced with the compulsion to stop...

[Zetsumei]

+10

[Draven]

SPOILER: Click to show

Glamour Perception
Rank: "C"
Skill: GenJutsu
Effect: Jutsu allows the user to perform Glamour Perceptions.
Special: ---
Drawback: ---
Description: Glamours cannot produce real effects, but they can change things that already exist. That's the chief difference between a Figment and a Glamour. If you want solid wood to feel rotten, birdcalls to sound like the shrieks of the damned, an otyugh to smell like perfume, or a disguise yourself, you probably want a glamour. As with Figments, everyone within range perceives the same thing and reacts appropriately.
Limit: ---

00/10


Draven took out another scroll from his pack. It was the Glamour perception. He read it and took it all in. He would read how these types of illusions effect anyone who seen it. It felt a bit more utility when he read on as single targets where not needed. He read further to see how one starts to create chakra for this perception. It was in little steps. He would need a subject and to trick it into thinking something had a tactile or some other sensory stimuli than it had. So he would look at his frined Larry. He knew Zombies like the smell of flesh and thought that would be a good starting point.

Draven would start with pulling his chakra out from his reserves. He would use some of it and place it over his skin. Though he would have to fiddle with this since the Zombies down here were not attracted to his skin. He would have to copy his own skin, which he did and would need to add a more normal quality to it. His skin of course having an aura of death to it that Zombies did not go for. He would actually add a element to the chakra that he copied from his skin. The tactile feel of living flesh would be added. The tactile and the smell.

Draven would push this element down to a coble stone block on the ground. He would need to encapsulate this small block of stone with the chakra. He was finding it a bit difficult at first, but only for the fact that this was a new feeling of chakra that he was messing with. It was indeed an illusion but the difference that he was using oposed to the other perception that he was using was strictly cosmetic to the object. This was not a chakra that would effect a single targets brain but rather a code that would imprint on anyone who would see or interact with the object.

Thus Draven would have to activate a trigger. In this case it would be a visual sense. Simply looking at this stone block would imprint a code or an order within the brain. The order of course would be utterly simple since he was just working on the basics of this perception. On an instincual basis he would imprint an order or a sensation that this stone block was actually living flesh. He had to keep his concentration as the chakra film was being genetly applied to the surface of the block.

Draven didn’t have to meld the chakra with the object, more so it just had to fit like a glove on a hand or a filament plastic sheet on a screen. That and it had to have enough chakra within the film of chakra to sustain itself, in some cases permanently. But for now all he needed was for the chakra film to stay in place. Thus He would use an adhesive like chakra mold on the underside of the chakra film. He would also need to have the chakra film project this mental code to anyone that sees it so in effect this one would have a duration to it. But what is he to expect from just learning the basics of a perception...

[Kyogi]

+10

[Draven]

SPOILER: Click to show

Startling Portrait
Rank: "D"
Skill: GenJutsu
Effect: This strange, mostly unknown Jutsu is placed upon portrait style paintings, causing the eyes of the face in the portrait to stare with an uncanny intensity.
Special: "Handseals"
Drawback: ---
Description: Affects anyone who interacts with 1 portrait. The user is able to perform this technique on the target they touch. The duration of this technique is instantaneous. This technique may be disbelieved once interacted with. Likewise, whenever someone walks by, the eyes of the face on the portrait turn as though to follow the individual in the room. The effects of the Startling Portrait Jutsu when placed upon the painting are considered to be permanent until the user chooses. While little more than an illusionist’s basic Jutsu, Startling Portrait has been often used on paintings in an effort to ward off trespassers and thieves.
Limit: Must know the Glamour Perception.

00/10

Draven was happy that Larry was trying to go after the stone block. Means he has the basics. Now he went to fetch a painting he had found down here. There was a scroll he wanted to train and employ and such things. He would read the scroll. Within it would tell about the workings of the eye and how such chakra can be attached to even the visual effect of an eye moving. This wast the basic creepy painting one would usually read in a horror house story. It was interesting and he had plans for such a technique. He would read further and note that this technique was permanent. That was going to be taxing to learn how to make such a technique permanent but he would read on. It was listing how this was done, mostly using or rather anchoring the chakra onto the painting much like pain is laid onto the canvas itself. It did indeed do this through handseals in a way a painter paints with a brush.

But Draven would read and he would give it a shot. The first step of course was molding the chakra up. This too the use of his freshly learned Glamour Perception. With this chakra he would make essentially a copy with his eye. This would include the muscle system and the visual look of the eye. But in effect this was but a shell. He had to give this chakra orders, and most notably the oder of the muscles of the eye. He would give the chakra of the copied muscle tissue the ability to control the eye in a natural state. Looking left, right, up. down and such.

Draven would have to continue programing this shell of chakra so that it would do more than just move. There had to be a tracking system. Something the eye had in its natural state, an element he would have to infuse into the chakra copy. He would do this through the copy of the cone tissue within the iris. The cones are in effect how one takes in images, and he would create orders within the chakra to do the same. He would base it off light much like the eye works, and track anything moving within the view of the eye.

Draven would work on the actual order to this stimuli for the illusionary copied eye. He would essentially give the muscles orders to move along with the tracked image from the cones in the iris. In theory this would produce the eye to track a target once anchored to the painting itself. Though he would have to mix this in with his handseals of the actual technique. The thought behind this was the handseals would project the chakra of this illusionary eye onto the painting and anchor it there. Though the image he would have to preset and design as he had been doing, thus this step he would make sure to group the chakra segments so they would coenside with the handseals for the technique.

Draven would produce his first handseal. With it he would splash his chakra across the canvas. He would do this again with the next handseals. Though with his extensive knowledge of Genjutsu this would not last long. He knew actually how to make this technique more efficient and cut down the handseals to about half. But all in all after this process was complete he had indeed fixed the copied eye onto the canvas, and in fact had done this twice within this process. The chakra had been anchored and ready for something to track. Thus he would let him track across the painting to see if it would work...

[Kyogi]

Damn son you fast

+10

[Draven]

SPOILER: Click to show

Disguise Trap
Rank: "C"
Skill: GenJutsu
Effect: User makes an existing trap appear as though it were not there—an open pit appears like the surrounding stone work, a trip-line disappears in the surrounding foliage, a flame jet looks like mortar grooves between the brickwork, and so on.
Special: "Handseals"
Drawback: ---
Description: Affects anyone who sees general location of the trap. The user is able to perform this technique on the target they touch. The duration of this technique Permanent until negated or the trap is tripped. This technique may be disbelieved once interacted with. As a result of performing this Jutsu, the trap becomes difficult to spot. If spotted, the opponent sees through the illusion and is not tricked by it again. In addition, that person can point it out to others.
Limit: Must know the Glamour Perception.

00/10

Success, the eyes of the painting followed him. Next Draven found a scroll to disguise a trap. This should be simple to learn he thought to himself. He simply needed an object. Fortunately for him there was a coble stone missing from the floor, he would use this. He would read the scroll to see how this was done. In essence one would use their chakra to simply extend the visuals of the surrounding location to mask the trap itself. Though there was also some elements of invsiablity that could be used within such a technique.

Though Draven knew it was all about the handseals. He would have to form the handseals around the molding of chakra and this part he could actually test out first. So he would start with the first handseal. He had read that the copy of environmental elements was the most crucial thing about this technique. He would let his chakra leach out to the surrounding of the hold in the floor. The chakra would copy the visual of the floor around it. Though he wanted it to be believable so he made sure there was a natural randomness to this copy.

Draven would continue this as practice as much of these techniques require copying of elemental visual elements. In fact he had to teach his chakra to do the same with the invisability aspect of this very technique. Though he was first figuring it out himself. The order to copy such a trait would have to be derived from a sensory aspect within the chakra itself. This was almost like teaching the chakra to leach out with itself and observe the environment around it. This was a program he would instill into the chakra so that it could copy.

Draven would then continue with the handseal and imprint the order into the chakra to act in this copy manner. He would lay the chakra around the environment so that it would soak up these properties into its own visual elements. He would produce another handseal to instruct this chakra to reproduce on its own “skin” so that the envirnment would trick the eye. But this would have to be done through actually tricking the brain of whomever looked upon this chakra. Thus it wouldn’t be an visual but more of a stimuli that the chakra would project into a would be passerby.

Draven would do this, he would program and order the chakra to act in this way. The theory was when some one would walk by the chakra would project an image into the head of the passerby. This image would trick the mind into thinking that the environment extended past the trigger of the trap or pit fall. In essence the trap would be hidden, and thus the final handseals. This was the anchor to the whole works. This Anchor would permanently fix the chakra to the trap. This chakra would full the chakra until trap was sprung. Thus he would test this out for himself.

[~Emi~]

+9

9/10

[Draven]

9/10

The technique wasn't quite right. He noticed that the actions from the fox where still unatural. He could see himself disbelieving his own genjutsu. So he molded some chakra up and touched up the chakra applied to the rug. He would make sure the rug had a more fluid flow with it and that the fix animation would be believable. Finally he would take a look at the mold before testing out the techinque once again.

[~Emi~]

+1
10/10, Learned ~

[Draven]

SPOILER: Click to show

Lively Rug
Rank: "C"
Skill: GenJutsu
Effect: This rather unusual Jutsu is placed upon a hide or skin rug, particularly varieties like the more popular bearskin rugs where the claws and head are still attached and preserved.
Special: "Handseals"
Drawback: ---
Description: Affects anyone who interacts with 1 painted portrait. The user is able to perform this technique on the target they touch. The duration of this technique is instantaneous. This technique may be disbelieved once interacted with. This rather unusual Jutsu is placed upon a hide or skin rug, particularly varieties like the more popular bearskin rugs where the claws and head are still attached and preserved. Whenever an individual happens to step upon the affected rug, the rug growls and seems to jiggle or tremble. The effects of the Lively Rug Jutsu when placed upon a rug are considered to be permanent and may only be removed by the user. Lively Rug has been often used to shock guests or ward off trespassers and thieves.
Limit: Must know the Glamour Perception.

00/10

Next Draven grabs a rug. This rug looks like a shabby rendition of a fox, so a small rug. With technique scroll in hand he starts to read. This technique is interesting. He cannot institute his trick of copying a design into a chakra pattern. No this has to come from his imagination. He reads that he will give this rug the appearance of being alive with the quality of a fox well or whatever the rug is made from. In this case indeed he had to image if a fox was made into a rug yet still was alive how would it act. Already his chakra was churning up.

Draven would have to program this chakra to have instinct. Of course it would also have to first recognize that an individual was present. That was the simple part. With a handseal he would program the chakra to take notice of movement near it. Then he would create another handseal and another program to instil in it to project the illusion into the mind of the individual that walks by. This way the illusion can take shape and come to illusionary life. He would make another handseal to fortify this rule within the chakra.

Draven would continue with the next step to molding this chakra. He had to give the chakra orders of the animal kind. He would start to imagine what a fox would do, well on an aggressive basis toward someone who wanted to walk over it. The first response would of course be a bark and a hiss, well a dog like hiss. He would also have it animate its head so that it would track the individual as it got close. The claws or paws of the fox would swipe and a snap from its mouth should add to this illusion.

Continuing this Draven would imagine what a fox would do if they were walking on their flat back. Well he would imagine the fox would try and turn its body if it could to bite at the individual. Furthermore the grasp from the paws would help this effect against the assailant. This all would actually be a trick of the mind against the would be intruder. He would continue with a few more action, and every once in a while he would produce a heandseal. Every time he did this he would program the mold of chakra so that the illusion would act in the proper way.

Next Draven had to anchor the chakra mold onto the rug and set its trigger mechanism. Since this was a permanent duration he would need to use the permanent duration trick. This trick was of course slowly seeping in its surroundings so that it could essentially be run of its environment. That and it could recycle the chakra that had been put into the mold in the first place. This was actually far simpler than it seemed to be since in essence these molds where just illusion. The chakra efficiency was far greater with this kind of technique, and so with the final handseal he would go about testing the rug...

[|Ayame Unbound|]

+10 learned

[Draven]

SPOILER: Click to show

Reverse Illusion
Rank: "A"
Skill: GenJutsu
Effect: Reverse Illusion covers non-illusory objects or creatures with a glamour crafted to make the subject of the Jutsu appear less than real.
Special: "Handseals"
Drawback: ---
Description: Affects anyone within 15 meters per Class Level. The user is able to perform this technique at a distance of 7 meters plus 6 meters per class level. The duration of this technique is permanent. This technique may be disbelieved once interacted with. An iron golem cloaked in Reverse Illusion might appear slightly insubstantial, and the boom of its footfalls might not quite match the timing of its actual steps. A pit cloaked in reverse illusion might flicker occasionally, showing a solid stone pathway where the "pit" seems to be, and a pole stuck into the pit into the pit would seem to strike a hard surface where open air should be. Basically, the objects cloaked by Reverse Illusion give off the telltale signs that would lead a cautious observer to disbelieve in what he was observing. In fact, the signs are so evident that observers who are knowledgeable in such phenomena would assume that faulty or poorly constructed illusion was at work, and no disbelief attempt is required for observers to categorize the reverse illusion as a true illusion. Just as interacting with in illusion in a way that might suggest it to be illusory is required before an observer can make a disbelief save, observers must interact with the real object cloaked by reverse illusion in a way that demonstrates that it might in fact be real before they can attempt to make a disbelief save against the reverse illusion glamour itself. for example, if a crossbow bolt is fired at the iron golem, and the bolt doesn't pass through the illusion, the observers might begin to question their assumptions. Anyone who makes a successful save to disbelieve in a reverse illusion will observe that the object in question is real. Anyone who fails would still see the item as an illusory. Reverse Illusion has little effect on animals since they will miss the subtle glamours that make it cloaked object appear illusory and simply assume from the start that the object is real.
Limit: Must know the Figment or Glamour Perception.

00/70

Draven finally pulled a rather larger scroll from his pack. It was called Reverse Illusion. This one was interesting. He could see the benefits of such a technique, though he could also see how he will need to be diligent in learning this one. There was a lot of chakra theology involved with this particular technique. Not only was the effect complex but it was a permanent which multiplied the difficulty. He would read through the technique absorbing the knowledge efficiently. He had survived this long with his ability to learn things in such a quick manner.

Draven would memorize the handseals and start working his chakra. This would be a rather complex build and a lot of working parts to it. He would have to trick some one into thinking a real object was an illusion. Notes of shimmering or unreal lines against the profile of the image where key. There also could be a lot of other flair added to the effects of the genjutsu, from which he was already trying to mold within him. He could feel his chakra bubbling and twisting inside him as he played around with these concepts.

Draven was using the Glamour perception, so the chakra was a finite craft to create. He felt the film that usually accompanies such chakra. This was the basis of chakra he could use to experiment with. This film which he stretched and pulled so that it would fit over his own body. This was so that he could have something to work with something he could mold. It wasn’t a simple copy and paste job, but rather a trick and a fluidity about it. He had to make this look like a poorly constructed illusion. This was going to take some finesse.

But for now Draven would apply the film over his body. He would then start his experimentation. He would use the handseals dictated within the scroll for this bit, but he wouldn’t complete the full set. Really he was only discovering what each handseal would do. For the first handseal he would find that it was a simple anchor to the target of this technique. In this case it was him. So he would move onto the next handseal. No apparent effect was noted. There was something at work that he did not see. The film fluxuated slightly but he did not note any visual effect.

Draven would release the handseal and try for it again. This time he payed more attention. Perhaps he had missed the effect. There was a partially broken mirror in the corner and he went near that before preforming the handseal. He would take close note to see what would happen. He would watch... But ..no, there was something. He could barely see it and it happened so fast. It was as if his visage flickered. But it was so quick, and the effect was not continues. He would note how the chakra played with the film almost turning it off then on in a fraction of an instant. With this concept he was already getting somewhat of a grasp of what was going on.

[Draven]

SPOILER: Click to show

Reverse Illusion
Rank: "A"
Skill: GenJutsu
Effect: Reverse Illusion covers non-illusory objects or creatures with a glamour crafted to make the subject of the Jutsu appear less than real.
Special: "Handseals"
Drawback: ---
Description: Affects anyone within 15 meters per Class Level. The user is able to perform this technique at a distance of 7 meters plus 6 meters per class level. The duration of this technique is permanent. This technique may be disbelieved once interacted with. An iron golem cloaked in Reverse Illusion might appear slightly insubstantial, and the boom of its footfalls might not quite match the timing of its actual steps. A pit cloaked in reverse illusion might flicker occasionally, showing a solid stone pathway where the "pit" seems to be, and a pole stuck into the pit into the pit would seem to strike a hard surface where open air should be. Basically, the objects cloaked by Reverse Illusion give off the telltale signs that would lead a cautious observer to disbelieve in what he was observing. In fact, the signs are so evident that observers who are knowledgeable in such phenomena would assume that faulty or poorly constructed illusion was at work, and no disbelief attempt is required for observers to categorize the reverse illusion as a true illusion. Just as interacting with in illusion in a way that might suggest it to be illusory is required before an observer can make a disbelief save, observers must interact with the real object cloaked by reverse illusion in a way that demonstrates that it might in fact be real before they can attempt to make a disbelief save against the reverse illusion glamour itself. for example, if a crossbow bolt is fired at the iron golem, and the bolt doesn't pass through the illusion, the observers might begin to question their assumptions. Anyone who makes a successful save to disbelieve in a reverse illusion will observe that the object in question is real. Anyone who fails would still see the item as an illusory. Reverse Illusion has little effect on animals since they will miss the subtle glamours that make it cloaked object appear illusory and simply assume from the start that the object is real.
Limit: Must know the Figment or Glamour Perception.

??/70
Draven was testing this first handseal with the effect. He would redo it a few times just to get a feel for what the effect did. He would take note of how it programmed the chakra to act as it had. The momentary flicker of his image was interesting. It seemed it was laced with a slew of orders within it. For an image to flicker like that, there was a note of inviability. For this to happen of course the background environment had to be copied and applied to the foreground. Then of course the overall of the chakra was imprinted into the mind of the person viewing. Most of that he understood, its just how so much of the information was stored in the handseal perplexed him.

Draven would do this a few more times over. Trying to slow down the timing within his head. Perhaps he could take a better look at the fluxuation of the chakra when this flicker happened. He would note that it was almost a spray of chakra onto the film form a source located within the chakra film itself. This did not come from him as a source. This of course came from the nature of the permanence of the technique. He was still stumped as to how a high leveled technique like this could create a permanence, but perhaps he was just getting ahead of himself.

Draven would continue though, as he thought he had absorbed what he needed to know from the first functioning handseal. Next he would produce the next in line. Though this time he once again noticed nothing going on. He would produce the handseal again except this time slower, and he was paying attention to his chakra. He didn’t really see anything happen. It was as if this handseal was a useless handseal. But he highly doubted that and continued to produce it. There was a chakra signal that was being sent but there was nothing being effected by the chakra. It was a bit perplexing to him. At least he would get some practice into his handseal formation.

Draven would ponder on this for a second. He would wonder why there was nothing going on. Then he would think, well perhaps it needed to be paired with the first one. Thus he would test this thought. He would preform the two handseals in tandem. He would note the flicker that happened with the first handseal and then...nothing. He would try it again and go slower about it once again. The same chakra spray he had noticed for the first handseal took place then the signal from the next. But he would not note any changes after that. He was starting to get frusturated with this handseal.

Draven would stand there looking at his image in the mirror. He would wait for a little while trying to think what interactions was going on. But then he seen it. He seen the flicker again. He had not preform the handseal to produce such a flicker. Then the thought passed through his mind. Perhaps the second handseal was a code to continue the flicker. Then it happened again, and it was a considerable amount of time shorter than the last. That mite mean the time between flickers shortened. And.... note that was a lost theory. Perhaps though it was random and he would wait and see while observing how the chakra flowed through the mold.

[KoKoKo]

20

[Draven]

SPOILER: Click to show

Reverse Illusion
Rank: "A"
Skill: GenJutsu
Effect: Reverse Illusion covers non-illusory objects or creatures with a glamour crafted to make the subject of the Jutsu appear less than real.
Special: "Handseals"
Drawback: ---
Description: Affects anyone within 15 meters per Class Level. The user is able to perform this technique at a distance of 7 meters plus 6 meters per class level. The duration of this technique is permanent. This technique may be disbelieved once interacted with. An iron golem cloaked in Reverse Illusion might appear slightly insubstantial, and the boom of its footfalls might not quite match the timing of its actual steps. A pit cloaked in reverse illusion might flicker occasionally, showing a solid stone pathway where the "pit" seems to be, and a pole stuck into the pit into the pit would seem to strike a hard surface where open air should be. Basically, the objects cloaked by Reverse Illusion give off the telltale signs that would lead a cautious observer to disbelieve in what he was observing. In fact, the signs are so evident that observers who are knowledgeable in such phenomena would assume that faulty or poorly constructed illusion was at work, and no disbelief attempt is required for observers to categorize the reverse illusion as a true illusion. Just as interacting with in illusion in a way that might suggest it to be illusory is required before an observer can make a disbelief save, observers must interact with the real object cloaked by reverse illusion in a way that demonstrates that it might in fact be real before they can attempt to make a disbelief save against the reverse illusion glamour itself. for example, if a crossbow bolt is fired at the iron golem, and the bolt doesn't pass through the illusion, the observers might begin to question their assumptions. Anyone who makes a successful save to disbelieve in a reverse illusion will observe that the object in question is real. Anyone who fails would still see the item as an illusory. Reverse Illusion has little effect on animals since they will miss the subtle glamours that make it cloaked object appear illusory and simply assume from the start that the object is real.
Limit: Must know the Figment or Glamour Perception.

20/70

Draven had produced the last two handseals that he was working on. He knew what they did, but he wanted to make sure this part of the technique had been done correctly. He had found some interesting aspects to the control of the handseals. He would note that he could change the timing of the flickering of the visage. He could increase the intensity of the flicker as well. He was already getting an idea why this technique was so difficult. A few comdinations of these elements revielled how less of an illusion impression one could get. Of course the point of this technique was to fool others into thinking it was an illusion. Such a meta technique...


Draven would continue with this section of the jutsu. He would get into a mod of repittion. His ever expanding goal was to always make techniques more efficient then they where listed as. Though this only can be achieved through experience as bing a jutsu caster. His extensive knowlged gave him an understanding of how to combine or enhance his chakra when preforming jutsu so that a jutsu was not so handseal heavy, which was what he was currently working on. He liked to do it this way and work on small sections of a jutsu. By the 15 time he had completed these two handseals he felt that he had a good handle on them.

Draven would now experiment with the best results. Previous experimentation revealed that he could mess with the elements of this random flicker, and currently he would produce the flicker in various ways. every time he produced the flicker and let it run its course he would take note of it and decided upon some change he wanted to implement. Sometimes it was how the flicker acted in the way of full coverage or partial coverage. Doing this he found that sometimes just a flicker of the images edge was enough to create a spark of intruige that this could possibly be a genjutsu.

Draven didn’t want the technique to scream Genjutsu but rather he wanted the Genjutsu to indicate there is something funny. Small clues such as this flicker done right will add to the effect. Given enough of these clues and most would come to the conclusion that this was a trick of the mind. Of course the true trick was making them think that. Thus the flicker would be perfected. The flicker of this image that he was producing. This flicker that he was currently tweaking, until finally. He would find it, that slight feeling that there was something fishy.

Draven perfected the flicker. He had produced it in almost the same manner of noticing the flicker for the first time. The flicker would happen at a very fast rate, at an almost un-noticable rate. He would create it so that it would flicker at random times. He would also create it so that it would flicker in different spots from just the edge to the image to the whole image itself. This of course was also ran under a random programming from his handseal. All in all he was satisfied with this portion of the jutsu. He would take the scroll and read upon the next section. It was another effect he would be adding to the total effect itself.

[Draven]

SPOILER: Click to show

Reverse Illusion
Rank: "A"
Skill: GenJutsu
Effect: Reverse Illusion covers non-illusory objects or creatures with a glamour crafted to make the subject of the Jutsu appear less than real.
Special: "Handseals"
Drawback: ---
Description: Affects anyone within 15 meters per Class Level. The user is able to perform this technique at a distance of 7 meters plus 6 meters per class level. The duration of this technique is permanent. This technique may be disbelieved once interacted with. An iron golem cloaked in Reverse Illusion might appear slightly insubstantial, and the boom of its footfalls might not quite match the timing of its actual steps. A pit cloaked in reverse illusion might flicker occasionally, showing a solid stone pathway where the "pit" seems to be, and a pole stuck into the pit into the pit would seem to strike a hard surface where open air should be. Basically, the objects cloaked by Reverse Illusion give off the telltale signs that would lead a cautious observer to disbelieve in what he was observing. In fact, the signs are so evident that observers who are knowledgeable in such phenomena would assume that faulty or poorly constructed illusion was at work, and no disbelief attempt is required for observers to categorize the reverse illusion as a true illusion. Just as interacting with in illusion in a way that might suggest it to be illusory is required before an observer can make a disbelief save, observers must interact with the real object cloaked by reverse illusion in a way that demonstrates that it might in fact be real before they can attempt to make a disbelief save against the reverse illusion glamour itself. for example, if a crossbow bolt is fired at the iron golem, and the bolt doesn't pass through the illusion, the observers might begin to question their assumptions. Anyone who makes a successful save to disbelieve in a reverse illusion will observe that the object in question is real. Anyone who fails would still see the item as an illusory. Reverse Illusion has little effect on animals since they will miss the subtle glamours that make it cloaked object appear illusory and simply assume from the start that the object is real.
Limit: Must know the Figment or Glamour Perception.

??/70

Draven would read the scroll. He would produce the handseal, and take note as his chakra surged into the illusionary film over him. He would wait... And then rapidly and slowly his image distorted, twisted and warped. For a second he almost believed his own Genjutsu and his stomach became queazy. But the effect wouldn’t last long as the Genjutsu broke. The chakra film over his body disapated as the warped image completely disappeared, leaving him standing there looking at himself in the mirror. He referred back to the scroll and read that one of the effects was a slight distortion of the image at times.

This effect that Draven had witnessed was on the extreme end of what he needed. He figured he needed the next handseal in line to make this effect work. He would produce the first three handseals and get the effect that he had started with before he had the distortion effect added. The visage he seen in the mirror would flicker at random times and random place in a very inconspicuous manner. He would then produce the next handseal followed by the one after that. As he had figured, his image in the mirror would twist and warp as before. Though this time once it maxed out its disapation it would reset and go through it again. It was on a cycle and he could already tell he could mess with this element just as he had the flicker.

Draven would undo the effect that he had just created upon his illusonary creation. He would then take it slow and slow down the handseals that created the distortion. This time the distortion of the image almost mimic how he created the handseals in the first place. The distortion of his image fluxuated at a slow rate and how the distorted did not change. Also he was wondering how to create this effect to change at a random rate and so that it wasn’t all encompassing. He wanted it again to believable so for now he would manually inject his chakra into the illusion to figure out the effects nuts and bolts.

Draven would surge his chakra through the program order of the distortion effect. It was a quick and strong surge and already seen that the distortion would in effect stretch his image and then return to normal. He would try creating his chakra in a wave like pattern within the chakra build and seen that the image would wave as his chakra did. He already was starting to get the hang of it as he twisted his chakra and his image in the mirror would do the same. This part of the effect once he dived into it was straight forward. It all depended on how he was flexing his surge of chakra into the keynote of the order.

Draven also guessed that a chaotic flow of chakra into the control order would create the desired random effect into the effect. The real trick was to make it seem believable. This meant that he would need a delicate tough in terms of chakra when sets this effect up. So he would make a few runs at the effect. He would form the two handseals needed and note the outcome. The first few times he did this, his chakra was unskilled and the distortion was too much or the randomness wasn’t where he wanted to be. But he was persistent and continued at it. He would produce and reproduce the two handseals calibrating the effect to what he wanted each time.

[Draven]

SPOILER: Click to show

Reverse Illusion
Rank: "A"
Skill: GenJutsu
Effect: Reverse Illusion covers non-illusory objects or creatures with a glamour crafted to make the subject of the Jutsu appear less than real.
Special: "Handseals"
Drawback: ---
Description: Affects anyone within 15 meters per Class Level. The user is able to perform this technique at a distance of 7 meters plus 6 meters per class level. The duration of this technique is permanent. This technique may be disbelieved once interacted with. An iron golem cloaked in Reverse Illusion might appear slightly insubstantial, and the boom of its footfalls might not quite match the timing of its actual steps. A pit cloaked in reverse illusion might flicker occasionally, showing a solid stone pathway where the "pit" seems to be, and a pole stuck into the pit into the pit would seem to strike a hard surface where open air should be. Basically, the objects cloaked by Reverse Illusion give off the telltale signs that would lead a cautious observer to disbelieve in what he was observing. In fact, the signs are so evident that observers who are knowledgeable in such phenomena would assume that faulty or poorly constructed illusion was at work, and no disbelief attempt is required for observers to categorize the reverse illusion as a true illusion. Just as interacting with in illusion in a way that might suggest it to be illusory is required before an observer can make a disbelief save, observers must interact with the real object cloaked by reverse illusion in a way that demonstrates that it might in fact be real before they can attempt to make a disbelief save against the reverse illusion glamour itself. for example, if a crossbow bolt is fired at the iron golem, and the bolt doesn't pass through the illusion, the observers might begin to question their assumptions. Anyone who makes a successful save to disbelieve in a reverse illusion will observe that the object in question is real. Anyone who fails would still see the item as an illusory. Reverse Illusion has little effect on animals since they will miss the subtle glamours that make it cloaked object appear illusory and simply assume from the start that the object is real.
Limit: Must know the Figment or Glamour Perception.

??/70


Draven was diligent and he would keep working with these two handseals. He would experiment with varying levels and bursts of chakra. He would watch and note the effects on his visage. His image would twist and distort in different and unique was, though what was starting to frustrate him was the fact that he could not localize the effect to a single area. He would try something then, he would add severely smaller amounts of chakra to the trigger of the handseal. This solved his problem, now all he would have to do is figure out how to control it.

Draven spun the two handseals and then released the effect every time he wanted to try something different. He was trying to figure out how he could control this localization effect better. He would note what kind of wave form his chakra was in when he injected the chakra. A part of his image would twist or distort and then he would release the effect. He would notice the tighter packed the wave form the different area the distortion would be. This would make him pause, because in the end the effect would have to be randomized.

Draven would ponder on this problem for a little bit. He had no idea how he can control this wave form so that it would produce random results in a random fashion, whats more is it would have to be at random times. He would play around with the effects creating the two handseals to tweak things as he would ponder on this. He was injecting his chakra into the order trigger of the handseal as he tried to figure it out. But what he did not realize was when he was playing around with the effects he solved his problem. It was almost too late to observe but it was right there.

Draven would note that he could inject a extended pattern to the oder. Or really he could create a series of effects and then cap it off with the control handseal. Even though it would be on a continuous loop he could still create a pattern long enough so that no one would notice. So he would start, and this would take a bit of chakra, perhaps 20 percent of the overall chakra needed for this technique. But he would put this theory to the test. He would create the first handseal of this set. He would then inject his chakra in a small amount. He would pause then.

Draven would pause because this would stop the current effect, and then he would inject more chakra in a different way. He would note that the chakra was doing exactly what he wanted it to and created a distortion or a twist in areas that he wished. He would do this pause inject pause a few times before capping off the order. He would wait to observe the effects of the theory. Indeed he seen that his pattern was repeated over and over, so the effect could be believable if he did this section correctly. He would just have to extend the pattern and very it up when he actually puts this technique into working practice.

[Draven]

SPOILER: Click to show

Reverse Illusion
Rank: "A"
Skill: GenJutsu
Effect: Reverse Illusion covers non-illusory objects or creatures with a glamour crafted to make the subject of the Jutsu appear less than real.
Special: "Handseals"
Drawback: ---
Description: Affects anyone within 15 meters per Class Level. The user is able to perform this technique at a distance of 7 meters plus 6 meters per class level. The duration of this technique is permanent. This technique may be disbelieved once interacted with. An iron golem cloaked in Reverse Illusion might appear slightly insubstantial, and the boom of its footfalls might not quite match the timing of its actual steps. A pit cloaked in reverse illusion might flicker occasionally, showing a solid stone pathway where the "pit" seems to be, and a pole stuck into the pit into the pit would seem to strike a hard surface where open air should be. Basically, the objects cloaked by Reverse Illusion give off the telltale signs that would lead a cautious observer to disbelieve in what he was observing. In fact, the signs are so evident that observers who are knowledgeable in such phenomena would assume that faulty or poorly constructed illusion was at work, and no disbelief attempt is required for observers to categorize the reverse illusion as a true illusion. Just as interacting with in illusion in a way that might suggest it to be illusory is required before an observer can make a disbelief save, observers must interact with the real object cloaked by reverse illusion in a way that demonstrates that it might in fact be real before they can attempt to make a disbelief save against the reverse illusion glamour itself. for example, if a crossbow bolt is fired at the iron golem, and the bolt doesn't pass through the illusion, the observers might begin to question their assumptions. Anyone who makes a successful save to disbelieve in a reverse illusion will observe that the object in question is real. Anyone who fails would still see the item as an illusory. Reverse Illusion has little effect on animals since they will miss the subtle glamours that make it cloaked object appear illusory and simply assume from the start that the object is real.
Limit: Must know the Figment or Glamour Perception.

??/70

Draven was satisfied with the result. He was already working on the next two handseals. He did it in two because he figured the second one was the controller for the first. Thus he would inject an average amount of chakra into the handseals and observe the results. He could already see, well it was hard to say what the change was. It was a bit hard to see his image correctly. Does he need glasses?... No that was the effect. He could already see how the chakra was playing with his image. It was bringing his visage out of focus. It was fuzzing the hard lines of his profile....

Though this effect was not perfected. Draven would release this effect, in fact he would release the other effects due to them messing with his own head. He would just focus on this effect and create the two handseals. He could see the out of focus view of his body in the mirror. Though he would look and think about how to incorporate this into the technique. In any random way or scaled down the out of focus effect would be far too much even at lower impact to seem like a natural mess up of a Genjutsu. Yet it was indeed apart of this technique somehow. He would be releasing the effect and recasting it and playing around with its effect.

Draven was trying to find perhaps a sweet spot where the effect would look like a naturally bad created Genjutsu. But every combination of intensity or localization just would not give him that feeling that the Genjutsu was a shotty cast. At least he would get some good practice out of this with his chakra control toward the technique itself. Though this thought only came to him after the hundredth time that he had preformed this segment of the technique. If it where him who created this technique he would have taken out this seemingly useless effect. So he would pause with the effect on him, and make a studied observation of the effect.

There was a crack in the mirror and Draven noticed something. He noticed that the out of focus section of his image played well with the imperfect of the crack on the mirror. He then had a thought. Perhaps he needed to combine this effect with one of the previous effects that he had worked out. But that would take a little bit of doing, for which he was already preparing by releasing this effect. He would cast the distortion effect where it twists a spot slightly on his visage and then cast this effect. He would note that the twisting looked more natural as if some unintended mistake a Genjutsu user mite make. Though what worried him is how he would tie this into the other effect.

Draven would try the string of handseals that he had perfected so far plus the out of focus effect. He would watch as his image was randomly and naturally effected with possibly imperfections of a Genjutsu. He did notice that the out of focus effect add to the naturability of these other effect. But when the other effects where gone, the out of focus effect made it look purposeful again. He would release all effects on his visage and try again, he would produce the handseals and try a few variations of chakra strengths to the control of the out of focus effect. He had noted that there was a certain tying in with the other effects when he did this, yet it felt un-calibrated.

[Draven]

SPOILER: Click to show

Reverse Illusion
Rank: "A"
Skill: GenJutsu
Effect: Reverse Illusion covers non-illusory objects or creatures with a glamour crafted to make the subject of the Jutsu appear less than real.
Special: "Handseals"
Drawback: ---
Description: Affects anyone within 15 meters per Class Level. The user is able to perform this technique at a distance of 7 meters plus 6 meters per class level. The duration of this technique is permanent. This technique may be disbelieved once interacted with. An iron golem cloaked in Reverse Illusion might appear slightly insubstantial, and the boom of its footfalls might not quite match the timing of its actual steps. A pit cloaked in reverse illusion might flicker occasionally, showing a solid stone pathway where the "pit" seems to be, and a pole stuck into the pit into the pit would seem to strike a hard surface where open air should be. Basically, the objects cloaked by Reverse Illusion give off the telltale signs that would lead a cautious observer to disbelieve in what he was observing. In fact, the signs are so evident that observers who are knowledgeable in such phenomena would assume that faulty or poorly constructed illusion was at work, and no disbelief attempt is required for observers to categorize the reverse illusion as a true illusion. Just as interacting with in illusion in a way that might suggest it to be illusory is required before an observer can make a disbelief save, observers must interact with the real object cloaked by reverse illusion in a way that demonstrates that it might in fact be real before they can attempt to make a disbelief save against the reverse illusion glamour itself. for example, if a crossbow bolt is fired at the iron golem, and the bolt doesn't pass through the illusion, the observers might begin to question their assumptions. Anyone who makes a successful save to disbelieve in a reverse illusion will observe that the object in question is real. Anyone who fails would still see the item as an illusory. Reverse Illusion has little effect on animals since they will miss the subtle glamours that make it cloaked object appear illusory and simply assume from the start that the object is real.
Limit: Must know the Figment or Glamour Perception.

??/70

Draven would redo the handseals from scratch, though with the previous two handseals he would try different combinations of chakra. He wanted the effects of the defocus to line up with the other effects in a random way. He would like to see the sparks of imperfections here and there, and with some smoother edges to the imperfections. He was redoing the effect over and over again to see what would work. He did not see that they would need a pattern but there was still something he was missing to achieve his goal. Perhaps he could tie in this control handseal with the other control handseals.

This was an idea that Draven wanted to test. But he undid all the effect and started all over once again. This time he would add a trace chakra element to the controls of the other effects. This trace chakra was like a string that the last effect could follow and trigger with the other effects. With this he would create the last effect and tie the control heandseal with the other effects. He would then witness to see what would happen. Indeed the defocus triggered at the same time as the distortion and flicker but not how he wanted. This meant that he needed to add a randomness to the trigger of the defocus effect.

Draven would undo the defocus effect form the chain. He would then experiment to find its random effectiveness. He wondered if he could simply implement it in the control handseal, but he needed to find what will work with that. He tried taking what he did with the flicker effect and apply that to the control oder. This seemed to work and to the effect that he needed. Indeed the effects would look defocused in random areas. And indeed it wasn’t to much so his calibration of the effect would work. Now for the task to make this technique permanent. This wasn’t something he did not know how to do, but still with this technique it would take some doing.

Draven would have to cap the techinque with a final control oder so that the chakra would know what to do on its own. He would see that handseal in the scroll and practice it a few times.The hard part about these control caps is the chakra process. It was so finite and such a delicate process to anchor the technique onto the item without disturbing the item or target itself. So thats part he would practice, molding that bit of chakra. The first few times was definitely an undertaking due to how mosaic the chakra complexity was.

Thus Draven would be practicing this cap. It wasn’t something he could simply experiment with. It either works or it doesn’t. Though he can tell if it works simply by the feel of the chakra from the technique. He was already looking at his results. He knew he wasn’t quite getting this cap down because the chakra shroud had a drain on it. It mean the last chakra injection with the handseal wasn’t quite right. He would have to redo the technique a few more times before he got close. Not until the tenth time did he take a closer look at the cap, because he thought that it mite be sufficient enough.